Sighting Santa Monica II: Pictogram

Siting Santa Monica II: Pictogram

Behold the visual poetry of a surprisingly mufti-faceted beach town…

First things first….bagels on Wilshire….

Mosaic mural juxtaposed with slatted building…packs the punch

Beach architecture…Santa Monica style…

Ahhh…do we have both the male and the female principal equally represented?

A different take on the design of the Hanukkah Menorah…

Curvilinear…indeed!

What sightings have YOU had lately?

If you feel so inclined, please share them with us here.

We love to hear from YOU.

Remember, we are all sighting this thing called Life, together.

HAPPY HOLIDAYS AND PEACE AND BLESSINGS TO YOU FOR THE NEW YEAR!


Pictogram II: Let There Be Light

Pictogram II:  Let There Be Light

Leaving the familiar and entering the journey can take many forms.

Sometimes the journey offers us a miracle.

Leaving home in the cold dark, I entered the airport as the light was beginning to show itself.

Upon entering the temple of SFO, a great  miracle happened.

A bright light appeared, and began to rise, getting  bigger and brighter.

Burning its way through the darkness, there came the sun,

casting a brilliant reflection of its own light on the plane  opposite.

It  continued to rise like a prayer,

or voices raised in hymn of praise,

 For the miracle of Life, Hope, Joy, Renewal, Moving Forward…or just,  Moving!

GO!

Wishing You and Yours Peace and Blessings this Holy Day Season.

May You move forward into the uncharted adventure of your greatest Dreams, Hopes, Joys, and Loves.

Cheers!

Pictogram I: Sitting Pretty in Santa Monica

Pictogram I: Sitting Pretty in Santa Monica

Setting the scene for sensational seating….

To Be Continued….


Published in: on November 29, 2011 at 10:26 pm  Leave a Comment  
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Santa Monica’s Magical Style: Convex, Concave and Curvilinear

Santa Monica’s Magical Style: Convex, Concave and Curvilinear

By turns magical, moving, and magnificent, Santa Monica exemplifies the outsized and over the top sensibility Los Angeles is known for. However, this beach town also holds quiet gems often discovered by happenstance.  Join me for a magical, mufti-faceted look at the ebb and flow of this “home of the California beach lifestyle”.

Organic meets geometric, creating magic in concrete forms.

A magical curvilinear wall of stones stands in front of Santa Monica’s Yahoo Center.

An over-sized exterior sculpture bubbles out from the side of a building, adding a bit of magic to the urban landscape.

A flowing window grate creates artful protection, as well as magical  beauty.

The Zebra car plugs in…stay tuned for another post devoted to this magical car.

Madame Chou Chou  bistro and patisserie on Main Street, offers spiral magic with its cutlery, as if the delightful patisseries weren’t enough!

What magical convex, concave and curvilinear sights have You seen lately?

If You feel so inclined, please share them with us here.

We love to hear from You.

Remember, we are all in the ebb and flow of this magical thing called Life, together.

Wishing You a magical holiday filled with a heightened awareness of the extraordinary all around us.

Cheers!

Compliments of the House…and Sky

Compliments of the House…and Sky

L.A.’s beach towns offer an abundance of local, architectural, and natural color.  Recently, I have noticed a predominance of the complimentary pair, blue and orange.  In architecture, the urban landscape, and nature, this pair dances together with energy and grace, delighting our eye, and enlivening all of our senses.  Check out the images below,  for a visual feast that will may leave you full, yet ready for more!

Compliments of Venice’s Abbot Kinney District.

Compliments of the streets of Santa Monica!

Compliments of the  Canal District of Venice.

Compliments of Nature, Marina Del Rey.

What color compliments have YOU noticed lately in your environment?

If you feel so inclined, please share about  them with us here.

We love to hear from YOU.

Remember, we are all complimenting this thing called Life, together!

ENJOY!

LA Stories VI: A-door-ing


LA Stories VI: A-door-ing

What is a door? A magical portal into worlds of fantasy, mystery, magic and even mayhem?

Recent explorations of LA area beach towns have yielded some a-door-able results. Please see below some examples of the door that keeps you coming back for more.   Turn the key of your  perception,  and prepare to have your imagination turned on!

This amazing find in Venice near the storied Canal District looks straight out of Alice in Wonderland. What extraordinary creatures are playing croquet on the lawn beyond?  Privacy seems to be the goal here.

Here is a more rustic version on a delightful street in Mar Vista, minus the hedge, and plus a “half”  wall! The house and yard are in full view beyond.  The door seems to be there for the sheer joy of it.

Energetic red animates a cottage-like Santa Monica residence, set off by soft yellow, and the colors of nature.  A visual target, our eye is drawn to this door like a magnet to metal.

The red door is used again here to great effect, as a “real” element in the midst of a children’s mural.  Red elements all around it integrate it into the scene, yet it stands out as a strong element, letting us know where to go to get to the other side of a seemingly safe and self-contained world.

Venice’s Canal District is home to many remarkable architectural design gems and delicious creative elements, including mosaic-ed columns which lead us down the path to the door to the door!

Giant bowling balls? Well, maybe. At any rate, these strong forms direct us to the portal of  “UMG”,  the  Universal Music Group Offices in Santa Monica, where some of the giants of the music industry do business.

Who says a door has to be real? And what is “real”, anyway? Madame Chou Chou Bistro Patisserie on Main Street in Santa Monica is the perfect place to indulge your appetite for fantasy, and  your sweet-tooth.  Highly recommended for an elegant, yet fun indulgence.

What magical doors have YOU opened lately, and what fantastical worlds have You entered?

If you so choose,  please share about it with us here.

We love to hear from You.

Remember, we are all opening the doors to this thing called Life, together.

LA Stories V: Navigating the Venice Canals 2

LA Stories V: Navigating the Venice Canals 2


Venice, like Los Angeles, like really most anyplace when you get up close…is a study in contrasts.  Seeming contradictions, unless you both look closely and widen your view. Even in the storied Venice Canal District, one sees the fascinating contrasts which give the place its unique texture and flavor, and perhaps aren’t such contrasts after all.

Architecture, Design, and Landscaping….

A cottage, its blue body and white trim punctuated with an energetic red door, nestled into trees and foliage,

and a stately stone and glass structure graced by palms.

Color…

Warm, vibrant, high contrast hues,

vis a vis earthtones, neutrals, black and white, and bricks….

And whether it be
warm and winsome sculpture,

hand-painted tiles,

or mosaic-ed columns,
The angels, are in the details!

Here’s to the beauty of contrasts, in all its forms.

What magical neighborhoods have YOU explored recently? What angels in the details have YOU discovered?

If You feel so inspired, please share about it with us here.

We love to hear from You.

Remember, we are all comparing and contrasting our way through this Life, together.

Cheers!

Is Your Color Centrifugal or Centripetal?

Is Your Color Centrifugal or Centripetal?

Recently, during our Color Muze segment, on Artistically Speaking Radio, we discussed the fascinating phenomenon of centrifugal and centripetal action and complexity, as color designer and expert Frank Mahnke, of the International Association of Color Consultants/Designers,  terms it.

The concept of  centrifugal and centripetal action and complexity in this context,  is related to using color to create a mood, to support the function of a space. In essence, we create moods through use of color (and pattern), and we can support (or not) the function of a space by the colors and patterns we use in it.

Centrifugal action, derived from the Latin centrum, meaning “center”, and fugere, meaning “to flee”, does just that: directs our attention out and away from the center, or, our inward center, and towards the environment.  Warm color, with high luminosity, (” emitting or reflecting usually steady, suffused, or glowing light “), has a centrifugal effect, and can help to create bright, cheerful, animated environments, conducive to activity, and conviviality, such as Living and Dining Rooms!

Centripetal action, by contrast, from the Latin centrum “center” and petere “to seek, is associated with  inward direction, and can relate to contemplation and concentration. Cooler and softer colors, with less luminosity can produce a centripetal effect, which can in turn increase the ability to focus and perform demanding intellectual or visual work.  Or, relax, sleep or bathe!

Strong color contrasts will create excitement in a room,

while less contrast will feel more calming, as in “tone-on-tone” pattern.

The contrast of a dark and cool color, with a light and bright one can create animation and excitement in a space through contrast, while the colors themselves express restraint and dignity,

creating a fitting  (pun intended) mood for a sophisticated retail space.

Less color contrast, yet high warmth and luminosity, can create a contained aliveness,

“apropos”  for an entryway that is meant to be both welcoming and elegant, calming and warm.

By contrast, strong pattern and related colors can perk up even a small space,

without overpowering it, and distracting from its function!

In summary, when choosing colors for an environment, the function of that environment should be taken into consideration, and color’s ability to focus our attention inward or outward used to its full potential.  The warmth or coolness, luminosity, strength (or chromaticity) of a color, the contrasts between colors, and the use of pattern will have a significant effect on the perceived mood of any space, and thus on our ability to use that  space, and function in it to highest capacity.

Centrifugal and centripetal action and complexity is another example of the inherent power and effect of color, and how we can harness it to support and improve our lives.

Take a look around at YOUR color schemes.

Is Your Color Centrifugal or Centripetal?

If you so choose, please share about it with us here.

We Love to hear from You.

Remember, we are all trying to get centered in this thing called Life, together.


LA Stories IV: Navigating the Venice Canals 1

LA Stories IV: Navigating the Venice Canals 1

The canal district of Venice is one of the most amazing urban areas I have ever seen.    Just for that reason…how extraordinary to have picturesque waterways crisscrossing the urban landscape of this beachfront district on the Westside of Los Angeles, lined with residences ranging from the charming to the spectacular.  The stone design  of the embankment is a unifying factor, framing the multitude of creative energies and architectural styles.

The canals were built in 1905 by tobacco millionaire, and developer Abbot Kinney, who  sought to recreate the appearance and feel of Venice, Italy in Southern California.

Did he succeed?

A color friend of mine likened this residence to a sherbert sundae! I love the color reflected in the water…

A “boulevard” of water…can create a feeling of such peace.

Reflection of a palm darkly…everybody uses that water, and crosses it.

Yes, that is a swimming pool, adjacent to the green wall, under the blue roof, and next to the orange post.

The perfect vista…a bridge over untroubled water.

From formal to funky, stately to sculptural, and shutters to shingles,  the whole district is architectural eye-candy.

Multitudes of watery reflections turn the world upside down…a California preoccupation.

Classic forms remain.

Holidays on the Canals, anyone?

Have You ever visited the Venice Canals?

If so, what was Your impression?

If you so choose, please share it with us here.

We Love to hear from You.

Remember, we are all navigating this thing called Life, together.




Ready, Set, GO, ARTISSIMA!

Artifactory  Studio, Decorative Painting, Faux Finishing and Murals

Artissima

The Blog of ArtiFactory Studio

First official WordPress blog post…entering this brave new world of blogging.

Welcome to the fledgling blog of ArtiFactory Studio: “Artissima“: a platform to offer information, ideas and inspiration through the medium of Decorative Painting, I look forward to sharing with YOU: fellow artists, creative entrepreneurs, small business people, and the world in general.

“Artissima” is in the process of development. Please stay tuned as the ArtiFactory Studio team becomes educated about this process! We are looking forward to a wonderful collaboration with graphic designer Dianna Jacobsen of Jacobsen Design.

I am honored to have the opportunity to play the “Color Muze” for Artistically Speaking Radio, hosted by Rebecca Parsons and Lyna Farkus on Blog Talk Radio. Starting May 23rd, I will be sharing color tips geared to the decorative painter, faux finisher and muralist each third Sunday of the month, at 7:15 pm, EST (4:15pm PST!!!) Join us! To listen: www.blogtalkradio.com/artisticallyspeaking

ArtiFactory Studio was thrilled to be interviewed by Carolyn Edlund, the owner and author of“Artsy Shark” a blog for emerging artists. Our hope is that the interview will support developing “artrepreneurs”.   Please share with us:   part one, and  part two

From the digital presses: New Bay Area Women’s Journal Article on the best place for Decorative Painting. Hint: EVERYWHERE!

The Bay Area Women’s Journal (“BAWJ”) is an easy to read online publication by, for and about not only women, but also men that inspire, encourage, and educate us to live our own best lives. The BAWJ has launched a Subscription Campaign for 2010. For every person who signs up to receive the BAWJ via e-mail, the BAWJ will donate a can of food to the SF Food Bank. So if you haven’t already,please sign up to receive the BAWJ via e-mail.  You can do that here  www.bayareawj.com/subscribe and of course if you feel inclined, please invite your friends etc. to sign up! Check it out! The official launch of the new digital San Francisco Bay Area Women’s Journal magazine! PREPARE TO BE INSPIRED!

Further BAWJ articles exploring the art and business of Decorative Painting:

http://www.bayareawj.com/decorative-painting-brushing-up-on-the-tools-of-the-trade/

http://www.bayareawj.com/the-fun-and-function-of-fabulous-faux-finishes-wood/

http://www.bayareawj.com/faux-finishing-get-the-look-of-marble-and-stone/

http://www.bayareawj.com/faux-painting-the-fun-and-function-of-fabulous-verdigris/

http://www.bayareawj.com/faux-finishing-the-fun-and-function-of-fabulous-faux/

http://www.bayareawj.com/inspire-your-best-life-with-the-magic-of-decorative-painting-2/

http://www.bayareawj.com/decorative-painting-the-skys-the-limit-the-ceiling-that-is/

http://www.bayareawj.com/holiday-glow-the-glimmer-glamour-and-glow-of-decorative-painting/

http://www.bayareawj.com/decorative-painting-childrens-rooms-transformed-into-fun-and-learning/

http://www.bayareawj.com/decorative-painting-childrens-creativity-corner-blackboard-gymboree/

http://www.bayareawj.com/business-branding-it-takes-a-village-to-paint-a-logo/

http://www.bayareawj.com/decorative-painting-innovative-colloboration-delivers-unique-one-of-a-kind-results/

http://www.bayareawj.com/decorative-painting-the-fine-art-of-client-collaboration/

http://www.bayareawj.com/celebrate-life-events-with-decorative-painting/

http://www.bayareawj.com/what-is-the-best-place-space-surface-or-location-for-decorative-painting/

Contributing to Our Communities: Decorative Painters Work Their Magic

:http://www.bayareawj.com/paint-brush-in-hand-decorative-painters-transform-our-world-one-wall-at-a-time/

http://www.bayareawj.com/decorative-painting-creating-our-paradise/

http://www.bayareawj.com/the-magic-of-decorative-painting

You Should Know About: Cre8tive Compass website, magazine, and radio show!
Cre8tive Compass is a decorative artists’ online magazine and community, and a
marvelous resource for finishers, muralists, and artists/artisans of all kinds, with a special focus on the business of art..

I was honored to be interviewed by Rebecca Parsons and Lyna Farkas of Artistically Speaking Radio on March 7, 2010. I hope that the art and business ideas we discussed will be of support to YOU! Other ASR shows may also be of interest.

Please share the recent newsletter of the talented web/graphic designer, Dianna Jacobsen, in which she gives us a peak into her design process through an interview with me about the development of ArtiFactory Studio’s graphic business identity.

For the latest ArtiFactory Studio news, updates and shares, please visit My Facebook Profile. Join my GRATiTUDES project on TWITTER.  I love to share with you- not only my own work, tips and process, but those of my friends, associates, and colleagues as well!

Let us share the wealth, of our hearts, minds, skills, and experience…and the gifts of our creative imaginations.

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I look forward to sharing more with you in the future. Please stay tuned, and check back!

Reconnecting to Our Joy…In Praise of Sitting

Time out of Time…Reconnecting to Our JOY

As artists, entrepreneurs, solo-preneurs, and art-preneurs, we have the tendency to either procrastinate, or work until we drop. To avoid a decision or an issue, or to wrestle and wrastle and wreak havoc upon our brains and our senses until we do or do not find an answer, or a solution.

But can we think to much?

Perhaps what we tend to forget, is that our work  is creative, and inspired by the imagination. I have found that when dealing with imagination lock down,  brain drain, or creative blocks, one of the best things I can do is get the heck out of there.

By “there”, I mean the circular pattern created by going over and over the same issue to no avail, the overload that can happen with too much input, or the standstill that fear, resistance, aggravation or frustration can create.

When this happens, I have learned that if I can get myself the heck out of “there” and back into my joy, to the central passion that brought me into my endeavor in the first place, I can move through the challenges at hand with that much more grace,, joy, and fun, to say nothing of success.

Chihuly in yellow...ain't we got fun...

I betake myself to the source,  inspiration central: the Art Museum. Blessed to live and work near The Fine Arts Museums of San Francisco, The De Young and The Legion of Honor, in their magnificent natural locations, are a constant, offering up continual visual fare.  But here’s the thing: when I go to The Art Museum,  I rarely look at the “ART”, though fascinating, provocative, and inspiring art there is to be found.

Crushed Cans Creation

When I go to The Art Museum, (aka, The Art “Muse”),  I betake myself to the cafe, or the sculpture garden, or the patio, or the bench, and I sit.

I sit, often with eyes closed (nobody cares), and let my  mind simply drain away, basking in the warmth of absolute nothingness.  It’s a ready, set,  stop  kind of experience,  and when it can be achieved, it feels cleansing, rejuvenating,  divine. To  sit without anything required, even for a short time, can permit  the mind to unwind and  allow  insights, ideas and inspirations to reach the lizard  brain and break the gridlock.

Just to sit...

It can be difficult to allow oneself to do this, to take this “break”, but even a limited time of it can yield wonders. Give it a try. Find your own “inspiration central”, and go there for a time out of time. Just sit. Ask nothing of the experience. You stand to gain everything.

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“As the Color Turns: Considering the Color Wheel”

The full version of this article, as well as much, much more of interest to the decorative painter, and artists, entrepreneurs, and business folk of all stripes can be found in Cre8tive Compass Magazine, helmed by the inimitable Rebecca E. Parsons, artist, blogger, teacher, and creative entrepreneur extraordinaire.

As the Color Turns: Considering the Color Wheel

As decorative painters, artists, and artisans, color is one of the building blocks of what we do. We are making color decisions each and every time we paint, glaze, gild, plaster, and mix and match materials. Color plays a key role in texture, pattern, imagery, and sensibility, the tools of our trade. Consideration of the color wheel, whether it be before, during, or after we have designed, sampled and applied a treatment can yield revealing, surprising, and even fascinating findings about ourselves, our clients and customers, and the environments in which we work.

Primary Colors: Here’s to the Red,  Yellow, and Blue

The primary colors of red, yellow and blue, the components of all other hues, (excluding black and white), in the world of paint, are dynamic when placed next to each other.  Although the renditions of each may not be “pure” in the strict sense, this triad captures our attention, and draws us into a space that feels clearly defined.  As in the entryway pictured above, the blue may be textured, the red a metallic copper paint, and the yellow a multicolored glaze, but the effect is still that of three independent  hues working in dynamic harmony. The result is that of layers of color which set each other off, which draw the eye  from room to room.

Complementary Colors: The Attraction of Opposites


Complementary colors subdue one another when mixed, and, conversely, intensify one another when juxtaposed.” says Christine Pittel, in “Color and Light Luminous Atmospheres for Painted Rooms” by Donald Kauffman and Taffy Dahl. (Clarkson N. Potter, Inc. c. 1999)  The complementary duos of blue and orange, green and red, or purple and yellow, (opposite each other on the color wheel) will create vibrancy and drama, drawing attention to any space they clothe. Here several glazes in each of the two hues are manipulated over a lighter  base coat in the same color family. The combination of glazes lends depth and complexity to the surface. Juxtaposing complements creates an instant color “pop”, which can be fun, powerful, and theatrical focal point.

Analogous Colors: Hue on Hue: Energetic Intensity


Blending analogous colors (those adjacent to each other on the color wheel) across a surface can produce an energetic, yet harmonious effect. The colors work well together because they are closely related, and their combination creates  interest. An added benefit to the decorative painter is the ability to integrate glazes more seamlessly together:  being  unified by color; they are easier to blend. Keeping the base coat and glaze colors analogous will cover up a multitude of glazing issues such as seams and joins created by the overlap of wet onto drying glaze. The closer a base coat color is in hue, intensity and value to the glazes being used over it, the easier it will be for us to control the effects we wish to create.

Neutrals: Tone on Tone: Subtle Harmony


“Tone on tone” neutrals create a sense of peace, calm, and soothing harmony.  However, is any color really “neutral”?  Creams, beiges, taupes, grays and ivories actually have significant undertones of color which define them, and thus the effect they create in combination with other “neutrals”. Combining soft colors interrelated in hue and value (tone on tone) needn’t be monochromatic (based on just one hue). Their combination can also be complex, and very satisfying, offering a sense of richness and comfort. When manipulating multiple glazes over a base coat, one way to ensure integration of all colors involved is to make a glaze out of the base coat color, and use it as part of the scheme. This will create an immediate tie-in of the base coat to the glaze colors, and enable easier blending of the glazes over the surface.

Color is a powerful tool, and when we understand how the color wheel works, we can employ it to our advantage in designing and executing  finishes, applications and treatments. In addition, our color knowledge can inform how we plan, mix and manipulate our materials enabling us greater mastery and control over our processes. As we enter more deeply into the resonant world of color, we can use its magic to enhance, beautify, communicate about and transform our world, one space at a time.

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Featured Work- The “Leopard”

Featured Work: The “Leopard”

This image is based on a piece of 14th century embroidery depicting the “Leopards of England”.  Remade into a religious garment in the 18th century,  it may have originally been a horse blanket created for the English King, Edward III.  It has been re-imagined here as a mock-up for a larger scale mural, one of my wish list of projects!

Re-imagined from embroidery to paint...

I discovered the original image at the Cluny Museum in Paris, the “Musee nationale de Moyen Age – Thermes de Cluny”, which houses one of the richest medieval collections in the world.  The Middle (Medieval) Ages is one of my favorite historical period for images…depictions of marvelous creatures and fantastical beings expressed everywhere in paintings, sculpture, carvings, and tapestries.  It would seem that the pagan underpinnings of European culture still breathe through these creations, which can inspire, delight, and mystify our soul upon  beholding.

A happy guardian of the harvast?

The Leopard grins out at the viewer against a background of foliage, punctuated by smaller, detailed figures which could represent the animated spirit of the natural environment, or perhaps tasks associated with fruitfulness and harvest, such as the care and tending of the vines. Does this image speak to you?

And, if so, what do the Leopard, and its spritely companions say?

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Slowing it Down to Move it Forward

Slowing it Down to Move it Forward

It may feel counter-intuitive, but more and more often,  I find that the best way to move “it” (aka: life, work, even relationships) forward, is to slow down, perhaps even STOP, take a breath, look inwards, or outwards, rally my forces, or let it all go, for just a few moments.

Like the old story of the tortoise and the hare, sometimes,“slow and steady” really does do it.

Sometimes when we slow down, we a find that we actually reach our goal more quickly, exceeding expectations, and enjoying a richer, more luxuriant experience.

In business for ourselves as artists, we may worry, as we work on a project and  near  its completion, that we are not meeting our bottom line…that time is “getting away” from us, that we under bid, over worked, or otherwise miscalculated our efforts and agreed-upon compensation.

That is exactly the moment to  STOP, take a breath, recalibrate, recalculate. Of course we need to make a living, to  be aware of  our bottom line, and consider our contract. But, at the same time, if we allow that to get in the way of our soul’s delight in what we love to do, then the whole enterprise can fall into question.

Instead, we can learn the creative, artistic, and business  lessons that each job, each experience, and each project offers,  and especially in those last few hours, minutes, and moments of completion, take joy in what we do, while exerting our best efforts.

Because, sometimes we need to see the parts,

in order to appreciate the whole.

Sometimes we need to slow down, even STOP,

to get the shot, the concept,  the bigger picture, the Moment: something wondrous, wonderful, and unexpected.

Sometimes we need to STOP and observe, from our own vantage point, what is around us, and feel what is inside of us.

In order to make ourselves whole again, we may need to STOP  for a moment, to realize where we have come from, how far we have traveled, and where we are going.

In doing so, we may find that we have come

full circle.

If you have the Time, please STOP! and share some of your experiences slowing it down, to move it forward.

And thanks for visiting…we are all in this thing called Life, together.

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Featured Work: “Mid-Century Retro”: Starburst, Atom or Tinker Toy?

Featured Work: “Mid-Century Retro”:   Starburst, Atom, or Tinkertoy?

When my Clients Ted and Mark expressed interest in a wall treatment for their guest room, they knew that whatever was done had to fit into the eclectic brand of “Mid-Century Retro” style they had developed throughout the rest of their home.

From their TV tables, to the artwork on the walls, to their shower curtain pattern, the colors, patterns, feel and sensibility of the interior design and objects recall the visual aesthetic of the 1950’s.

TV tabletop pattern

Touring their home, I observed earth colors re-imagined in plastic, textiles, dishware and furniture. Browns, yellows, beiges and ivorys were applied to patterns created by combining  repeated elements of line, shape and form.

Unadorned wall, a bit empty

Their sunny guest room needed adornment on the headboard wall , which captures attention upon entering the room. The wall color was already reflected in the pillows and bedding, and enhanced by the use of natural wood, pussywillow branches, and carefully selected artwork. Yet the wall felt bare.

Given the scale and function of the room, Ted and Mark were concerned about overwhelming it visually.  They wanted a treatment that would complement what existed, and add a sense of whimsy, depth, and dimension, without cluttering the space.

Ted, who had worked in graphic design, sketched out an image of  a “starburst”  which brought to mind molecular structure, resonating with their mid-century design sensibility.

TInkertoys? No, Molecular Structure

Or, to get more complicated, Tetrahedral Molecular Geometry.

Jack? No, Tetrahedral Molecular Geometry

I created a modular (molecular?) stencil based on his design, and cut the “line” and “circle” elements in a variety of sizes to mix and match, and create the visual impact we sought.

Ethereal Molecular

Assemblages of repeated parts, (lines and circles), were given depth and form through the addition of highlights and shadows, created with tints (white added) and shades (black added) of the wall color.

Line and circles were “built” into larger shapes and designs, just like some of us once built with tinker toys

The resulting treatment is reminiscent of designs and patterns that emerged with advent of the “Atomic Age”, and became integral to “Mid-Century” style. A nexus of science and design, perhaps so familiar to us now, that we may be barely cognizant of its origins.

Mirror Image Module Multiplies

Mirrors expand the space and subtle visual impact of the treatment. Values of light and dark add dimensionality and a soft “pop” to the shapes, which seem to do an dream-like, molecular dance across the wall.  Although it was not easy to articulate, this is the effect and feeling the Clients were looking for.

“The subtle starburst pattern enlivens our mid-century look. Our houseguests love the playfulness it contributes to the room.” – Ted and Mark, San Francisco, Ca.   August 2010

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Featured Work- Soulful Journey

Featured Work: Soulful Journey

Soulful Pilates Studio recently opened its red doors  in the Haight-Ashbury / Cole Valley neighborhoods of San Francisco.  It  is  owned and operated by Veronique and Walter Thoma.  I had the privilege,  referred by beloved vendor,  Creative Paint,  to take a soulful journey with Veronique and Walter and help them select paint colors for the interior of the Studio.

The Challenge:

To create a serene, yet energizing atmosphere of warmth, support, and intimacy in a somewhat cavernous space with high ceilings, punctuated by a pole.   To create a space which is soothing and cheerful, yet energetic and alive.

Veronique knew she wanted Soulful’s color journey to start with yellow.  But how to find a yellow that would work over such a large surface area, yet not be overpowering, jaundiced, blinding, distracting, too bright, too drab, too gold, or too muddy?  We sampled a number of hues, but none were right. When the Thomas showed me a tiny color swatch they had found at a small boutique paint company,  I was able translate that vision into the 2154 strip of colors found in the Benjamin Moore Color Preview fan deck.  By using a system of colors that were inter-related, we were able to create interest, variety, and subtle accents in the large space, without the complications of choosing other hues, which could busy the space, creating distraction for the students.  A strong, vital red on the doors (points of entry and passage) and the bench (place of rest and changing shoes) animated the space, providing contrast and energy.

Soulful Door

The exterior of the front door was already painted in an earthy red, and we took that idea to the interior.  The door now functions as an accent which can energize a foggy day,  of which there are many in our fair City!

Not Ketchup and Mustard

“Ketchup and Mustard”?   No…. Benjamin Moore  Spanish Red” 1301, and “Straw”  2154-50.

Front Accent Wall Contrast

Three tones of a soft ochre-yellow warm the tall space without cluttering it.  The warmth  is delivered by Benjamin Moore  “Straw” 2154-50 on the walls, (and pole), and “Filtered Sunlight” 2154-60 on the trim. What a dream job it would be to concoct the names for these colors!

Back Accent Wall Moves it Forward

The accent wall in the back of the Studio is Benjamin Moore “York Harbor Yellow” 2154-40,  providing just that slight bump up in color saturation, which adds subtle interest but not clutter to the space, as they are in the same hue family.

Royal Compliments of Gold and Purple

The golden tones of “Straw”, “Filtered Sunlight”, and “York Harbor Yellow” are offset by the complimentary purple mat, a royal combination…

Energetic Entry

The red door, clothed in Benjamin Moore “Spanish Red” 1301,  pops, creating an energetic entry into the bathroom, which is

Soulful Bath

painted in  Benjamin Moore,”Semolina” 2155-40, on the walls, and “Cottontail”  2155-70 on the trim.  Again,  the use of two related hues, less earthy and more orange then those of the main studio space, varying in degrees of saturation and intensity and thus, value.

Colors Support the Function of the Space

Using a unified set of hues unified the unwieldy space, and made it welcoming and accessible to both the Clients, and their Clients: the students and practitioners of Pilates that would come to this studio to study, learn, and grow, taking their own soulful journeys here.  Red, with its associations with blood, fire, love, and life force is the perfect foil and energizer for the harmonious “yellow””.

Says Walter Thoma:
“The colors look better up than we imagined….the darker…color on the two walls looks really good”

Sometimes, what color can do for a space can come as a (happy) surprise!  The results may be…Soulful!

Oak-town Wonderland

Oak-town Wonderland

I  recently had occasion to traverse the San Francisco Bay east-ways,  travel over the two spans of the East Bay Bridge, and take a little foray into “Oak-town”, or our fair city across the Bay,  Oakland, Ca.
Often maligned, perhaps not enough appreciated, Oakland is a diverse, multifaceted place,  encompassing its own wonders,  not the least of which is warmer weather.

Even though I live in one of the most beautiful places in the world, and I know it, and I APPRECIATE it, sometimes it is just good for the soul to take a foray into a different world.

Here in the Bay Area, that is very easy to do. I am fortunate in that my work takes me North, South, East, and as West as you can get without hitting water.  In fact, many of my job sites take me across water, over hills, under freeways, and around town. It’s big fun.  I especially love it when I am afforded the opportunity to get a fresh new view of a place, a site, a town, or, a lake.

Oakland's Water Jewel: Lake Merritt

I had a meeting planned at Oakland’s Kaiser Hospital, right on the shores of Lake Merritt,  with a fun associate, and a new contact, already setting the stage for an energy boost!

On this beautiful day, the water glittered, and sky scraping buildings of the City of Oakland curved away from its banks, as the lake itself, framed by its walking path, seemed to curve towards me in a gesture of welcome. “Take a moment”,  it seemed to say. “Take a breath, take a moment, enjoy the sun, the air, my water,  and the ‘Three Sisters sculpture in the park  across the way.”

"Three Sisters" hang out...

Being one of three sisters, the sculpture rang resonant, humorous, timeless, forever.  Who was who…I wondered.

Forever Three Sisters

And then…all too soon, it was time to go back.  Back to the other fair city across the Bay, traversing  the two span bridge yet again, westward this time.  Back to the other body of water I am privileged to dwell near…mother to the Bay, and great big sister to Lake Merritt, the blue Pacific.  It tends to be a little colder there!

Indians on the Beach

It was time to get back to work, back to the rest of my work for the day.  But I left, vitalized , energized, and inspired  by the warmth, community, vitality, and connection, that is Oakland.  It wasn’t just a glimpse into another world, it was a moment in time in a world that is mine, too.  A world that is there for all of us to visit, support, participate in, and enjoy.

Oh- those aren’t “real” Indians on Ocean Beach.  But that’s another story…ah, I mean, post!

Here’s wishing you discovery, happy adventures, inspiration and energy, wherever you go, and whatever you do, today, and every day. If you have an adventure or a discovery that was right around the corner, or across the Bay, please share it here. We’d love to hear about it!

Happy Trails!

Our Color Daze: ColorPlay for EveryDay

Color Daze: ColorPlay for EveryDay

If you were trying to assign a color for each day…what would it be?

Cool Down with Seablue Pearl

In the heat of Summer, or in our case in the Bay Area, Fall…cooling down may take place in a seablue pearl guest room…and since you are the guest, you can relax, dreaming of sky and water.

Sunrise, Sunset...Shorter get the Daze...

Sunny days yield magnificent sunsets which burn into night. Tricky to create this purple sunset sky on the ceiling:  it has to be both soothing and stimulating for the little girl who inhabits this bedroom. Enjoy the days, and minimize the daze, please.

Color me Primary

We are blessed to experience beautiful, bright, crisp fall days here by the Bay…blue skies, liquid gold sunshine, sparkle, and the red edge of Autumn.  The primary triangle is everywhere we look,  filling us with restlessness and energy.  We know the earth is preparing for hibernation, but we feel crisp and alert.

Hallway Heat: Purple Can be Hot

We revel in the heat of Indian Summer, with its rich expression of color…golden sun, sinking into brilliant orange and then deeper purple, at the end of the day.  The air feels hot, and the colors seem to burn.  Our perception of color can actually cause us to feel a 5-7% degree of difference in our body temperature.  Color Power made manifest.

Hot Ceiling: Color Power

During conditions of  Rain, Fog,  Overcast… so common Ocean-side, we can use  some Hot Color to Warm us UP!

Compliments of Royalty

No accident that the complements of gold (yellow) and purple (violet) are the colors of royalty.  The juxtaposition of the complements does not lull us to sleep, it wakes us up, with a sharp edge of contrast: the zing of  citrus and the sweetness of plums.  Complementary couples, much like cymbals, clash together to “make a joyful noise”.  We are startled awake, and though the earth may be settling down  for a long snooze, we wake up,  we are enlivened,  we know we are alive.

Viva Les Colours!

 

Color Me Eclectic

Color Me Eclectic

On a recent sunny and magnificent day, I took a ride South, then West, first to see a Client, then to return to my studio in the western part of the City.

Little did I know what house color adventures awaited me during this relatively short excursion.  From  the middle class, to the well-to-do, to the downright funky,  the inhabitants of this variegated city never cease to amaze with their use of imaginative, and I must assume, highly personal  combinations and placement of color on their dwellings.

Here is a bit of my colorful, and oddly poetic romp, from the edge of nicely heeled Monterey Heights, to the Pacific reaches of the Sunset District’s outer Avenues.

Pale green and pinky red: not exactly Christmas

Across the street and down the road from my Client, who has resided in the same earthy gold stucco home for at least three decades, in a neighborhood of many more stucco. earth-toned  houses, I saw the above brightly hued structure, nearly vibrating in its complementary red and green intensity.  I noticed it also, because I expected to see it clad in it’s former strong yet earthy orange, (still quite noticeable in the neighborhood), next to the house pictured  below.  It has since been painted, but managed to avoid a Christmas glow, because of the paleness of the green, and pinky quality of the red.  Some might say that the placement of the paler color on the foundation’s garage door makes it feel ungrounded, but making such claims is not the purpose of this post.  You may draw your own conclusions.

Orange sherbert and Chocolate plum...vaguely gastronomic?

This house is the red and green home’s  direct neighbor on its left.  No slouch in the bright color department itself,  it no longer coordinates with its vibrant neighbor, and perhaps, fades into commonplace next to it.  However, it still stands out and reads as bold amidst the browns, ochres, golds and ivories that dominate the street.  Credit should be given where credit is due.

You could forget where you are....

Out of Monterey Heights, and away from the adjacent St. Francis Woods, one enters the world of the Outer Sunset Avenues,  punctuated by alphabetically named  streets which slope down to the blue Pacific.  Concentrated Asian populations, among others, reside in this area, their cultures reflected deliciously in colors and architectural details, as well as restaurant cuisine.  While gazing at the Church above,  framed by some of the few trees that grow out here, one could forget where one is for just a moment, and imagine being in other lands across the water.

Yellow ochre against jewel blue sky

Artists, musicians, and other creative types also live beach-side, and it is not completely unusual to see self-styled architectural additions, mural applications, faux finishes, textural surfaces, and decorative painting treatments like the one above, brightening up the often grey Avenue climes with strong color and whimsy.

One side of the street...

Driving West, I noticed that both sides of the street in a particular block had stretches of colorful houses directly facing each other.  Above, the shiny blue car adds a counterpoint to yellow,  green and red brick building fronts.

And the other side of the street...

Brightly colored cars would have been a distraction on this side of the street, and taken away from the yellow, green, ivory, mauve and blue house hues.  Happily, the homeowners complied with the concept of “variety within reason”, and maintained a balance of unity and complexity through their choice of dark gray automobile.  Thus, viewers and passers by, such as myself, were saved from the potentially negative effects of  overstimulation….

Backside View: weathered, poetic pastels...

Some might find the pale,weathered backsides of painted Avenue buildings understimulating, which could lead to restlessness and boredom in the viewer.  However, to me, these pastel-colored patinas,  slowly fading over time in the constantly shifting weather and light conditions of sun to fog, to rain, to sun again, contain a grave poetry . Perhaps they mirror the ultimately somber poetry of our lives: no matter how brightly we color the exterior, the facade will fade and crumple over time.  All is eventually claimed by nature. But what color we can create in the meantime, as we paint the portrait of our lives, reflected in our buildings, neighborhoods, cities and art!

If you have the time and the inclination, tell me what you think!  We are all in this thing called Life, together.

Facebook…and You

Facebook…and You

A Group is Made of Individuals

Recently, I have been approached by no less than three esteemed colleagues, asking me to share with them how I use Facebook, and how “FB” could serve their business, organization, and publication, respectively.  This Interior Designer, Non-profit Director, and Publisher had essentially one goal in mind: swim through the potentially bewildering mass of input that is Facebook, understand its processes, and harness its power to grow their business, raise awareness of their organization,  and increase the readership of their publication.  In a nutshell…to get more people to pay more attention to what they are doing.  In essence, not to be alone howling their message into the wind.

Don't Howl Alone into the Wind

How do we do this?

Reach Out and Touch Someone...

Well…reach out through the digital divide, connect with your keyboard, and touch someone, or, a lot of people.

Say:  “Hello” – (aka: “Hello World!)

Say, "Hello World"

While not a “how-to” guide”, I offer some thoughts,  ideas, and guidelines to the new and the seasoned user of Facebook, in the hopes that they will “friend” the twin activities of giving and receiving, and thus enrich not only themselves and their endeavors, but all of us “FB” users.

OK…So, how do we do this?

Through sharing and caring. (Sound sappy?  It’s powerful.)  We can communicate, consider, and connect, each in our individual style.  It does take some effort.  There are even mathematical formulas expounded, as to how to distribute your energy across the Facebook terrain.  I will share mine (mind you the math part is flexible…adjust to your own needs, intent, and instinct).

Facebook is used to share, communicate, inspire, educate, market, network, promote, inform, connect, and all manner of other good stuff.    It may be used for other things too, but the latter is what I, and most of the folks I am connected to and observe,  use it for.

I present this simple formula for your consideration:

Make roughly 30% of your posts about YOU/Your Work, Product, Service, Cause, or Organization.

Make roughly 60% of your posts about OTHERS/Their Work, Product, Service, Cause, or Organization, or even, their jokes, videos, photos or links that you feel comfortable having on your page, and sharing with your FB friends.  Ways to do this include “sharing”, or re-posting friends’  posts on your page, “LIKING” their posts, and  “COMMENTING” on their posts in an appreciative and supportive manner.  You can also simply post about someone, or something on your page, recommending, extolling, supporting, or complimenting them, or, it, as long as this feels true to you.  I engage in these activities primarily within the context of my field of work: decorative painting, color, the visual arts in general, the arts in general, to keep my Facebook presentation cohesive. I call this activity “CELEBRATIONS”, and it is great to post them regularly.  Celebrating a person, their work, their cause, or their achievement is a gratifying way to show appreciation, reach out, and support your fellow FB friends, or even those you are not (yet) connected to on FB.  You can  promote their work, service, business, or just THEM to the world…the Facebook world, and the world in general (if your Page happens to be public, as mine is.)

Make roughly 10% of your posts about WHATEVER fun, unique, unusual, special, eccentric or eclectic  topics you wish to share…keeping in mind that these posts are indeed, sharing.  These posts may have a more personal flavor, without necessarily looking, at first glance,  like they are directly connected to your Work, Product, Service, Cause, or Organization, although at second glance, they might be.

I realize as I write this how personal Facebook really is, as regards to how folks approach it, how they use it, and what they want to get out of it.  It can be tempting to get really personal on Facebook.  I would just remind everyone that  anything placed  upon the seemingly infinite table of the Internet, can potentially be seen, read, consumed, and responded to by anyone alive on the planet.  So…please!  Be careful…be considerate, be conscientious….but don’t stop having FUN!

Don’t howl alone,  howl with and to others!  They may find your howling helpful, or at least, amusing….

Don't Howl Alone...Howl with Others!

For further FB info:

Here is an informative post on Regina Garay’s  (of GARAY ARTISANS)  far-reaching blog, “FAUXOLOGY” on how to use Facebook for your Business, written by her sister Suzanne.  This post helps to demystify the difference between FB pages and groups, so please read, and enjoy!

If you have the time, and the inclination, let us know what you think, and feel, about this post.  We are all in this thing called Life, together.

Cheerio!

TJ’s…and Me

TJ’s…and Me

I am sure many colleagues, fellow artists, artisans, decorative painters, solopreneurs,  “creativepreneurs” (does that word exist yet in our lexicon?)  and many others, can relate to the feeling that I had not so long ago, after a spec visit to a potential new Client.  We love what we do, interacting with people, the excitement of beginning a new project, the creative collaboration with our Clients, the focus, commitment and connections required.  What we don’t love is that sometimes the continual reaching out into the unknown: people, projects, ideas, materials, challenges (the weather, for heaven’s sake!), can at times be momentarily exhausting, even overwhelming.

The feeling can overtake us at any given moment, after a meeting (hopefully not before, or during), unloading supplies, working through the numbers for a bid, or even working on a blog post (not me.. no, never!)

Suddenly, the professional interaction feels demanding, carrying supplies becomes lugging, the numbers seem either too high, or too low, and perfectionism and procrastination rear their challenging heads.

I felt that way recently, when I found myself trying, as we all do, to pull the various factors of a project together to make it work out well for the Client and myself, to say nothing of the associated painting contractor.  I left the meeting, and since Trader Joe’s was  right on my way home, I decided to stop in and do a little shopping, knowing that I always enjoyed the experience.

Why do I always enjoy the TJ’s experience, especially at my “home” store?

Well, for starters, there is the free coffee and samples, an offering  to the weary traveler (ah- customer) ready for a little TLC.  Whether it is a mother with young children clutching her cart, a couple on a budget preparing for a party, or, like me, a working gal needing a break, the TJ’s temple of artisanal eats is there to serve.

And serve me that day it did.  The instant I dismounted my vehicle, traversed the parking lot, and entered the grocery’s hallowed hall, I felt that blast of energy one gets when stepping  into the stream of animated humanity there for but one reason: to gather forth sustenance for themselves and their families, and to have fun doing it.

The sights, scents, and colors (yes, colors ARE part of sights, but so much more, as my colleagues in HUE will attest to…) of flowers, fruits, cheeses, chocolate, (I recommend the Trader Joe’s truffles, to all who are looking for a little something sweet to bring to a gathering), among seemingly millions of other things, all of which I knew I could love, greeted me upon entering.  I made a beeline to the samples station,  reanimated myself with a tiny cup of perky cafe, and snarfed down a thimbleful of something hot and delicious that was being featured, once again thinking, “What an awesome marketing strategy…this great free stuff makes one want to come here, without one even knowing it…one looks forward to the goodies one knows one is going to get!”

Not only that.  The Trader Joe’s “wait staff” is a part of the total energizing quality of the place, at least at the store we patronize.  Fresh and positive, they make you feel as though you are making their day just by being there.   They are just thrilled to share with you where the soymilk is, how many kinds of Parmesan there are, and whether a favorite item is ever going to show up in the store again, or has been discontinued.  After a few interactions with these folks, I felt the tension drain away, and a new lease on life take its place.  After all, how bad can it be, when one can treat oneself to a frozen vegetarian pizza, or stack of salmon patties so reasonably?

If it all is part of a marketing strategy, it is working. Stimulated by the coffee, and nourished by the tasty sample and friendly chat, I was ready to shop, and of course ended up buying more than I had originally intended, which was pretty much nothing.

There are so many business and life lessons embedded in this experience.  First of all, the resonance of a positive experience had already been established by many visits to TJ’s in the past, which drew me to go there expecting to have one again.  I had sense memories of sights, sounds and  tastes that had been enjoyed there.  I knew the whole philosophy of the place is good value in a fun atmosphere.  I knew I’d be fed, both literally and figuratively, in the process of food shopping.

TJ’s gives us a break from our normal routine of constant commerce by offering us up that little treat to keep us going: that sip of coffee, swallow of juice,  bite of something delicious, a smile or a  joke without, ostensibly, asking for anything back.  But what they do get back is something so much more: customer loyalty, continued patronage, and increased sales, just because people have so much fun being there, perhaps walking out feeling better then when they walked in.  Of course, the goods are delivered: healthy, artisan goods of  quality, delivered  at a reasonable price.  Everyone knows what they will get when they go there, and they keep coming back.

This is what we all want from our businesses,  from our lives…a continued commitment in quality relationships, goods and services, something we can afford, and gives us pleasure and satisfaction, something we can, in this precarious world, depend on.  Something that doesn’t disappoint, but keeps us coming back for more.  Maybe keeps us hungry for more.

TJ’s, thank you for being there!  I will continue to learn by your example, and enjoy your offerings.  Now…where’s that vegetarian pizza?

Small Changes…Big Results

Small Changes…Big Results

We have all experienced the power of small changes: that slight shift in hue, design, tone of voice, or verbiage, that can lend an entirely new meaning to something we see, say, or feel.  Color consultation is all about this, and it doesn’t always take a lot.

Before Painting

After Painting

Well, sometimes it does!

Before Painting

After Painting

A “simple” choice of color can affect  the entire look and feel of something.

Yellow House, Green Swag

The Devil is in the Details

Whatever we may think about the green swag against the yellow house body trimmed in white, we can probably agree that the choice of color, any color, of this decorative detail makes a significant difference in the look and feel of the building.

We know as artists, colorists or both, that the tiniest drop of tint into a paint color can change it completely.  Many of us have found this out through intentional or unintentional experimentation.  The balance can be shifted from warm to cool, from clear to muddy,  from light to dark, from saturated to diffused.  The process is always a discovery, an adventure, and a journey.

Taking the Journey

So it is with our words, our actions, and perhaps most importantly, with our thoughts.  We have all had the experience of an interaction escalating into a tirade or an argument, and then thinking later that if we had made just a small change in how we spoke, or behaved that the whole experience and outcome could have been different.  Or, we do make a comparatively small change, such as wearing  a new color of clothing, finally purchasing something that we needed, giving something away, or rearranging possessions, and we think to ourselves something like, “Why didn’t I do that sooner? Keeping these things in a box instead of a bag is just so much easier!”

Why is it so hard to learn these lessons?

I am not sure of the answer to this, but I do know that practice in making the small changes can help us make the big ones without our even being aware of it.  Practice may not always make perfect,  but it may help us approach the larger transitions and decisions in our lives with greater acumen and  confidence.  If we get into the habit of changing small things,  the larger changes we face may be that much less overwhelming.  Our change muscles are flexed, having done some preliminary exercises, and primed to take on the greater challenges of our lives.

Recently, on the wonderful blog talk radio show “Artistically Speaking“, my colleague Lyna Farkus was interviewed about her career as a decorative painter, and inevitably, her life journey.  She shares how recently, she allowed a fellow driver she encountered on a busy workday morning to go ahead of her, and how she saw clearly how that simple act of  generosity would potentially affect that person’s entire day; his interactions, relationships, and who knows, maybe even his safety.  By easing the driver’s frustration, that “random act of kindness” may even have saved his life. by causing him to be calmer and thus more careful on the road.

We don’t know the ripple effect of our actions, and there is an infinite amount of factors that we cannot control.  But, just like the tiny drop of tint that can completely change the character of a color, a tiny action,  change or shift can yield significant results.  Just as we learn about color mixing through practice and experimentation, so we can make small changes a practice.  However daunting, scary and heart-stopping change may seem to be, we can fall back on our experience of the positive outcomes engendered by the changes we have entered into willingly, and enter the mystery of the unknown with that much more clarity and serenity, and maybe, even a modicum of joy.

Entering the Mystery... may yield results

If you feel so inspired, please share with us some of the changes you have made, and how you were able to make them.  We love to hear from you. Remember, we are all  in this thing called Life, together.


Ceilings: No Limits for 2011!

Ceilings:  No Limits for 2011!

As we  enter the new year, let’s take a minute to consider not limitations, but possibilities!

The ceiling, or  ”fifth wall”,  imposes limitations of height, size and shape upon the room it covers.  A defining factor of any interior space, the color and treatment of a room’s ceiling can profoundly affect its ambiance.

Whether you wish to warm up or cool down your interior spaces this year, create more spaciousness or intimacy, or add formality or whimsy, try taking a  fresh look at your ceilings, and pondering their creative  potential.   Consider the ceiling a blank canvass with unlimited possibilities.  After all, the ceiling is our interior sky…and you know the old adage…”the sky’s the limit!”

Here are a few ideas to get you going…

Some folks like it hot…hot color, that is.  Like washes of strong hues on all the walls , and gradated color glazed on the stairway ceiling to express the warmth of a luminous sunset!

The gradated sunset colors overhead flow from yellow to orange to red to violet, as we climb the stairs and turn left into the second floor hallway.  Adjacent is a yellow and black deco bathroom, with a  glazed ceiling that matches the walls.

The theme of sunset also inspired this ceiling treatment.  The young girl who lives here requested a purple sunset cloud and sky treatment.   Five glazes in hues of blue, purple, plum, pink and fuchsia are blended in several layers over a ceiling surface  that curves down to meet the wall’s crown molding.

This kitchen tray ceiling seems made for a multi-color glaze treatment that enhances and accentuates it, adds warmth, depth and interest, and reflects the copper accents throughout the room. The folks  who cook here also appreciate the appetite-stimulating effect of the treatment’s tones of coppery-orange.

Baths and powder rooms are ideal for imaginative, mood-setting ceiling treatments.  The only rules: prepare the surface to be treated properly, and protect it with the appropriate varnish upon completion.  On the recessed ceiling of this bath, blue and pearl glazes are blended together to create a dreamy evening sky punctuated by stenciled silver stars.

The light fixture was the inspiration for the ceiling design in this colorful entry.  The stencil  based on it is set off by sponged and stippled glazes which wrap the entire room.  Mysterious decorative shadows are cast by the light shining through the ornate fixture, adding to the effect!

How about a little gleam and glimmer?  Three successive applications of gold and silver glazes lend depth, shimmer and texture to the entry ceiling of this designer showcase home.  The treatment adds elegance and glamor, and doesn’t compete with the light fixture.

This octagonal domed breakfast room is treated to successive applications of custom metallic gold and silver glazes which  create an effect of both subtlety and richness. If metallic finishes are  applied with a light touch in the right room, they add a bit of magic, and don’t overwhelm the space.

In another domed breakfast room,  the ceiling’s architectural details  are brought out by the application of three soft-colored glazes, applied and blended with sea sponges.  The treatment also warms up this fanciful room, one of many jewels in a magnificent Spanish Revival home.

Two young brothers inhabit this room where rockets zoom, and stars and planets glow from the ceiling above.  Two glaze colors are color washed over the ceiling’s surface, and custom stencils based on the boy’s bedding design are used create a fantasy tableau of outer space.

Have you been moved to create a fun and fabulous ceiling treatment, color choice, texture or application? If you feel so inspired, share it with us here.  We love to hear from you.  Remember, we are all in this thing called Life, together.

All the best for 2011!

Featured Work: A Niche Greater then the Sum of its Parts

Featured Work: A Niche Greater then the Sum of its Parts

The Free Merriam-Webster Dictionary defines “niche” as:

  • a recess in a wall especially for a statue b: something (as a sheltered or private space) that resembles a recess in a wall
  • a place, employment, status, or activity for which a person or thing is best fitted
  • a habitat supplying the factors necessary for the existence of an organism or species
  • the ecological role of an organism in a community especially in regard to food consumption
  • a specialized market

What is the connective tissue between the various definitions above? It seems to me that the term “niche” indicates a unique space specific to an individual, species or thing.

Those of us in the fields of decorative painting, carpentry, wood working, design, architecture and building most likely have designed, created, built, painted or adorned a niche or two at one point or another.

Those of us in our own businesses, entrepreneurs, solopreneurs, creative-preneurs, creators, and those of us training, schooling, learning, job-searching,  job creating , or job holding,  have at least one thing in common: we want, need, or are compelled to “find our niche“, our “place” in our respective fields, professions, markets, companies, schools, programs, jobs, or careers. We are moved to find that  elusive (and sometimes colorful!)  unique space which seems to defines us authentically,  in our worlds of work, family, society, and community.

Abby Kerr, copywriter,  blogger, niche marketer, and owner of Abby Kerr Ink says of her work: “It’s about nichifying your offerings to meet your right people right where they are.” .  Within the “niche” business model, the proposition of uniqueness in gifts, talents, voice, sensibilities, skills, and offerings would seem to be a given.

So it is with Clients, who wish to express themselves by making something even more unique of their architectural niche space, at home.

Beloved Clients of mine purchased a “dream” retirement home…well, a house they planned to transform with color, design, furnishings, and decorative painting INTO their dream home, with the skilled assistance of various vendors.

Their realtor suggested a mural application for the hitherto unadorned wine bar niche, and the game was on!

Niche before "niche-y" adornment

My Clients had spent decades living in Southern California, and were enchanted by the Sonoma Wine Country in which their new house was situated.  They were  thrilled about making the Wine Country a theme in their new home.

We chatted about vineyard scenes, and determined we didn’t want a “prototypical” one.  We looked at photos, colors, applications and mock-ups.  We determined that a softly rendered scene of lines of vines gently receding to meet misty hills under a golden sky would be best.  I applied the mural with semi-transparent washes of glaze, as opposed to opaque paints, (an unusual approach) to the back wall of the niche, and glazed its side walls and ceiling in layers of red wine-y colors.  Involved with the whole process from start to finish, my Clients were delighted with the outcome. which reflected THEM, and the unique place they were at in their lives, right at that moment.

"Niche-y" adornment reflects Them

The entire wall into which the “niche-y” Wine Bar niche was placed was treated in concert with its “niche-y” focal point, the Vineyard mural.  The walls were painted a strong red, mitigated by an application of three deeper  red “wine-y” hued glazes applied simultaneously.  An original “adage” penned by the Clients was lettered in “grapey” purple, and sparkling metallic colors.  The built-in cabinetry and bottle storage were base painted and wood grained (treated with “faux bois”) in tones of “sweet rosy brown” , which worked beautifully with the bar’s countertop.

The Niche is part of the Whole

My Clients were pleased with a result which reflected Them, and their unique take on where they felt themselves to be, right at that moment.  The process of developing a “niche-y” design of artful applications in their Wine Bar niche, and throughout their new home during a time of transition helped them through that transition, and eased their way into a new phase of life. You might say that they “niched” their new home to reflect the people they had become, and created a “niche” of the entire house which would  support them in their adaptation to retirement, containing and expressing both the effects of their “old” life, and expressing their excitement about the new.

In this way, “nich-ing” can not only become an expression of our deepest selves, our uniqueness, offerings and worth, it can also help us to embrace our lives and experiences as they are now, and move more confidently, and happily, into the future.

When have you used your art or craft to create or enhance a niche, for yourself, or for others?  What was the quality of the process and its outcome?  If you feel so inspired, please share your unique, “niche-y” experience with us. We love to hear from you. Remember, we are all  in this thing called Life, together.

 

 

 


Behold the Glitterati

Behold the Glitterati

All that glitters isn’t gold…or is it?  Well, it might be “schlag, or combination metal leaf, it might be 22 karat gold leaf, or it might be copper, silver, bronze or a combination of all of the above. Materials that contain or give the look of  precious metals can add instant warmth and light to a room, which can be a welcome addition at any time, but perhaps especially during this the darkest time of the year.  Use of metallic leaf, waxes, paints and glazes can be instrumental in transforming a time of darkness  into a season of light. In a space that is.  Which may just affect our state of mind, and lift our spirits.

We speak of radiance, iridescence,  incandescence and luminescence.   We crave shine, sparkle, glitter and glamor.  We love sheen and shimmer, glow and glimmer.  We are attracted to the translucent, which lets the light through, and the reflective, which bounces it back to us.  In other words, we long for light,  our source, our fuel, without which we cannot live.

So, its only natural that we should adorn our  objects, furniture, architecture and accessories with materials which play with and celebrate light, and expand our experience and enjoyment of its qualities.

So, whether it is the enhancement of  a craftperson’s  decorative detail,

a ceiling treated in tones of gold,

or the embellishment of a chair…

let us celebrate the spark of our spirits, and illuminate our state of mind with the pure enjoyment of things shiny and bright.  Let’s revel in radiance, especially during the dark time of the year.  Let’s lavish ourselves and our loved ones with light, shine and shimmer, and spread a sphere of good cheer around us wherever we go, during this Season of Light.

Who knows? It may make us whole.

What is your favorite ritual of light?  Do you have a special way of embellishing the Holidays with glow and glitter, sheen and shimmer?   If you feel so inspired, please share your unique light with us.  We love to hear from you.  Remember, we are all  in this thing called Life, together.

Happy Holidays, and Best Wishes for the New Year!

2010 in review

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 1,700 times in 2010. That’s about 4 full 747s.

 

In 2010, there were 18 new posts, not bad for the first year! There were 174 pictures uploaded, taking up a total of 40mb. That’s about 3 pictures per week.

The busiest day of the year was December 1st with 56 views. The most popular post that day was Color Me Eclectic.

Where did they come from?

The top referring sites in 2010 were facebook.com, artifactorystudio.com, linkedin.com, networkedblogs.com, and healthfitnesstherapy.com.

Some visitors came searching, mostly for artissima, the molecular structure of tears, benjamin moore filtered sunlight, and “artifactory studio”.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

Color Me Eclectic November 2010
12 comments and 2 Likes on WordPress.com

2

Featured Work: “Mid-Century Retro”: Starburst, Atom or Tinker Toy? August 2010
4 comments and 1 Like on WordPress.com,

3

Featured Work- Soulful Journey October 2010
7 comments and 1 Like on WordPress.com,

4

Reconnecting to Our Joy…In Praise of Sitting May 2010
6 comments

5

About April 2010

Mysterium

Mysterium

It is easy to lose sight of the beauty and mystery that surround us continually, in every day, or every night, life.

No matter where we are, or what we are doing, something strange, mysterious, possibly marvelous, and hopefully wondrous is happening, that we can tap into, and feel once again, how amazing and magical the world can be…is.

It may just take looking at something familiar in a fresh new way….

Or, seeing new meanings in the not so mundane…making potentially poetic connections.

It may mean letting beauty light your fire for just a few moments…

Looking up….

Or down…

Out…

Or in…

Seeing the treasures of the exterior built environment,

Or the interior.

All, a testament to the extraordinary creativity and ingenuity which resides within us.  Don’t miss it.

Take a look.  No doubt, you’ll find yourself inspired.

What every day, or every night mystery has inspired YOU lately?

If you feel so moved, share it with us here.  We love to hear from you.  Remember, we are all in this thing called Life, together.

May the mysteries of 2011 unfold in the most marvelous way possible for all  this year!

 

Taking Flight in 2011

Taking Flight in 2011

What does taking flight mean to you?  New projects, new ideas, new possibilities? A whole new you? (Hmmm…) My colleague, Rebecca E. Parsons recently posted  about her word for 2011: soar, in Cre8tive Compass Magazine.  I found the term very apropos to a project completed in the last days of 2010, which involved painting birds (mostly) in flight, in a young boy’s room.

My client, the boy’s father, wanted the room to become something special and reflect his son’s interests.  Painting (mostly) flying (mostly) colorful birds on the walls and ceiling seemed a fitting way bring the old year down to a soft landing, and take flight into the new.  No time to hover…it was time to take-off!

The initial concept of depicting birds in flight across the ceiling with one Bald Eagle on a designated wall expanded, as I  took off with my avian research of the gorgeously plumed, brilliantly feathered, and stunningly patterned.  Falling under the spell of our endlessly fascinating feathered friends, the project became a labor of love, not lost.

The Parrot ascends,

The Toucan dives,

The Barn Swallow glides by,

The Spotted Owl swoops, but don’t worry, he’s friendly!

Two of the most richly hued herald the entrance to the adjoining bath, perched sentinel atop the door frame.

Color-full beauties contemplate each other in calm communion.

Little Green Bird ( Calyptomena viridis )

Yariguíes Brush-Finch (Atlapetes latinuchus yariguierum)

Just the act of observing birds can teach us so much.  Their gracefulness, the purity of their movement, their strength and agility, the glory of their plumage, their color, the adornment of their astonishing patterns and textures, all worn without a hint of vanity (no Peacocks here!) is  humbling and at the same time uplifting to the human spirit, when we take time to see it. Birds’ beauty and innocence, doing only what nature intends them to do without apparent ego  interference, is a quiet marvel to behold.

Wing your way…

So, prepare to be inspired as you take flight into 2011. Take a lesson from our avian friends, our fellow creatures of the sky, and use this New Year to take off…into whatever you yearn to become.  Of course, there will be those times of hovering, flapping, even of dragging, but don’t let that stop you from lifting, gliding, and making your own ascension.  Don’t worry about a few dives. Like light and dark, up and down seem to be interlocked…two parts of a whole: Life.

Float, glide, dive and circle, but don’t forget to commune, contemplate and converse.

How do you intend to take flight in 2011?  If you feel so inspired, don’t hover and drag, share it with us here.  We love to hear from you.  Remember,  we are all flying though this thing called Life, together.


 

Color Muze Quarterly: Our View on Hue II

Color Muze Quarterly: Our View on Hue II

This post is based on an article written for  Cre8tive Compass Magazine, published 01/2011.

Color Muze” is a five-minute segment on Artistically Speaking, a popular talk show on blog talk radio which airs at 6:30pm EST, most Sundays.   Color Muze comes on the show each third Sunday (mostly) at 7:15-ish EST.  Please join us for Color Muze Hues, News and Views, on Artistically Speaking Blog Talk Radio.  The good news is, you can hear the shows on your computer…anytime!

And now…let the COLOR begin!

Here is a round-up of some of our favorite Color Muze tips and tidbits from September, October and November of 2010 on Artistically Speaking.

Spearheaded by Rebecca E. Parsons, creative entrepreneur extraordinaire, and master decorative artist, Lyna FarkasArtistically Speaking has undergone some transformations in the New Year, and we are excited about what 2011 has in store for its listeners, and the readers of Cre8tive Compass Magazine.

In the future, we look forward to enhancing our Color Muze offerings with a variety of Color-Full articles to enrich your know-how, experience and practice of color. We look forward to continued “Muzing” with you about the fascinating, and ever-unfolding world of Color!

In September, we continued our discussion of The Color Wheel with a focus on complementary colors, and their relationship to each other.  The complements are sets of colors opposite each other on the color wheel, and comprised of one primary color (red, blue, yellow), and one secondary color (secondary colors result from the mixing of two primaries: purple, green and orange). Note: we are talking about pigment-based color mixing in this article.

The primary hues of red, yellow and blue set each other off when juxtaposed, as in the layered look created by these three rooms. The red room opens to the blue, which opens to the yellow (gold), creating an intense, saturated effect.

Likewise, when sets of complements, (opposite each other on the color wheel), are placed next to each other, or overlaid without transparency, they will enhance each other. Try using sets of complements in a room, on a canvass, or in a garden planting, and watch each color take on new life!

Yellow ~ Purple

Red ~ Green

Blue ~ Orange

Even when sets of complements are toned down, or made less bright,  they will set each other off when placed next to each other.

In fact, one way to subdue, “neutralize”, or gray down a color is to add some of its complement to it, thus lowering its level of intensity and saturation.

On the ceiling below, a semi-transparent rusty-orange-is layered over complement cerulean blue, subduing the intensity of the blue in areas. The coppery-orange of the stencil design is more opaque (paint, as opposed the more sheer glaze medium), thus mixes less with the blue below it, and stands out in greater contrast to its blue background.

Color can have a tremendous effect on our psychology, and emotional lives. In October we talked about how painting a kitchen’s dark, light-absorbing wood a golden-ochre color changed the life of its inhabitant.  A testament to the power of color, the homeowner declared, “The final outcome of the project was transformational. What had been a dark and brooding kitchen area became a light and inviting space that perfectly wove into the accent colors already in place. The end product created a welcoming environment.”


Illustrating the symbiotic relationship of light and color, we discussed how color on a ceiling can look very different then the same hue on a wall, depending on how the light hits and is absorbed by each surface. This concept is discussed beautifully in the book Color and Light: Luminous Atmospheres for Painted Rooms., by artists and colorists Donald Kauffman and Taffy Dahl.

Although in many places, November is a bit too cold to do exterior projects, during Thanksgiving month we shared about how to deal with choosing colors for exterior surfaces that are constantly shifting hue in the changing light outdoors.

One way is to observe the surface you are trying to match, or work with, such as a patio’s expanse of multi-colored Mexican tile, determine which color stands out as the most dominant, and base your treatment on that hue. We shared, and laughed about, a helpful simple trick when doing this: if you wear glasses, take them off!  You may find that you can see the fields or areas of colors you are trying to work with more clearly, without the distraction of “clear” vision! (And, make sure you aren’t wearing your sunglasses when observing, planning, and choosing colors for your project!)

We chatted a bit about the challenges of changing paint formulas, as Benjamin Moore and other vendors create a whole new set of more environmentally friendly color specs that don’t necessarily exactly match the old!

Anyone specifying color will be affected by this, and though we all appreciate our vendor’s attempts to “green” their products, we caution you to be prepared for some confusion in the interim, and apprise your Clients accordingly!  I have been told that the old Benjamin Moore color specs will continue to be sold while supplies last…then it’s out with the old, and in with the new!

Remember, any change, even the most exciting and positive, can create a bit of stress, as our senses, hearts, minds and souls take their own time to make the necessary adjustments.

Finally, we completed our discussion with a toe dip into the intriguing concept of Synethesia, or “Unity of the Senses”.   As states Frank L. Mahnke, President of the International Association of Colour Consultants/Designers, “Colors may evoke associations with odor and taste, appear heavy or light, give tactile impressions, be associated with sound, have volume, and temperature associations.”


We look forward to delving deeper into this fascinating material in further Color Muze segments!

What a luscious, luminous world we have as finishers, decorative painters, muralists, artists, artisans and humans, to explore! Please join our Color Muze on Artistically Speaking Talk Show, and Cre8tive Compass Magazine, “where we honor your passion, and your vision, in this community we are co-creating”

What Color-Full journeys have YOU taken lately?

If you feel so inspired, share them with us here.  We love to hear from you.  Remember, we are all journeying though this thing called Life, together.




The Importance of Being Earnest…

The Importance of being Earnest…

I recently received an email, in which a Client expressed his appreciation this way:

” I know in the big picture, our job on Corbett is tiny compared to all that you handle. However, you really made us feel important and that is genuinely appreciated.”

My (emailed) response included this comment, ” …by the way- you/Corbett ARE important to me!!!”

This exchange gave me pause for thought…



Why would a Client think that his/their project, in this case, color consultation for the exterior of a 3 unit condo building where he is the HOA president, was not important, or as important then other projects that I, or for that matter, my colleagues might have?

We have all heard the adage “The customer is always right.” as well as “Every client is important.“  But, what does that really mean?

For me it means that if I take on a Client, I make a commitment to them and to their particular project  within the scope of the work we are doing together.  So much of our work as artists, decorative painters, craftspeople, designers, architects and color consultants (to name a few) is collaborative.   We work WITH  the Client to realize their vision, and our vision of their vision.  If we don’t have their contribution, commitment, buy-in, or what-have-you, that process can become difficult, stymied, or downright impossible.  We may even get our head, or someone else’s, handed to us!

In other words, yes, every Client and their project should be important to us. It just so happens that the particular Client I have quoted here,  falls into the category of “dream” Client.  Along with his partner, he has been responsive, communicative, cooperative, intelligent, and generous with time and fee.  Add to this reasonable, fun and funny, and I think you get the picture.  This is a great Client, with a fun and engaging project, and I have thoroughly enjoyed working with him and his partner.

I don’t value this Client and his project less because the Job in question is not as lucrative financially as some others.  Lucrative does not only refer to  the dollar amount received for a particular Job.  To me,  it means what I am getting out of the Job, vis-a-vis what I am putting into it. Is there positive return on all fronts: artistic gratification, compensation,  appreciation, and client interactions?  In essence,

and

must be upheld on both sides for a fruitful relationship that delivers results and satisfaction, perhaps even exceeding expectations.

I recently heard a marvelous audio interview with Wine Country painter Ann Rea, founder of Artists Who Thrive by Carlos Castellanos of Drawn by Success.  During the interview Ann brilliantly describes how she feels that she gets paid twice by those who purchase her paintings, prints, and other artwork. In money, yes, of course, but also in the appreciation of her work by her buyers and collectors, and the relationships she forms with them.

I think many of us know what she means.  We need to have our work connect with others and the larger world outside ourselves to have it really mean something, outside ourselves. So that our work, (and ourselves) do not remain in shadow, or behind bars.

So yes, every Client is important, and especially those with whom we can have a great rapport, grow, and create something that is more than the sum of its parts. When we find ourselves in the path of these dream Clients, all we can be is grateful…

to grow ourselves by working closely with them, realizing their vision, and our own.

Lucrative?  More like priceless!

What priceless Client experiences  have made YOU grow lately?

If you feel so inspired, share them with us here.  We love to hear from you.  Remember, we are all growing though this thing called Life, together.

 

 



 


Color Muze News, Views and Hues: Transformative Color

Color Muze News, Views and Hues: Transformative Color

I continue to be inspired by serving as the Color Muze for Cre8tive Compass Magazine, and Artistically Speaking talk show.  Helmed by Rebecca E. Parsons, creative “arte-preneur” extraordinaire, and master decorative artist, Lyna Farkas, Artistically Speaking is a popular blog talk radio show focusing on the visual arts.  It features interviews with artists and creative entrepreneurs that educate, intrigue, inspire, and inform us about how to experience, grow and create our Art, Business and Life, mixing and matching along the way!

Each third Sunday of the month at approximately 7:15pm EST, I join the delightful Rebecca and Lyna, to offer tips, share real-life stories, and provide guidance in the powerful and awesome realm of Color.  I will also be providing follow-up Color Muze articles for Cre8tive Compass Magazine, like this one!  SO, sit back, listen up, read, and enjoy the show!

In January 2011 we muzed about the emotional, communicative and transformational power of color, discussing real-life examples.  I’d like to share one of them here with you.

A beloved client, with whom I have worked for over a decade, found her charming but rather dark kitchen very depressing.  Over the course of time, she had added some stained glass, and worked with me to paint out areas of the dark woodwork which predominated in the room.

During the course of our work together, she had a period of great personal challenge that demanded tremendous strength and fortitude.  Although we had enhanced her kitchen and other areas of her home over the years, she felt strongly that the dark tenor of this important area was still affecting her state of mind, and needed to be transformed.

Astonishingly, the remains of the paint we had used in her kitchen years before was found, and she was able to get more of it from her local vendor.  We used it to paint out more of the dark wood trim and doors. The warm golden ochre color had been chosen to brighten the room (which gets little natural sunlight), as well as to set off the visual treasures displayed there.  True to form, the hue created its contextual magic once again.


“The final outcome of the project was transformational. “ said my client.What had been a dark and brooding extended kitchen area became a light and inviting space that perfectly wove into the accent colors already in place. The end product created a welcoming environment and one that now highlights the unique wooden carvings within the rooms.”

This statement is truly a testament to the transformative power of color.  It can support your life, and help you through dark and demanding times.  The “right” color can offer lightness, joy, grace and positivity to any space, in any context.  In other words, color can help you live.

During our Muze on January 16, 2011, I offered a way to approach our color decisions by suggesting three aspects to take into consideration when we are making them.  These aspects are:

  • Purpose
  • Effect
  • Context

These three aspects or considerations as regards to choosing colors can be seen as a three part lens through which to view color in any context.  I suggest you try writing these out in the form of a chart, a list, a set of questions or even a story, and see if this activity proves helpful to you in making color decisions.

In regards to my client’s color story related above…what was the Purpose of the color she was choosing for her kitchen? Well, the Purpose was to elevate her mood, communicate and support a sense of optimism, energy, happiness, cheerfulness, positivity and possibility.  A hue in the yellow family was chosen, not a lemony yellow, but an earthy one, which worked with the colors, textures, architecture and general sensibility of the room and its Purpose, as well as the home as a whole.

The Effect of the chosen hue is warm, light and bright (in comparison to the dark wood it covers), yet earthy and comforting.  Associated with the sun, candlelight, flame, and firelight, as well as gold and gladness, an earthy hue of yellow is perfect in this room for the Purpose described above.  We associate yellow  with optimism, energy, happiness, cheerfulness, positivity and possibility. Think “sunny” disposition!

What was the Context for this color?  As regards to Place, the kitchen is considered by many to be the hearth, heart, and nucleus of the home.  When I visit this particular Client, who has become a friend over the years, we don’t sit in the living room to chat; we sit in the kitchen. Thus our color needed to be appetizing, inviting, invigorating, but also relaxing. The choice of a warm, earthy golden hue also helps compensate for the lack of natural light in the room. In terms of the existing Design and Architecture of the room, with its cream walls, dark wood ceiling beams, ochre backsplash tiles, brick red tiled floor, and lighter brick stove area, our color needed to play nice with all of these elements, integrating, and not competing with them.  Finally, the room holds a number of Objects and Accents treasured by my Client: decorative plates, ceramics, and stained glass, which hang on walls, windows and doors.  Our hue needed to set off and work with these as well.

Purpose, Effect, Context is a way to think about, consider, and approach color.  The “P.E.C.” approach can be applied to your decision-making process about color in any context: web or graphic design, interior design and architecture, textiles, craft, decorative painting, and even fine or conceptual art.  Give it a try…its fun! Thinking in terms of Purpose, Effect and Context may help you sort out your color challenges with greater ease,  and allow you to experience the pure joy and pleasure of color more fully.

What a luscious, luminous world we have as finishers, decorative painters, muralists, artists, artisans and humans, to explore! Please join our Color Muze on Artistically Speaking Talk Show, and Cre8tive Compass Magazine, “where we honor your passion, and your vision, in this community we are co-creating”

Here’s to a colorful journey!


Kitchen Contemplation

Kitchen Contemplation

I have a relatively humble kitchen…and  I love it.  I  love my humble kitchen, because it affords me an “inter-space’, an inner space, and an interstice between the activities of work, home and play.    I love to come into my kitchen of an early morning, make a small cup of strong espresso, (and drink it from one of my Mom’s unique ceramic espresso cups) write, contemplate, write, and contemplate again, even though this initially meditative time often morphs into list making, or checking email on my phone…

If it’s lunch-time, and I’m working in my home office and studio, I may sit in my kitchen, and read articles from an ever-present selection of inspirational and educational publications.  It’s a monthly challenge to imbibe them whole, and every word, as I love to do.  As creative entrepreneur Abby Kerr would say…don’t want to miss a drop!

To enter my kitchen from the central hallway, I pass a door which has become an image patchwork of beloved young family members and their original artwork.  Every time I pass through the doorway, the possibility is there to consider, cherish and appreciate them, and send them my love and well-wishes.

A wonderfully convenient shelf offers display space for treasured wedding gifts; a beautiful Asian lacquered tray, an obscure Belgian coffee maker (from a seriously coffee-obsessed friend), and it’s more modern cousin, the French Press.  We use these for company, and special occasions.  Otherwise they remain a “shelf-scape”.

What contemplative space would be complete without a chalkboard door?  It’s the perfect place to note dreams, hopes and plans. Ours tends towards the task, to-do, gotta get it done before the future comes list, but we do celebrate each task in living color!  The chalkboard border is painted with glow in the dark paint, with a few glow in the dark stars thrown in for good measure.

It must look really beautiful and mysterious at night when all the lights are out…but we usually don’t see it then.  Maybe I can get a nocturnal shot, and use it to illustrate another post, “Kitchen Contemplation II”...

What is your favorite nook or cranny, space or place to muse, meditate, contemplate and commune?

If you have one, or more, please share it with us here.  We love to hear from you.  Remember, we are all contemplating this thing called Life, together.



Synesthesia: Sense and Sensibility Part One

Synesthesia: Sense and Sensibility Part One

Our February 13th “Color Muze” segment on Artistically Speaking Talk Show, focused on the fascinating concept and phenomenon of “Synesthesia”, or “Unity of the Senses. I learned about Synesthesia through my color seminars at the IACC-NA (The International Association of Colour Consultants and Designers North America) from Mr. Frank Mahnke, President of the  IACC-NA and the Director of the IACC Education/Accreditation Programs conducted worldwide. Mr. Mahnke lectures on the  psycho-physiological effects of color, light and the human reaction to the built environment, as well as the role of color as information and communication in the field of marketing.

In my first Seminar with the IACC-NA, I learned about how colors (the visual) can provoke associations with our other senses, (smell, touch/the tactile, hearing and taste), as well as affect our perception of weight, volume, size and texture.  In the words of Mr. Mahnke , “It seems that the centers for processing sensory information are linked with each other, leading to crosstalk between the senses.” If this is true, and it would seem from the evidence of our senses that it is, then the concept of Synesthesia is an important consideration in any and every color decision we make, with potentially profound consequences emotionally, physically, aesthetically, and even spiritually!

Let’s look at some examples.

Considering Temperature: Painter, designer, teacher, writer and theorist Johannes Itten wrote about experiments that supported the thesis that we can feel a 5-7 degree difference in temperature in rooms painted blue-green, and red-orange.  When we consider the associations with blue-green (water, coolness), and red-orange (fire, heat) this would seem to make sense!  What experiences have YOU had temperature-wise, being surrounded by architectural color?  Does blue/green always feel cooler, and red/orange warmer to you?  Does it depend on the value, saturation, intensity, tone and context of the color?  And what about the color of that color- its hue?

What about Volume? We can see through experience, that lighter, cooler  colors seem to recede, thus making a room feel larger,  (giving it more “room”) while warmer, more saturated, and darker colors seem to advance, and take up more space in a room, thus making it appear smaller.  Have YOU had this experience? As a color designer, have you used these principles?

Can color affect our perception of weight and size? Darker, warmer and more saturated colors tend to seem heavier, and the areas they cover seem to be larger, while paler, cooler and more pastel colors seem lighter, and the areas they cover, smaller.  Thus a darker, warmer, and more saturated color will seem to bring a ceiling “down”, and the opposite for  a paler, cooler and more pastel color.  Can YOU see this effect in these two ceiling areas?  The effect may be complicated by the fact that the area surrounding both is in the hue range of cream to white!


The above are just a few of the infinite examples of “sensory crosstalk”, or Synesthesia, which I suspect pervades our daily lives far more than we are conscious of.

In a subsequent post, I will explore Synesthesia in terms of our five senses: the visual effect of color as regards to our sense of hearing, touch, taste and smell.  In other words, What scent does the color lime green conjure up?  What flavor would rosebud pink be? Does cobalt blue “feel” rough or smooth?  These are illuminating exercises to try for ourselves, and I am going to discuss just how to do that.

As an example, during her interview,  I queried special guest Rebecca E. Parsons (co-host and creator of Artistically Speaking Talk Show) about her chosen Word for 2011: SOAR.

“What color would you assign to this word, and the meaning it has for you at this time?” I asked her.

“Aqua” she replied, without missing a beat.  This only makes sense.  Rebecca lives in Florida, on island, near the water, and walks on the beach nearly every early morning.  The Aqua color of sea-blue water  which reflects the sky, with its associations of both airiness / expansion, and sublimity / depth would make it the perfect expression of Rebecca’s intention to  dive into her dreams, and Soar with them, making her cre8tive life vision a reality.

You can hear my Muze with Rebecca, as well as her complete extraordinary and  inspirational  interview with co-host Lyna Farkas on Artistically Speaking Talk Show on your computer anytime you wish.  I hope you will tune in to it, as well to Artissima, Blog of ArtiFactory Studio, for Synesthesia: Sense and Sensibility Part Two, and join our Color Full exploration.

What a luscious, luminous world we have as finishers, decorative painters, muralists, artists, artisans and humans, to explore! Please join our Color Muze on Artistically Speaking Talk Show, and Cre8tive Compass Magazine, “where we honor your passion, and your vision, in this community we are co-creating”

Have YOU had an experience with Synesthesia lately?

If you feel so inspired, share YOUR sense and sensibility with us here.  We love to hear from you.  Remember, we are all experiencing this thing called Life, together.



Synesthesia: Sense and Sensibility Part Two

Synesthesia: Sense and Sensibility Part Two

Our February 13th “Color Muze” segment on Artistically Speaking Talk Show, focused on the fascinating concept and phenomenon of “Synesthesia”, or “Unity of the Senses. I learned about Synesthesia through my color seminars at the IACC-NA (The International Association of Colour Consultants and Designers North America) from Mr. Frank Mahnke, President of the  IACC-NA and the Director of the IACC Education/Accreditation Programs conducted worldwide. Mr. Mahnke lectures on the  psycho-physiological effects of color, light and the human reaction to the built environment, as well as the role of color as information and communication in the field of marketing.  In other words… Color Rocks the Big One…our Perception.

In my first Seminar with the IACC-NA, I learned about how colors (the visual) can provoke associations with our other senses, (smell, touch/the tactile, hearing and taste), as well as affect our perception of weight, volume, size and texture.  In the words of Mr. Mahnke , “It seems that the centers for processing sensory information are linked with each other, leading to crosstalk between the senses.” If this is true, and it would seem from the evidence of our senses that it is, then the concept of Synesthesia is an important consideration in any and every color decision we make, with potentially profound consequences emotionally, physically, aesthetically, and even spiritually.   How does our perception of Color make us Feel?

We tend to talk about color in terms of the visual; “Oh, that red bedroom is so bright!”, or “That’s a very pale shade of lilac.” But, if we tune into our own phraseology, we may just as often hear ourselves speaking about color in terms of our other four senses, the auditory, (hearing), olfactory, (smell),  gustatory, (taste), and the tactile (touch).  “Oh, that red is just so loud!” “What a sour green!”, “Such a sweet pink room!“, “I love that soft blue.”

Let’s awaken all our senses by taking a closer look, and tuning into what we feel, and how we respond to color.

What do colors sound like?

Warm colors such as yellows and oranges tend to feel loud to us, and can potentially make a space feel “noisy”.  According toHeinrich Frieling, Director of the Institute of Color Psychology, we associate gold-yellow with major keys, and orange with loudness and major keys. Cooler colors such as blue on the other hand, tend to feel quieter and more distant, with darker-hued spaces seeming to  further muffle sounds.

What do colors feel like?

What texture does a particular color “feel” like it has?  It’s not surprising that yellow tends to “feel” smooth. When we consider yellow’s associations, this makes sense.  Have we ever felt a ray of rough or scratchy sunlight?  Looking at yellow’s opposite or complement, purple, we can get a sense of velvet.  Would this have anything to do with our association of purple with royalty, and the images of purple velvet which we may associate with royal robes?

What do colors smell like?

The  chroma, saturation, lightness, and brightness of a particular color  can affect its sensory associations. Under Frieling, the Institute of Color Psychology has asserted that the color brown is associated with a musky, or roast taste.  We may even use the word “browning” in lieu of the word “roasting”, or to describe part of the roasting process.  However, green-blue may elicit fresh to salty associations, while the hue “blue” is essentially odorless. Add to this the nature associations we have to brown in all its aspects (think “earthy”), green-blue (sea) and just “blue” (sky), and the sensory meanings can become clear. Different blue and brown combinations will give different effects, making us think with our noses, as well as our eyes.

What do colors Taste like?

Taste and smell are closely related, and tend to hold the same or similar color associations. Red is sweet and strong, as long as it contains no yellow, and doesn’t cross over into the realm of orange, which may not be so sweet, despite our associations with the fruit.  Perhaps the holiday of Valentine’s Day has played upon this “red as sweet” association, with its emphasis on red-wrapped boxes of chocolate, and other sweets.  I would add the term “rich” into the mix, my association with Valentine’s Day chocolate, if its worth its salt- er, sugar.  Green, and yellow-green by contrast (red and green being complementary colors, and opposite each other on the color wheel) associate with sour, with yellow-green veering to the tangy, and green, to the juicy.  Consider green apples, kiwis, limes, fried green tomatoes (well, maybe not fried…tomatoes ARE fruits though!)  Green to yellow-green hues can make our mouths water and our lips pucker just by thinking about them!

Thinking about it.  In a way, that is the point.. isn’t it?  Because, as we know, as scientists, colorists, designers and artists know, however subliminally, that color IS a matter of perception.  Color exists in our brains. As Frank Mahnke says, “There is no doubt that a unity exists from one sense to another.  Perception is not just a mosaic of separate sense stimulations.  In certain aspects of psychology…the entire organism is looked upon as a whole.”

All of our senses play into the impressions we receive, the internal images we carry, and the ideas we form. resulting in how we feel.  How we feel affects how we behave, and vice versa. When we understand, or perceive of color that way, we realize how amazingly,  incredibly important and powerful  it is.  Color really does Rocks the Big One…our Perception. And as some would say, “perception is reality”.  What do You think?

If you feel so inspired, share YOUR sense and sensibility with us here.  We love to hear from you.  Remember, we are all experiencing this thing called Life, together.

Newsflash: for another yummy look at the phenomenon of Synesthesia, please check out Elizabeth Brown’s Colorific blog post on the same subject.


Varieties of Verdigris

Varieties of Verdigris

The word “verdigris” comes from the Middle English vertegrez, from the Old French verte grez, an alteration of vert-de-Grèce, or “green of Greece”.  The modern French spelling  is vert-de-gris. What a  romantic and poetic linguistic lineage.
Verdigris is  the natural patina which forms on the surface of  copper, bronze, or brass as it is exposed to air and water, wind and weather over time.  In essence, it is the weathering, or tarnishing of these metals, and shows itself in a variety of green hues.  As a faux finisher, and decorative painter, the “look” can be achieved through the controlled (or not) application of chemicals to these metals, which form a blueish green “deposit’, or pigment.   Indeed, verdigris was used as a pigment to create greens in paintings and other art objects.  Until the 19th century, verdigris was the most vibrant green pigment (paint colorant) available.  It’s earliest known use was in the 14th Century.

The other way of creating a verdigris finish. i.e., the look of verdigris, is by the simple or not so simple, application of green and other-hued paints manipulated over a base coat. This method, to my way of thinking, is by far the more fun, as  a virtual universe of verdigris can be created.  The effect of painted verdigris is by and large controllable, a claim which cannot always be made for chemical reactions.

The vibrant, yet natural-looking verdigris finish above and below  was created by manipulating one custom-mixed hue of green over an exterior latex base coat: Benjamin Moore’s “Pueblo Brown 2102-30″.  The “verdigris” color is one part Benjamin Moore “Pear Green 2028-40″ and three parts “Blue Spa 2052-40 “, drybrushed over a completely dry surface.

The verdigris color is wiped off is some areas, leaving a strie effect, and accentuating the texture of the base coated metal.  The surface textures, shifts of plane, and interplay between base and top colors offer enough variety to make the treatment visually interesting, and believable enough for passers-by to comment on the “copper“!

A verdigris treatment is often associated with copper, but as discussed above, also works with both bronze and brass.  On the door above and below, the client wanted a loose  (“messy” as she termed it!) look, that nonetheless complimented the charming building, and worked with the teal shutters and trim detail.  As the kick plate, address numbers, door knob, and mailboxes are a bronze hue, (as well as details of the light fixture), Benjamin Moore “Aged Bronze 231″ was used as a base coat, with three blue to green hues dry-brushed over it to create the effect.

The bright golden-bronze hue provides a nice contrast to the cooler yet still warm greenish-blue flat exterior latex paints layered and manipulated over the darker base.  The textures  as well as the colors had to work in tandem to create a complete, coherent picture, “messiness’ not withstanding!

 

 

 

 

 

 

 

 


The rails above were base painted in a deep blackish green, Benjamin Moore “Black Forest Green (Exterior ready-made)” latex, then four more colors were applied consecutively over  the base painted surface. First, the coppery-toned Benjamin Moore “Suntan Bronze 1217″ was dry-brushed sparingly, then “Cypress Green 509″, followed by “Garden Oasis 699″ were stippled,. (All Benjamin Moore exterior latex colors.) Finally, a touch of the custom “Blue Spa 2018-40″ and “Pear Green 2052-40″ mix mentioned above was added as a subtle accent. The application and layering of five colors in total adds depth and detail to the final finish.

As the balcony railings are partially obscured by trees, and the Clients were less concerned about their appearance,  we opted to use only the two softer greens, “Cypress Green – 509″ followed by “Garden Oasis 699″ stippled over the same ready-made “Forest Green” base coat.  Because three of the five colors in the steps railings are the same, the color impression looks the same from a distance, an effect we wanted to achieve.

It’s interesting that verdigris, an actual effect of tarnishing and oxidation processes, can result is such  vivid green, teal, and even turquoise colors, as well as beautiful, variegated textures and patina.  It begs the issue of the value, aesthetic or otherwise, of antiquing, aging, even decay.  For what better purpose can we create art, decor and deign, then to both uplift, and deepen the human spirit by raising questions  of beauty and mortality, and the possible connections between the two?

What effect, finish, treatment or application, verdigris or otherwise has touched you with its beauty or other wise lately?  What has caused you to contemplate aesthetics…or, life’s big questions?  How about the relationship between the two?

If you feel so inspired, please share it with us here.  We love to hear from you.  Remember, we are all traveling through this thing called Life, together. Here’s to beauty…in all it’s forms.

 

Featured Work: Berkeley Bungalow

Featured Work: Berkeley Bungalow

Berkeley, California is a place of bungalows. There are many, many bungalows in Berkeley.  You might even say that Berkeley is a bevy of bungalows.  These charming houses, home to many a professional, family, and couple, are clothed in a myriad of hues, which upon occasion, an owner will decide to change.  One such delightful owner (referred by the San Francisco-based painting company, Modamas Fine Painting) engaged me  last September to guide her through the initially overwhelming and confusing process of choosing new colors for her home’s exterior. Our our first step was  to not only look at her home’s exterior with a critical eye,

but also to walk through her neighborhood  and peruse the color schemes of other bungalows.  She had several color directions in mind, and needed to narrow down the choices.

We discussed cinnamons, greens, teals and grays for the house body,  though she really wanted purple.   Ultimately, a rich yet soft Benjamin Moore brown was chosen,”Chocolate Pudding-1014“.

The warm Benjamin Moore “Antique White-OC-83” made a perfect trim accompaniment, balanced by elegant black address numbers and bannister.  The black detailing created a graphical counterpoint to the generous areas of creamy white trim.

We were then on to the all-important front door. Despite her penchant for purple, my Client saw that it did not work.  Wanting warmth and degree of contrast, we went towards red instead. Red doors are a frequent accent in Bay Area architectural color schemes, but, which red was the question?  Benjamin Moore “Apache Red-1295″ reflected too much pink.  “Sweet Rosy Brown-1302” added just the right degree of redness, without creating unwanted pinkish undertones.  The entry now radiated warmth and welcome.

Finally, the front steps were painted in Benjamin Moore “Fresh Brew-1232“, grounding them and the house in a deep earthy brown, and  completing the delicious ensemble.  The steps bring out a bit of the earthy red in the door as well.

Warm white trim frames the house, giving an upward feel to the roof. The white against the sky and  tree connects the earthy house colors to the blue and green of nature.

White trimmed windows look crisp against the house’s boxy side, which is also softened by the natural wooden fence, and greenery.

Greatly  improved by the new color scheme, this area now looks tidy, compact, and integrated with the rest of the house, a perfect set of bungalow qualities!

The detached garage also greatly benefited from a new suit of “color clothes”…

Amazing what a fresh coat of paint will do…with the proper prep. of course,

especially in the “right” colors.  In this case, Benjamin Moore “Classic Colors” collection was our go-to  color source. “Chocolate Pudding”, “Sweet Rosy Brown”, “Fresh Brew”,  what a visual feast!  My visionary Client took the time to have samples put up of each color we considered, and observe how the color played on the house surface during different times of day, light, and weather.  She had the patience and the perseverance to see her project through.  As she confessed to me, ” I can’t wait to finish this project. Several times I just wanted to let it be, but I want to be thoroughly happy.” And, I am happy to report, she IS!

Have you had a interesting color connection lately?  A visionary client, an innovative creation, a heartwarming transformation?

If you feel so inspired, please share it with us here.  We love to hear from you.  Remember, we are all coloring through this thing called Life, together.

 

 

 

Vendor Spotlight: Jacobsen Design

Vendor Spotlight: Jacobsen Design

The word “vendor” doesn’t adequately describe the graphic design firm Jacobsen Design, and it’s principal, Dianna Jacobsen, though that she is, and they are.  No, Dianna is also artist, musician, entrepreneur, creative solopreneur, designer, and small business person and small business supporter. Her work is focused on identity design and web design for small business.

As she states the ABOUT section of her unique and eponymous website, “I grew up surrounded by art. Many of my family members are fine artists, including my father, who made a living with his paintings for many years. I suppose it was only natural that I would gravitate toward a creative way of making a living.”

Dianna understands that,To grow, your business must stand out from the competition. A cohesive, interesting, visual presentation does this: one that communicates what your company is all about and why its products or services are unique.”

And she delivers just that.  Says Jim Smith, Innkeeper, The Wine Country Inn, St. Helena, Napa Valley, California, “…Jacobsen Design has helped my business immensely. Our ‘image’ was in need of a complete overhaul and Dianna moved us from the 70s into the new century with panache and ease. From a new logo to a new brochure to new letterhead and business cards, she did it all. And she did it quickly.”

Dianna did this for my decorative painting company, ArtiFactory Studio, too, as well as creating the design for the very blog, Artissima, that you are reading right now.

ArtiFactory Studio brochure, business and postcard by Jacobsen Design

ArtiFactory Studio first homepage by Jacobsen Design

I met Dianna at the Rennaissance Entrepreneurship Center‘s Annual Fundraiser, in 2006. I knew I needed to develop my graphic business identity, and that my website needed a serious and professional overhaul.  Without missing a beat, Dianna suggested we work on a template for the site, from which would spring a logo, brochure, business card and postcard design.  With creativity, talent, skill, AND tremendous patience, she inched me forward step by step into a complete visual business identity which has  proved to be an excellent and effective way of presenting my work and services, and  has garnered oohs and ahhs from clients and colleagues alike.

While preserving the site’s format, we  have upgraded, altered, and refined its images and text, adding social media links, as well as designing and installing “Artissma, blog of ArtiFactory Studio“  in May of 2010.

Throughout, Dianna has provided expert guidance, technical skills, and graphic design wisdom, as well as tremendous generosity of spirit.  She has continually upgraded her own skills, moving adeptly through the fast-paced world of  graphic and web design and  becoming a WordPress wiz in the process. She says. “For the past few months I have been building most of my new sites in WordPress with the Genesis Framework, which allows me to design a beautiful custom website with the added functionality of WordPress. What my clients can potentially do with a WordPress site is virtually limitless – blogging, photo galleries, easy form building tools, to members only sections and even eCommerce.”.

As I testify on her site, “Dianna is flexible, responsive, creative, and informed about the ever changing options available in the digital world of graphic design. She created a very unique website template for my decorative painting business, and then created a complete identity system around that site including business card, brochure, and postcard. She understands artists, and she understands business people, and that is a winning combination for those of us doing both!
Thank you, Dianna / Jacobsen Design! Please take a moment to check out her site, and visit Jacobsen Design on Facebook, Twitter, and LinkedIn to learn more about her amazing work, and design servicesYou’ll have fun!

Do you have a favorite vendor, associate colleague or business partner that you would like to spotlight?

If  you feel so inspired,  please celebrate them here.  We love to hear from you.  Remember, we are all creating our way through this Life, together.


Real Verdigris

Real Verdigris

Having recently written about verdigris, and the art of creating its look as a faux finisher and decorative artist, I was attuned to a variety of naturally occurring verdigris surfaces I saw all over beautiful Balboa Park, on a recent trip to sunny San Diego.  Such beautiful texture, hue, and depth of surface,  to say nothing of the sense of history, and paradoxically, timelessness, that the oxidation process produces…or, shall we say, creates.

Here are some Varieties of Verdigris for your viewing pleasure:

Remember, verdigris is  the natural patina which forms on the surface of  copper, bronze, or brass as it is exposed to air and water, wind and weather over time.  In essence, it is the weathering, or tarnishing of these metals, and shows itself in a variety of green hues. The verdigris above was produced by the slow tarnish of the bronze equine sculpture seen at top, galloping  into a cloud-studded sky. The green-hued substance has, over time, formed on the bronze surface, and dripped onto the stone base of the statue, lending it an air of age, mystery and grandeur.

Above, the powdery residue of verdigris has formed predominantly at the base of this bronze sculpture.  For the scientifically-minded, verdigris is a “complex chemical mixture of compounds, complexes and water, with  primary components of copper salts of acetate, carbonate, chloride, formate, hydroxide and sulfate.  Secondary components include metallic salts, acids, organic and mineral.

A soft patina of blueish verdigris is forming over the bronze surface of this Barbara Hepworth sculpture, further texturing its surface, and adding visual depth. The addition of the natural blueish-green pigmentation also ties the piece into the landscape of the sculpture garden where it resides.  Living outside really does help that verdigris process along!

The same could be said of this wall relief.  Perhaps the verdigris process is moving more slowly here because this piece is somewhat sheltered by the pavilion style open-air cafe  where it is installed.

The heavily verdigrised sculpture rising out of the cafe’s pool provides a perch for a brightly-hued visitor.  Here both the elements of air and water are definitely at play in creating the strong verdigris hues.  Both the surrounding chairs and the duck’s feet add a complementary pop of color to the scene.

This fellow just seemed so comfortable on its verdigris perch.   Its green head feathers, the blue pool, and saturated verdigris coloration come together to create a scene of both harmony and humor. The feeling is peaceful, yet alert, as we know the duck could take flight and vanish from the picture at any moment.  While watching this beauty, my friend Janet said, “I am communing with the duck”.  I hope, through this post, you can, too!

Have you seen a beautiful, or timeless verdigris surface on one of  your daily jaunts lately?

If you feel so inspired, share it with us here.  We love to hear from you.

Remember, we are all communing with this thing called Life, together.

Happy Verdigris!

 

 

 

Niki’s Magical World

Niki’s Magical World

Queen Califia, I presume?!

Niki de Saint Phalle,  French sculptor, painter, and film maker,  was an amazing and inspirational female artist  of the 20th Century.  Born Catherine-Marie-Agnès Fal de Saint Phalle on 29 October 1930, she graced our world with her presence until 21 May 2002.  She continues to grace it still through her extraordinary works which live on in parks, plazas, gardens and public spaces, free for all the world to see, enjoy and celebrate.

Please feast your eyes on these glorious, texture and color-encrusted beings, photographed in Niki’s  Queen Califia’s Magical Circle, located in the Sankey Arboretum of Kit Carson Park, in the City of Escondido, near San Diego, CA. As stated on her website, the artist drew  much of its imagery from her interpretations of early California history, myth, and legend, Native Americans and Meso-American culture and the study of indigenous plant and wildlife. Bravo, Niki!

Approaching the Magic

Entering the Magical Circle

Goddess…Totem…

Beings of  the Circle

Relating…

Interacting

Myriad of Mosaics

Magnificent use of Materials

Radiant Color

A le prochaine  Niki…  Shine on…

Have you ever seen a real “Niki”?   What does her work say to you?

If you feel so inspired, share your response with us here.  We love to hear from you.

Remember, we are all responding to this thing called Life, together.


Listen “Charlotte Talks“…all about Nikki…her daughter and granddaughter share about this wondrous being… and prepare to be inspired!







Niki, Too

Niki, Too

Poet and Muse

Mosaic sculpture by Niki de St. Phalle., near the entrance to the Mingei International Museum, Balboa Park, San Diego, CA

Who is the Poet, and Who is the Muse? Does the Poet hold up the Muse, or vica versa?  Both are monumental, in Niki’s eyes.

“My feet’s too big….” Not in Niki’s eyes, or hands. Certainly not in her soul.

Nikigator

Mosaic sculpture by Niki de St. Phalle., also adjacent to the  Mingei International Museum in San Diego’s Balboa Park.

The elaborate, fantastical “Nikigator” provides fun and fantasy for the young at heart. thrilling their imaginations.

Who needs a playground, when you have a Nikigator?

Too friendly to be ferocious? OR, Too ferocious to be friendly?  An easy or uneasy balance between the two?

The Nikigator is encrusted with brilliant “Niki “gems”…

…wild and fantastical designs and patterns that adorn her extravagant creatures…

And delight our souls.

What is your response to “Niki”?

If you feel so inspired, please share it with us here.  We love to hear from you.

Remember, we are all creating this thing called Life, together.

Here’s to Imagination…Creativity…DeLight….
Listen “Charlotte Talks“…all about Nikki…her daughter and granddaughter share about this wondrous being… and .prepare to be inspired!









Two Steps Forward, One Step Back: Colors that Advance and Recede



Two Steps Forward, One Step Back: Colors that Advance and Recede

On March 20, 2011, during our Color Muze segment on Artistically Speaking Talk Show, I had the opportunity to chat with hosts  Rebecca and Lyna‘s delightful guest, mixed media artist Kelli Perkins about color temperature, colors that advance and recede, and the relationship between the two.  Playing off our previous discussions of “Synesthesia“, or, “The Unity of the Senses“, the idea that colors provoke associations our senses other than sight, during this Muze, we focused on which colors seem to advance, and which to recede.  This effect is particularly salient as regards to architectural color, as it can be used to make a space feel larger,

or smaller….

For example, if we paint the walls a color that seems to advance towards us, the space itself will feel smaller.  Doing the opposite can create the opposite effect.  This technique can be used in any visual context.  Using colors that advance and recede can create movement or stillness, dynamism or placidity, agitation or peacefulness, in paintings, textiles, clothing, or anything that uses color as an element.  Artists, take this to heart.  Kelli does use color!  Warm, saturated, and often secondary (purple, green, orange) color!  She uses it intuitively and instinctively, even giving herself luminescent purple hair in a self-portrait.  Check it out, you have to see this!

But what makes a color seem to advance or recede?   And, what qualities do those colors have?

Well, for one thing, how warm or cool a color is perceived to be plays a major role.   If we consider the color wheel, we can see a warm half of the wheel,  red through yellow-green, and a cool half, green through red-violet.  In terms of our perception, warm colors seem to advance, and cool, to recede.  When we talk about color “pop”, it refers to the advancing quality of that color, making it “pop” out at us, like the brilliant orange vase in this room.

Warm to hot colors will seem to advance, making the surfaces sheathed in them seem to be closer to you, thus making a room seem smaller, cozier, and, of course, warmer.  Often, we want this, and a cavernous space may need it to feel livable.

Cool to cold colors will seem to recede, making the surfaces they sheath feel farther away from us, thus visually adding space, or volume, to a room.  This sense of space can be calming and refreshing, especially on a hot day!

By the same token, dark, saturated colors advance and make a space feel smaller, and more intimate,

while pale, light colors, with less saturation add volume by receding. offering a sense of spaciousness, and potentially, rest and relief.

And for sure…strong, bold busy pattern advances!  This intimate boudoir becomes yet more magical, fantastical and fun with the addition of this totally HOT fabric wallpaper and curtain!

Smaller, more subdued pattern also recedes.  Here the cool blue elegance of the drapes is warmed up by the detail, which brings them to the same plane as the surrounding white walls.  The walls themselves recede in lightness of color, advance  in warmth of tone, and recede  in absence of pattern!  Wow.  This advancing and receding stuff can be complex.  Almost like a math problem. But, ooh, how fun to contemplate!

An interesting discovery can be made when considering our use of language, vis-a-vis not only color, but temperature, AND the idea of advancing and receding.  Let’s listen to what we say, what we think, and how we describe relationships, or even our own emotions  and personalities.  When someone, or even our self, is being or feeling cool, or cold, we often describe that behavior as distant.  Or, visa versa, if someone seems remote, or distant, we may jump to the conclusion that they are “cold” or “cool”,  emotionally. We may even feel cold or cool ourselves, when we feel emotionally distant from another person, experience,  or something we see, or do.

Conversely, when we feel intimate and close to others, to our experience, to ourselves, to Life,  we may feel warm, or even hot (!).  How often do we say, “I feel so cool and cozy!”?  Never, I would venture to guess.  Not if we aren’t characters in a J K Rowling fantasy!  When we feel warmth towards or from another person, they feel “close” to us, and we feel close to them. .  It would be hard to feel close to someone, to our authentic selves, or to our experience, and feel cool or cold. When we say, “Person X is so warm, I feel so close to him/her.”, we are equating emotional temperature with emotional proximity, and the idea of emotional color advancing and receding within ourselves and others.

There is much to contemplate here, and this could be the subject of a whole new post.  Have you ever felt the temperature effect, either emotionally, or physically, through color?  Have you used color deliberately, to expand or contract the perceived volume of a space? Have you noticed your own telling use of language to describe either?

If you feel so inspired, please share your insights, discoveries, and experiences with us here.  We love to hear from you.

Remember, we are all, hopefully, advancing through this thing called Life, together.

Here’s wishing you both color and emotional mastery, magic and adventure.  It’s hot!

 

Cacophony to Calm…Compensating with Color

 Cacophony to Calm…Compensating with Color

Can color “theory” heal?   If healing means balancing, compensating, and otherwise enhancing the quality of a space, object, light source, or even our bodies, then I believe it can.

Our April 17, 2011 Color Muze  on Artistically Speaking Talk Show, “muzed” about how color can be used to adjust our perception of sound, or the lack of it, and thus balance or “heal” an environment through our sense of seeing, and its potential effect on our sense of hearing.  This is an aspect of the phenomenon of “Synesthesia”, or “Unity of the Senses”, as IACC-NA (International Association of Colour Consultants/Designers-North America)  lecturer, Frank H. Mahnke, terms it.  The idea being  that our perception of color can associate with our perception of another sense, such as hearing.

Warm colors (from red to yellow-green on the color wheel), associate with loudness.


Image Source

Cool colors (from green to red-violet on the color wheel) associate with quietness.

This is reflected in our language, the way we talk about our environment, or even our feelings, in terms of color. I am not sure I have ever heard anyone refer to a quiet (or cool) red, though anything is possible!  On the contrary, I remember my mother describing feelings of anger as “Seeing red.”

By comparison, people may speak of a  quieting their emotions when they enter a room in which a “cool” blue predominates.

It is interesting to view the two together…(albeit different hues and values of red and blue).

Thus if we wish to compensate for noise problems in a space, we can add more “cooling” colors such as  blues, blue greens, perhaps even a cool blue-violet. Warm to hot colors such a saturated reds, and “hot” oranges or yellows will tend to exacerbate our sense of being in a noisy environment, which can be significant in any setting where concentration is important.

To relieve a “too-quiet” or tomb-like atmosphere in a room, and add energy, warmer (and lighter) colors may be applied, such as yellow-green, golden-yellow, reds, oranges or “hot” purples (red-violets).

It is fascinating, and fun to see the sound associations the Henrich Frieling, Director of the Institute of Color Psychology assigns to a range of colors:

Red- loud, trumpet

Pink – soft, delicate

Orange – loud, major key

Brown – dark, deep minor key

Gold-Yellow – fanfare, major key

Yellow – shrill, major key

Yellow-Green – high-pitched, minor key

Green – muffled when dull, shrill when saturated

Green-Blue – soft

Blue – distant, flute to violin

Ultramarine – dark, deep, more minor key

Violet – sad, deep, minor key

Light-Purple – weak, restrained

Crimson – powerful, stately

It really begs the question…what might a musician, singer, or music therapist have to say about this?  What about Sharry Edwards, pioneer in the study of Human BioAcoustic Biology…might she have a “color link” to her work and theories on healing the body through sound?

Perhaps a subject for another post…

Have you used color to compensate for too much noise, or not enough sound in your own or other spaces? Have you felt the effect of color healing in regards to your, or your Clients’ auditory environment?  What is YOUR experience with Synesthesia, in regards to the relationship of sight to sound, the visual to the audible?

If you feel so inspired, please share your insights with us here.  We love to hear from you.

Remember, we are all seeking the balance in this thing called Life, together.

Here’s wishing you healing wherever you need it most, in your Life right here, right now.  Cheers!


Featured Work: A Mid-Century Tale

Featured Work: A  Mid-Century Tale

Once upon a time,  in March of 2011, I had two wonderful and creative Clients who wanted a special decorative / design application on a perfectly blank wall in their master bedroom.

Here’s where we started…

And..here’s where we ended up.

So…what happened in-between?

Well, having done a custom application in their guest room,

I had familiarity with the Clients’  home, tastes, design style, and color preferences.  It was immediately apparent upon entering their space: these Clients have a passion for  Mid-Century/ retro style and design.

Their strong affinity for hues of orange fit right into their Mid-C sensibility.

The Clients’ unified approach to their home decor and design is expressed in just about every detail of their space, including

tray tables…

shower curtains….

coasters,

textiles,

a sunburst clock,

vases (and furniture and ornaments),

and more vases (and furniture and ornaments).

We began our collaboration with a small gem of an idea…a snippet of  inspirational pattern that caught my Clients’ sensitive eye.

We played with the scale, the sizing and the spacing,

 

and I created custom stencils.

We did the math (a few times…), and I marked out the pattern on the wall with chalk.

I did the first stencil application. The pattern emerged, and,  the wall came alive…  the pattern just animated that wall!

The secondary stencil animated the pattern, design, and wall surface yet further.

Little rings of fire did their job…added energy, snap, crackle and pop that was just, well, FUN.  (As my Clients are).

The result, though we had planned for it carefully, surprised us all in its whimsy, uniqueness, and aliveness.  (Also qualities of my Clients.)

Somehow the wall, and the design, the pattern  and the treatment became more than the sum of their parts…

one of the happiest outcomes of the Arts!

And here we have the happy ending of the tale…or, is it a beginning?

Have YOU ever had the experience of your collaborations and creations becoming more than the sum of their parts?

If you feel so inspired,  please share it with us here.  We love to hear from you.

Remember, we are all creating this story of our LIVES, together.

May You have JOY and Aliveness in your Life, as you Live it!



The Art of Stenciling, I Presume?

The Art of Stenciling, I Presume?

Once upon a time, after the New Year of 2011 had begun, and before 2010 taxes were due, I had the opportunity to collaborate with an esteemed Client and associate, to add that “finishing touch” (actually, the window treatments came afterwards) to a very special Guest Bath.

This Bath was in the process of being transformed, from a place of day to day use by his son, now gone off  to college, to a fresh and fun “new” space for his fiance, who tended towards a minimalist, Mid-Century,  New York sensibility.

My awesome Client, himself a long-time Berkeley, CA resident, has an eclectic design sense, informed by extensive travels around the globe,

art collected at home and abroad,

and a love of bright color,

rug patterns,


and funky furniture.

Indeed, he has done much of the interior painting in his home himself.

We discussed that bathroom in question, and I took a look…

It was freshly painted, with colorful artwork, of course,

and the green tile had to be taken into consideration.

I chose three repeating stencil designs, and made Samples for my Client and his Intended to look at on site, in the room. Taking my cue from the tile, the artwork, the colors in the adjacent hallway and throughout the home, I used cerulean blue and deep forest green, nature colors that would contrast beautifully with the base coat,  Benjamin Moore OC57, “White Heron”,  give a clean fresh feel to the room, and support its function.

I also wanted the design to reflect both a feminine and masculine sensibility, and be able to marry both eclectic-world beat-funky tastes with minimalist-Mid-Century-streamlined preferences. Or, try, anyway.

I was thrilled that the Client chose a custom stencil that I had created from an existing source years ago, for a master bath suite  in another and very different East Bay city.  Happily, the design contained both geometric and organic elements, that created both a sense of movement and stability.

It was fun, it was crafty, it was elegant, yet funky, and the Client supported my idea of applying the paint color in a mottled, layered, and textural way.  Best of all, in the words of my Client’s fiance, “It complete(d)  the room!”.  As I was concerned that she be as happy with the result as he, this comment was music to my ears.

The repeated design pulls out colors in the artwork,

and creates a bower for the painted lovers.

The blue and green hues set off the strong red accents prevalent throughout the home.

The stenciled effect is multiplied through reflection.

A spot application of invisible clear varnish protects the stenciled border from the effects of moisture.

With careful planning, enhanced by Client collaboration, even a room already containing strong elements of art and color can be “completed” through the well-placed pattern, whether hand-painted, stenciled, printed or plastered. That extra addition of artful love and care to a space can really “pull it together”, and bring it to the next level of design and artistry.  A stenciled border can contain and express both feminine and masculine elements within its design.  Eclectic-world beat-funky can marry minimalist-Mid-Century-streamlined. My Client/s, and our collaboration have proved that!

Have YOU ever “married” sensibilities, styles and approaches in Your projects?

If you feel so inspired,  please share about it with us here.  We love to hear from you.

Remember, we are all collaborating in this thing called Life,  together.   Cheers!



HeARTfull Stone

HeARTfull Stone

In a recent article published in the  Bay Area Women’s Journal called  “Faux Finishing…Get the Look of Marble and Stone“, I discuss the “faux” finishes of stone and marble (a kind of  rock).  I created this “sister” post to show more painted and glazed stone and marble faux (fake!) finishes, and to share a bit more about the process.

Stone blocking is a technique in which individual “blocks” of stone are depicted, as well as the grout between them. Below, the lower part of an exterior shed door is painted (stippled and pounced) to look like the actual stone blocks on either side of it.  The grout, of course, is also painted. The painted door meets the real flagstones underneath it.  Underfoot, as it were.

Careful match of color helps create the illusion, despite the obviousness of hinges.  The “Trompe L’Oeil” (‘tricking the eye”- to make us think something is there that actually isn’t) effect is broken when…

 the door is opened, which adds to the fun. The treatment satisfied the aesthetic yearning of the homeowner to have the eye perceive  a line of stone blocks  unmarred by the more prosaic brown-painted door.

Below we have an ornately detailed fireplace, with a lot of carved character.  It sits resplendent in its prepped glory, primed but not even base painted yet.  Looking white white, it is set off by a new marble surround and hearth.

Voila, here we have the same fireplace with a stippled “limestone look”  finish, which draws out its ornate detail, and works with the colors of the marble.

The carving plays with the light, both reflecting and absorbing it.  It is highlighted by the glazes (semi-transparent veils of color) that are stippled across its surface.  Details like  this can be coaxed out and showcased through the addition of color and texture!

The same “limestone-like” stippled technique can be used to add character to a one-of-a-kind table that already has plenty,  (again, the technique pulls out the carving),

or, a smooth, plastered, rather standard issue stove hood, which needs to be brought into line with the other splendid details of its Spanish Revival architectural setting.

Stone finishes can also be used in tandem with their sometimes showier cousin, marble finishes, also known as marbling, or marbleizing.  On the fireplace below, semi-transparent glazes were used to create the marble finish, and opaque paints in equivalent colors for the stone.  The marble and stone treatments are both set off by the classical detailing, which is in turn set off by the treatments!  At their best, architecture, decorative treatments and detailing work hand in hand, each strengthening the other.

The pillar below is treated in a subtle limestone finish, with the same glaze colors employed in a marble finish on its base.


In the same room and colors, the hearth below is marbled through the combination and simultaneous manipulation of several glaze colors over its smooth, base painted surface.

The same technique is employed on the fireplace mantel and pillars, unifying the piece.  The Clients wanted to enhance the architectural details of their white-walled living room in an elegant yet subtle way, and the paint and glaze colorways were designed accordingly.

The fanciful marble treatment designed for the white, latex-painted built-in below is enhanced by the addition of gold, not only in the veining, but also on the inset frames on the cabinet doors. The diamonds are created by a second application of marbleizing.

  The fantasy marble finish employing pink, gold, and antique white glazes adds sumptuousness. The marbleized diamond offsets the rectangular shapes that comprise the cabinets.

Whether the goal is to integrate, enhance, create elegance, luxury or history, the application of stone and marble faux finishes can add depth, character, mystery, and even fun and fantasy to a space. Take a look around your environment, and imagine the addition of finishes true to nature, to the imagination, or both! Consider drawing out classical or whimsical details,  harmonizing your color scheme, or adding a bit of eye trickery to where you live, work and play.  You’ll soon feel the benefit of the Magic of Decorative Painting.

Have YOU used Stone and Marble finishes in your Home, Business, or Community Spaces?

If so, please share about it with us here. We love to hear from you!

Remember, we are all designing this thing called Life, together.  Cheers!



Shedding Light on Color

Shedding Light on Color

What is color really?


We tend to think of color as being a property of, a part of, or existing within or on something.  We think of an object or surface having, or containing color.  As color is so emotionally, psychologically and even physically powerful, we concretize  it, i.e., we  see it as a Thing, unto itself.

But actually, as IACC color designer Frank Mahnke says, “Color exists only in our brain.”  He further explains, “Color is actually the result of different wavelengths of light stimulating certain parts of the brain. The experience of color depends on the intensity of light, the way it is reflected from a surface, and the colors surrounding objects.”


The Artist’s handbook of Materials and Techniques by Ralph Mayer states, “Each paint pigment owes its color to the kind of light rays it absorbs and reflects.  White light (daylight) is composed of a number of waves or impulses of various dimensions or wavelengths, any single one of which, if isolated, would have the property of producing a specific color sensation on the eye.  When a ray of white light falls upon a pigment, the pigment absorbs certain waves and reflects others; this determines its color effect.”


When we consider that white  light is composed of the color spectrum, we can then understand that the color that we see is composed of the light waves that are NOT absorbed by the surface we are looking at.  This may seem counter-intuitive, because aren’t we looking at a color that IS part of the surface we see, and not the color that isn’t?

Well, actually, no.

We are perceiving a color that is, to a great extent,  the light wavelengths NOT being absorbed by the surface, which ARE being scattered, or reflected “back to us”, and thus we perceive the surface as “being” that color that we see.  I say “to a great extent”, because our perception of color  is also affected  by ambient lighting, as well as the color of objects nearby.

When we think of the surface (actually, it is the material, or pigments on or in the surface, but for the sake of simplicity…) as absorbing the light waves we DON’T see, and reflecting back to us those we DO, then the whole phenomenon becomes a bit easier to understand.  In a sense, the colors we see are not really “there”, objectively speaking.  Indeed, one might say that our perception is a phenomenon of light.  Comprehending this, we can understand why the Impressionists declared that they were “painting light”.

However much we study the science, the facts as we understand them, and various color theories from Newton to Goethe, there is an aspect of color that remains a mystery, and perhaps rightly so.

The fact that color is not an inherent part of objects, but is, among other things, an effect of light, which is mutable, changes our perception of both ourselves and the world around and within us.  Our comprehension is tweaked, and may become  just that much broader.  Learning about, experiencing, and understanding aspects of color may color our view on hue, the world, our lives.  Color, and the art, science and magic of it really can be transformative; white light splintering into all the colors of the Rainbow…

What scientifically magical or mysterious aspects of color have YOU discovered lately?

If you are so moved, please share them with us here.  We love to hear from You.

Remember, we are all coloring our way through this thing called Life, together




Going with the Grain

Going with the Grain

As a companion to my June Bay Area Women’s Journal article  on “Faux Bois“, or the fine art of wood graining I am writing this post to further explore the subject. To create, or recreate the look of wood on tired, damaged, or lackluster surfaces is one of my favorite things to do!

There are so  many uses for even the most simple Faux Bois!  Who doesn’t love the warm look of wood in a space?  Natural (looking) wood gives a feeling of bringing the outside in.  From rustic, to elegant, and back again….go with the grain to enjoy beautiful (painted) wood for all seasons.  I would…wouldn’t you?

One of the most common uses of Faux Bois  is on doors, especially exterior doors.  Often these doors are made of wood that has been painted, or has become worn and weather-beaten.  Sometimes a homeowner, house painter or contractor will opt to have it refinished in a wood grain  finish, rather then replace it, or strip and restore it.

As most Faux Bois looks are achieved through the manipulation of semi-transparent glazes over a base coat, the color that emerges is the skillful combination of the two. This  also results in a sense of depth, giving the “fake grain” a sense of naturalness.

Windows too, are a common surface for Faux Bois. Sometimes, like the above, the sashes have been replaced, and need to be wood grained to match the existing frames and surround.  This can be tricky…matching not only color, but “faux” to real wood, but it can be done, and to great effect.

And, sometimes, as in the window above,  all of the wood areas are done, or redone, at the same time, on the recommendation of an interior designer, architect, or even decorative painter!

Ceiling beams can be especially fun, and satisfying to recreate.  These beams were initially painted the previous ceiling color, what a waste!  The homeowners and their designer wanted them to look like wood again, and to match the heavy, darkly stained wooden doors installed throughout the house.  Now they really pop against the creamy ceiling, adding character and interest to the room!

Both the cabinet and the mirror frame above are grained to work with the marble vanity top, a great solution for these newly built and installed raw wood pieces.  As the treatment is custom, the clients could choose the color, style and feel they wanted, in keeping with the hues in the marble.  As with any finish, Faux Bois is fine in a bathroom, as long as it is sealed with the  proper water-resistant varnish.

In the master bath above,  the tub cabinets were painted in white latex.  Once wood grained, they become a focal point in the room, providing another layer of richness and luxury, and connecting the room to the other wood finishes in the master suite. These cabinets are sealed with an oil-based varnish for extra water-resistance, luster, and depth.  The slight ambering of the varnish over time will only add to its warm glow!

If carefully planned, and executed with artfulness and skill, Faux Bois, like any finish, will enhance your surroundings, whether interior or exterior.  You can have the look of rich, natural or stained wood, without having to strip, restore, or replace.  Now, wouldn’t that be grand?!

Have YOU used “Faux Bois” in your Home, Business, or Community Spaces?

If so, please share about it with us here. We love to hear from you!

Remember, we are all designing this thing called Life, together.


Brand New

Brand New

What is a “brand“?  I added a link to the term, because I think Wikipedia describes the concept better than I can, at least at this stage.  One of the salient words used in the definition is “identity”.  Specifically: “A brand is the identity of a specific product,  service,  or business.” My colleague  Elka Eastly Veratransformative coach and brand consultant, defines it such: “A brand is like soul DNA. It’s what people recognize you for. It’s where the “you of you” meets the world. It’s the essence of your business. “

If we look at the idea of a “brand” this way, then it could even be used to describe how we present ourselves in the world.  But that is a subject for another post….

The visual elements of color and design, pattern and image, texture, shape and composition can all be brought to bear upon  the process of developing and communicating a brand identity.  Graphic designers, like the talented Dianna Jacobsen, of Jacobsen Design, do this all the time.

As an artist, muralist, decorative painter, and colorist (not mutually exclusive terms by any means), I am always intrigued with how this works, and fascinated to participate.  We may tend to think of “brands” as purely commercial (cereal, dog food and shoes come to mind), but devoted non-profits and noble institutions also have theirs, and in my experience, a similar approach is taken to communicate them.

Let’s look at a number of  businesses and organizations who employed the painter’s brush as a tool for communicating their message, how color plays a starring role in their brand identity, and why.

When  Benihana Restaurant in Cupertino, Ca. underwent extensive remodeling,  a mural consisting of a branded graphical design was specified to be painted on the “corrugated” concrete surface approximately 10 to 80′ in the air.  Benjamin Moore Creative Paint in San Francisco matched the colors of the restaurant’s branded interior wall covering in  paint. Master color mixer and matcher Norman Chinn chose Ben Moore Aura exterior paint colors by eye. He was so precise that without knowing it, he chose the very strawberry red used as a stock color in the Benihana Restaurant brand, which is heavy on warm reds, punctuated by creams, darker reds, and red-blacks. Red tends to be associated with heat fire and blood…can we read, appetite?

Red is used in a different way in the new  Dress for Success San Francisco headquarters, designed by local architectural firm, Martinkovic Milford Architects.  Dress for Success provides business attire and training for women, and key to the design is the theme of butterflies, expressing the idea of transformation. Tone on tone reds provide warmth, accent, and a sense of womb-like support for the women getting ready to launch out into the business world.  Red’s association with life and love doesn’t hurt either.

  Blush Organic Frozen Yogurt venue in San Francisco’s South of Market District is painted is apple green and crisp white, communicating a sense of freshness appropriate to a dairy-orientated ‘snackery”.  However, this hue of green also provides other tasty associations:  the sharp and pungent flavors of limes and sour apples, as well as the sweetness of kiwis and honeydew melons.  All cool and refreshing, and fruity ingredients that could be used in their delicious yogurt!

Although also used to evoke connotations of the natural world, the greens in the  mural below, designed and executed for San Francisco’s Planning for Elders in the Central City organization serve quite a different function. “PECC”, which works to “improve the quality of life of seniors, adults with disabilities, and their caregivers in San Francisco and beyond….”  wanted to use the tree as a central image to express life, giving, renewal, community and support.  Associations with the Tree of Life, and the Giving Tree are amplified by using the color of leaves, which also represents life.  Green is also one of the colors associated with the heart chakra, standing for love, sympathy, and harmony.

Embarking on this post, I see how rich, expansive, and complex the subject of visual branding and the way artists can support it,  is.  A sister post may be in order to further elaborate on the subject. 

When we think about how everything we see, indeed everything we experience through any of our senses, communicates something, carries and provides associations, and potentially stirs our emotions, it boggles the mind, (no pun intended.)  We see, and experience first-hand just how powerful the element of color is, and how many different ways it can be used. 

We can perhaps understand in a new way, the expression, “…coloring perception…”

What experiences have You had with color branding?  Have you used color as part of a brand consultation? Color consulted with businesses, organizations, or even individuals on the how of hue  for their “soul DNA“, as Elka Eastly Vera, would say?

If so, please share it with us here.  We love to hear from You.

Remember, we are all bounding and branding through this thing called Life, together.




Brand New 2

Brand New 2

What is a “brand“?  I added a link to the term, because I think Wikipedia describes the concept better than I can, at least at this stage.  One of the salient words used in the definition is “identity”.  Specifically: “A brand is the identity of a specific product,  service,  or business.” My colleague  Elka Eastly Veratransformative coach and brand consultant, defines it such: “A brand is like soul DNA. It’s what people recognize you for. It’s where the “you of you” meets the world. It’s the essence of your business. “

Jim Moran, founder and manager of Co-Op, a NYC-based branding firm, says,Brand is really the DNA that defines your company. Branding is about storytelling.  it’s about bringing the DNA to life and creating perceptions.”

When Frank Mahnke, of the International Association of Colour Consultants/Designers says that color is a form of communication and information, he is talking the language of branding.  How do colors, patterns, textures, shapes, forms and images create  ‘soul DNA’, and story?

It took me awhile to realize how much like graphic design and marketing decorative painting could be.  When I worked with the talented graphic designer Dianna Jacobsen, of Jacobsen Design, on the creation of my website, business cards, brochure, and postcard, I went through an in-depth process of determining how I wanted to beam my business, my work, my self, out into the world.

It’s not just about making things beautiful, but creating an experience for people.” says Dianna, about bringing the “brand” into physical spaces.

When I found myself working with clients ranging from businesses and  organizations to  non-profits and institutions, I discovered that I was helping them do just that through visual, and often verbal elements as well.

Let’s take a look at a few of them who employed the painter’s brush as a tool for communicating their message.

921 Front Street is a historic building dating from 1859, located in the North Waterfront area of San Francisco. Originally a warehouse, it is now a commercial building providing office space. The signage in the lobby is based on the building’s logo, so there is an immediate tie-in to the brand.  The metallic copper and steely silver colors used in the lettering reflect the natural and industrial materials used in the lobby.

Maitri Compassionate Care provides exemplary, innovative, and compassionate hospice care. The Maitri Mover Campaign Donor Recognition Arch above was designed to honor the donors who participated in the capital campaign supporting its present facility. Names of donors are hand-painted onto the glazed surface of the industrial arch which supports the one-time parking garage.  Like 921 Front Street,  the lettering is done in metallic paints to draw the eye to the words, and make them stand out from the background.  Whether said background be black or white, and the words words sparse or abundant, all visual and verbal elements support the branding.

“On the Fly” is a specialty men’s store designed by  Martinkovic Milford Architects The broken stripe design suggests stitching, as well as the classic men’s pin-striped suit sold inside. The stripe patten reflects the visual branding image used in the brand’s marketing materials. The “hands on” stripe application both communicates and enhances the store’s established visual message, and is “tailor-made” for the venue!

Also communicating directly out onto the “street”, but in a whole other way, the mural above depicts an imagined “Land of Oshun”, where a host of interacting Oshun figures express the colors, symbols, and attributes of this beneficent and inspirational goddess figure. Oshun Center, a drop-in center for women and their families, is a program of the Haight Ashbury Free Clinics.   Oshun is the name of an “Orisha” or goddess in the Yoruban (an ethno-linguistic group of West Africa), Brazilian, and Cuban religious pantheons.  Oshun’s color is yellow, and her metals are gold and copper. Other symbols depicted in the mural include peacocks and mirrors, reflective of vanity and physical beauty.  Oshun represents life’s joys, and all that makes it worth living, and this is the “soul DNA”, message, story,  brand, of Oshun Center, supported in turn, by the visual language of the mural.

When we think about how everything we see, indeed everything we experience through any of our senses, transmits something, carries and provides associations, and potentially stirs our emotions, we can see just how powerful visual and verbal elements can be in telling the story of our soul, and communicating the soul of our story.

How have You communicated the essence of your own work or business, or that of another,  through the elements of color, pattern, texture and imagery?  What about words, text, or as the brand editor Abby Kerr would say, “phraseologie”?

Please share about the richness of your experience with us here.  We love to hear from You.

Remember, we  are all branding through this thing called Life, together.


Process = Patience

Process = Patience

We’ve all heard the adage, “Practice makes perfect.”  Most likely, it was (or is) parents, teachers, older siblings, mentors, coaches or masters we have encountered along the way who imparted this wisdom to us.  The truth of it is born out in our experience.  We may not reach perfection,  (Black Swan‘s Nina Sayers not withstanding), but we most likely will improve or even achieve mastery of whatever we take on, through practice.

However,  as we move along in life, most of us discover that just about everything is a process. Mastering a sport, whether it be rugby or ballet, requires undertaking various processes such as instruction, preparation, practice, performance and assessment/analysis, each involving numerous steps which are composed of yet more actions, which comprise the journey.  All great journeys by definition, start with a single step.

We  have to get started to cross the great water…

Each step is important, and each requires patience, though sometimes we can’t seem to see the end.

Sometimes we do get an inkling or a  glimmer, fleeting or not, of the prize at the top that awaits us.

A glimmer that might get clearer, as we draw closer,

revealing hitherto unheard-of beauty and intricacy.

The design may be revealed along the way….

and we see how it is made up of pieces..the pieces of every step.

I am reminded of this every time I begin anything, whether it be teaching a children’s art class, creating a mural, trying to close a deal.  We start with an idea, an intent, a desire, a vision, and then we must take the steps, go on the journey,  follow each process to its conclusion, without rushing, forcing or insisting.  We can “make it happen”, without making it happen, by realizing, it IS a process.

Patience is required for this process.   Process takes patience, just as practice makes perfect.  Our experience tends to be better, happier, more fun, and more satisfying if we at least accept the fact that all is process, and even embrace it.  Whether it is starting a new job where the details must be ironed out, or the agonizing process of applying or vying for a new job/project/program/home/apartment/mortgage….recognizing that it is a step-by-step process, and going along for the ride for all its worth will improve our attitude, impress those we are dealing with, and probably help to insure our success, perhaps more than any other single factor involved, because our maturity, acceptance and enjoyment will show to others.

Best of all, we will learn, grow, and develop in beautiful and intricate ways, hitherto unknown to you, by doing the work, making the commitment, and then going with the flow where others, and other uncontrollable factors are concerned.  Having patience with the process, knowing that each endeavor is comprised of multitudes of processes, steps, actions, reactions, responses, decisions and details will ease the pain of our process as a whole, and maybe even make it, an ever-deepening joy!


Here’s wishing You joy in your endeavors, and patience with your process as you take your steps, and go on your journey.

What process required your patience recently? (Or, not so recently?) 

If you are so moved, please share it with us here.

We love to hear from You.

Remember, we are all going through this process called Life, together.  Bon Voyage, and Bonne Chance!

Some Favorite Things…

Some Favorite Things…

Posted purely for pleasure…taking a moment away from the more serious subjects I usually tackle in posts..but hey!

Pure pleasure can be serious business!

Pure Luminosity

Pure Winsome

Pure Magnificence

Pure Pan

Pure Color

Pure Golden

Pure MOM

Pure Howl

Pure Image

Pure Love

What are some of YOUR favorite things?? 

                     If you are so moved, please share them with us here.  We love to hear from You.

Remember, we are all responding to this thing called Life, together.




Pyramid Scheme

 Pyramid Scheme

We experience color on a number of different levels, and Frank H. Mahnke of the International Association of Colour Consultants/Designers has developed the ultimate pyramid scheme to organize them.  Called the “Color Experience Pyramid“, the schemata looks like a broad-based triangle, and is comprised of six levels, starting at the wide bottom with our biological responses to a color stimulus, and ending at its pointed tip, with our personal relationship to  color.  In other words, the Pyramid levels move from the general to the specific.

At the base of the Pyramid, and perhaps at the base of our psyches, we have our biological reactions to a color stimulus. These reactions are not controllable.  They may be considered part of our “biological, or evolutionary heritage”, having to do with survival.  Color, a source of information and communication, is also a signal.  During mating season, the males of certain bird species develop large red throat pouches, which serve as a warning or threat signal to other males, as well an attraction signal to the females.  We can find a parallel to this in our response to red as both a danger, and erotic symbol. Wow. This IS complex.

Moving up the Pyramid, we next reach the level of the collective unconscious, a term coined by the Swiss psychiatrist Carl Jung.  The contents of the collective unconscious have never been conscious to us during our lifetimes.  This level of experience has to do with archetypes, or the original, ” universally understood symbols or terms or patterns of behavior, a prototype upon which others are copied, patterned, or emulated.”.   These might be understood also as “primordial“, or first images, and do not emerge  from our personal histories, experiences, or intellect.  In other words, these responses, or experiences of color are also not conscious, or controllable.  Don’t we have any control over this stuff at all?

Well, turns out, we do. The next level up is our experience of conscious symbolism and associations with color. Yay! We are finally conscious!  Well, these responses to color could be seen as learned, and some may be seen as universal…blue=water|sky,, green = nature, yellow = sun.  All we need to do is look around  us, and we can see why.  So, although these responses are conscious, they may not be controllable, as some color association  may be deeply ingrained in our sensory life experinece, and reinforced by repetition of those experiences. .  However, these associations and symbols have a profound importance and effect upon us, as they may effect what we buy, eat, wear, value, and drive!


How does the role of culture, even specific regions, affect our experinece of color? Cultural influences and mannerisms comprises the  fourth level up the Color Experience Pyramid.   Although universal responses are surprisingly consistent, it is fascinating to look at the effect of our specific culture, group or tribe on our color responses,  experiences, choices and usage.  The colors of powerful symbols such as flags (and peace signs!) may play into this, as well as the hues representing specific holidays, or even religions. Perhaps the colors of our terrains, such as black sands, and red rocks play into this as well.  First there was the environment, and then there were the people, so…

The influence of trends, fashion and styles is the next level up the Pyramid. Now we get to the fun stuff, right?   Although trends, and such, are seen as temporary, and may well be (otherwise, why would they be called trends?!), these influences do effect our color experinece. These color trends, fashions or styles may have little or nothing to do with supportive color design, and certainly should not be applied to any and every environment, product, object, graphic or work of art across the board. The interesting thing to me about the trend phenomena is, how and why do they arise?  Are they a response to something in the culture? The economy? The weather? Are they a part of human evolution?  Do tell!

Finally, we get to the apex of the triangle…aka, Pyramid.  What is our personal relationship to color,  and how is it influenced by the five levels below?  Apparently our personal “color experience” is indeed made up of the interrelatedness of all of the Pyramid levels, conscious and unconscious. Although our color preferences can be seen as an expression of who we are, they can also change as we change and move through different stages of our lives.  As color is a function of light, it is a form of energy, and thus affects our total being,  physically, emotionally, psychologically, aesthetically. Thus our color experience encompasses all levels of our lives.

  As we develop, transform and transcend, our color preferences will express those changes, and just perhaps, become barometer of our  growth, and a reflection of our inner striving, struggles, and radiance.  Viva la Coleur!

What levels of the Color Experience Pyramid can YOU relate to? 

If you are so moved, please share them with us here.  We love to hear from You.

Remember, we are all experiencing this colorFULL thing called Life, together.

Color Story

Color Story

Once upon a time, in December of 2009, I was asked to assist in color selection for the exterior of a cool sort of industrial-looking  building on Corbett Street in San Francisco. Being a condominium building with three units, it had three sets of  inhabitants, which made up its HOA, (Home Owners Association). One of these was taking charge of the painting project, and thus, of course, the colors.  I was in luck…someone, I still don’t know who, referred my services, and I am so glad they did.  Little did any of us know that our task would not be completed until June of 2011.

My clients, technically the HOA, but, in my mind, George and Garret, who were handling the process,  live part-time in Texas.  We initially discussed the importance of the materials (those that would not be painted), primarily the hand-made wooden, slatted front gate, and the beautiful multi-colored tiles of the steps and planter. These would provide the direction for the house body (main), the garage door and trim, and the window sash and balcony rail (accent) color choices.

Because the building has an industrial, almost loft-like feel, there is an interesting tension between the architecture and surrounding  foliage.  We knew that the color scheme was to be cool, stream-lined and elegant, with enough contrast to the proliferation of nature in which it would dwell, yet it also needed to complement, and draw out the browns and greens of the nearby plants, trees and bushes. I felt that the colors should provide a nod to the structure’s industrial “downtown” sensibility.

The silvery metal house numbers also support the loft aesthetic, and would become part of the color story, providing a bit of reflective gleam.

We opted for Benjamin Moore “Iron Gate”, #1545, for the house body, and Sherwin Williams “Rustic Red” # 7593 for the window sashes, and balcony railings. Keeping the balcony railings, on the left side of the building, the same accent color as the sashes provides balance, as there is a lot more red sash action going on to the right, and we needed enough red on the left to counterbalance.

George and Garret turned me on to Sherwin Williams “Iron Gate” #2926, which  they had used on their Houston, Texas home, and was already on the garage of the building.  I loved the color, and wanted to use it.  Incredibly, it worked beautifully with Benjamin Moore’s version, the “other” Iron Gate, chosen for the house body.  Fascinating to see the different takes on what hues the term “Iron Gate” conjure up!

Over the course of  a year and a half, chatting on the phone and by email in-between meetings with George and Garret when they were in town, and their painter Tony, (local), we confirmed the scheme. Tony put up samples,  and George and Garret discussed them with the other owners and got the consensus. We were finally ready for the building to be primed! Yes, we were moving ahead! We were keeping the garage door color, and adding it to the trim above, and shifting the red on the sashes and railings to something a bit more toned-down,  in better keeping with the strong wood hue of the gate. We were transforming the body color from a paler blueish green, to the richly nuanced  and deeper grayish green hue of Iron Gate, Ben Moore style. It was happening!

And…voila!  Our attention to detail, and focus on bringing together subtle, and not so subtle shifts of color finally yielded its fruit…achieving a stream-lined, elegant, “industrial” harmony, which plays nice with its natural and architectural surroundings, and integrates seamlessly into the neighborhood.  I know George and Garret will feel great every time they enter their San Francisco home.  I hope all others who are sheltered here do as well.

What color sagas have YOU participated in lately?

If  you feel so moved, please share them with us here.

We love to hear from you.

Remember, we are all coloring our way through this thing called Life, together.

Cheers!

What Is Your M.O.?

What Is Your M.O.?

M.O. = Modus Operandi = Latin for “mode of operating” = method of operation = way of working = habits???

In other words, is there a method to our madness?

To me, the question of M.O. relates directly to the issue of motivation.

What makes us do what we do, and why do we do it, in a  particular way?  What motivates us?

This video, “The Surprising Science of Motivation” reveals that

autonomy,

mastery, 

and purpose

may have a lot more to do with our motivation…and thus, our M.O.  then we might think.

If  you feel so moved, give The Surprising Science of Motivation a listen and a look….

and share your reactions with us here.

We love to hear from you.

Remember, we are all motivating our way through this thing called Life, together.




The Embodiment of Color

The Embodiment of Color

When recently discussing Frank Mahnke‘s “schemata, the “Color Experience” Pyramid, I found myself sliding uncomfortably, yet seamlessly, from one “level” of the Pyramid to the other.

I say  uncomfortably, because I felt that some of the levels were so interconnected, as to be nearly inter-changeable. The Pyramid describes six levels upon which we experience the phenomenon of color.  I  decided to take a closer look at each, starting with its base: “biological reactions to a color stimulus“, IE: our own biology.

Our sensations are generated, and thus emanate, from our senses, our five senses, to be exact, which are experienced through our own bodies.  You might say it’s a physical thing.  We must then, embody color,  just as we experience it.  If color is light is energy, I reasoned, in a sense, in a very real sense, we must be made of it.  If we are made of energy, made of light, we must be made of color.  Are we then walking, talking rainbows? Flowers? Sunsets?

We cannot control our biological reactions to color, as they show,  in the words of English psychologist Nicholas Humphry, “….traces of our evolutionary heritage.”  From the green pigment of chlorophyll and its role in the necessary process of photosynthesis, to the huge red pouches developed by the male frigate bird during mating season,  in nature, and thus in  ourselves, color is and always has been a signal between life forms and species that is crucial to our survival. Camouflage, protection, sustenance, warning, sexuality, fertility, all of these and more are signified and communicated through color, which underneath it all still seem to be running us today, both psychologically and biologically.

A neural pathway, aptly called the “energetic portion” of the optic pathway transports light and color stimulation to the master glands which control the production and release of hormones. Whoa!  Talk about the Mother lode!  We see that color affects our biology, and biological activity, whether we wish it, will it, want it, or not. Blue light, for example, has been used to cure infant jaundice.

Humans have “total color vision“, meaning that we need the total color spectrum for our biological and psychological survival.
Color has always been a significant factor in our evolution and survival as humans, teaching us what is safe and nutritious to eat,  how to interpret and adapt to our natural environment, and how to understand and respond to the changing seasons, as our earth rotates around the sun.

Here we come full circle, a full rotation  if you will.  Light is color, and from the energy of light we see, sense, and  take what is needed for our survival, preservation and protection as a species.   On this most basic level, the level of our biology, our response to color has nothing to do with what we might term as preference.  Our perception of  the light-giving radiant energy of the sun, which is color, is fundamentally linked to our survival, and thus deeper than any conscious experience, control, effort or emotion could dictate.

Are YOU conscious of experiencing color on a biological level?? How does color support YOUR survival?

If you are so moved, please share your experience with us here.  We love to hear from You.

Remember, we are all experiencing this colorFULL thing called Life, together.



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Fog Magic

Fog Magic

One recent overcast Saturday morning, I set out in full regalia, walking to my exercise class, which was just down the road.

It was foggy, not an unusual state of weather in San Francisco. However, instead of dull and dismal, the softly filtered light and shrouded landscape felt mysterious and  magical.  I remembered a book from my childhood entitled “Fog Magic”, in which a young girl encountered a magical world only visible in the fog.  How did the fog change the look of things?

Intrigued, and going on instinct, I walked right past the church where my Jazzercise class was now surely in full swing.  The air itself was soft, damp, and seemed full of possibility.  I was on an adventure…and  heading West, towards the water.

The pastel colors of the buildings were muted further by the fog, softened, yet distinct.  I was struck by the difference in hue, yet similarity in value of a row of house colors which seemed to nest like colored Easter eggs, side by side. They reminded me of the “rear view” house colors I was moved to write about in a previous post.

I have always been intrigued by this very private abode, and have perused it many times while walking west towards the ocean.  It emits a strong Japanese sensibility, its plain frontal facade, and very specific landscaping distracting attention from how far back it stretches.

The blend of cultures, ethnicities , belief systems and their myriad expressions in the Bay Area pervade its neighborhoods. Weather-dusted gems such as the unexpected Buddha can appear anywhere, such as the end of a condominium walkway  across from Ocean Beach

The pop of a red door seems even more intense in the fog. White body, blue trim, and gray-blue accent give new meaning to the term “white picket fence”, and all that term implies.  This neat little dwelling is bright in the sunlight, and a grayed down version of flag colors in the fog.

Slightly north stands the stately enclave of “Sea Cliff”, home to movie stars, moguls, and probably a lot of moms, too.  Here, the trail of vines spreading across a picturesque stone wall creates the inspiration for a mural composition.  The rich fuchsia color jumps out against the green and gray in the overcast light.

Fog magic is mysterious and powerful. Days don’t have to be bright to be illuminated, or objects well-lit to be radiant. Through the softly veiled, diffused light of the foggy overcast we so often live within here, we can see the glow of treasures we might otherwise overlook, blinking in the sunlight.

Has a walking adventure changed the way YOU see things recently??  

If  you feel so moved, please share about it with us here.

We love to hear from you.

Remember, we are all adventuring through this thing called Life, together.


Mockups and Murals

Mockups and Murals

What is a mural

Related to the French word “mur”, meaning “wall”, the term “mural” is derived from the Latin mūrālis, which means “of a wall”, derived from the Latin mūrus, or…you guessed it, WALL!

Not surprisingly, the most literal meaning of the word “mural” is a painting on a wall. However, the term has expanded to encompass a wide range of both interior and exterior applications to the built environment and a variety of architectural surfaces

Murals can be painted on panels or canvas, and then affixed to a wall, fence, ceiling, floor, room divider, or roof! They can be graphical, patterned, or design-oriented in nature, or depict intricate scenes so real that we might find ourselves stooping to pick up what we thought was a feather on the floor, only to find that our hand brushes against its painted surface…

But, how does the artist get from the concept, or idea for a mural, of whatever sort, to the finished, often very large  image you might enjoy in your living room, local restaurant, non-profit organization, mall, or neighbor’s  fence?

Well, through the mockup process, namely, creation of a to scale, model, version, or prototype of the intended mural.  It is a great way to present ideas for approval, and catch potential aesthetic, functional or structural problems before they become actual ones!  Please see below a gallery of assorted mockups, and the murals they spawned. From canvas to walls, to doors to exterior fences seen through a second story window, murals can happen anywhere their makers can wield a brush, adhere a tile, (shh, bad for the environment) press a spray can button. The following images give a sense of scale from mockup to mural, and the various environments murals can exist in. Future posts will explore this subject in greater depth,  so hold on to your ladder (or scaffold), and enjoy the ride!

Mockup for The Land of Oshun”

“The Land of Oshun”, Turk and Taylor Street, San Francisco

Sketches and mockup for “The Donor Tree”

“The Donor Tree”,  Planning for Elders in the Central City,  San Francisco

Mockup for “Window Mural”

“Window Mural”  seen through kitchen window

“Window Mural” seen from below, San Francisco

Mockup  of “Garden Mural”, seen with full-scale mural in process

“Garden Mural”, patio level, San Francisco

Mockup for “Life Journey”,  seen with full-scale mural in process

“Life Journey”,  living room wall, Burlingame, CA

Mockup for “Obi-Cat”

Lower part of “Obi-Cat” on door

“Obi-Cat” on music room door, Palo Alto, CA

Stay tuned for more on murals….

What intriguing murals have YOU seen, or created recently??  

If  you feel so moved, please share them with us here.

We love to hear from you.

Remember, we are all mocking up this thing called Life, together.

Color: Culture, Trends, and You


Color: Culture, Trends, and You

Over the summer, during our “Color Muze” segments on Artistically Speaking Talk Show,  we have focused on the Color Experience Pyramid, as outlined by color expert, Frank H. Mahnke of the International Association of Colour Consultants/Designers .

As described in the posts, “Pyramid Scheme“  and “The Embodiment of Color”, we experience color on a number of different levels, and Mr. Mahnke has developed a  ” pyramid scheme”  to organize them. This schemata looks like a  broad-based triangle, and is composed of six levels, starting at the wide base with our biological responses to a color stimulus, and ending at its pointed tip, with our personal relationship to  color.  In other words, the Pyramid levels move from the general to the specific.

Here’s to the red, white and blue…and, yellow!?

We are influenced by our cultures, and this affects how we experience and use color, and our emotional response to it.   Top 1 Oil, a company that produces and provides, you got, it, petroleum products, uses the colors of the American flag in its logo, along with sunny, optimistic, and energetic yellow.   Do we feel energetic when we view this logo?

In addition to presenting a logo and branding that encompass all three primary (red, blue, yellow) colors,  supported by white, aka, purity, this color combination reads patriotism plus.  The yellow adds brightness and warmth, relating to an image of golden oil. What a message of hopefulness, buoyancy, energy (oil = fuel,/sunlight = energy = fuel) and forward movement!

Very few of us, no matter how individual we may want to, or feel ourselves to be, can resist at least some influence of current fashions and trends. The  Color Marketing Group (CMG) mwebsite states that they are ” the premier international association for color design professionals. Our mission is to create color forecast information for professionals who design and market color. “  There is a whole world of those forecasting the next color trend, or “color of the year”, and like it or not, they exert great influence over what we see on the runways, on the road, on our walls, and even  on our bodies.

Yet, what goes into these trends?  There must be some combination of cultural experience, current events, environmental states, and the impact of history that informs them.

Mid-Century … modern once upon a time…

As I share in my post, Featured Work: “Mid-Century Retro”:   Starburst, Atom, or Tinkertoy?Mid-Century Modern design style, both in its “original’ format more than a half a century ago, and in its many personalized revivals, encompasses specific colors, textures, shapes, and patterns.  These comprise a style or trend, that was fresh, “a la mode”, and au courant” at one time, and has now become retro, beloved by some, whimsical to others, fun and even intriguing to many.

Paradoxically, Mid-Century Retro and its accompanying earth tones, burnt oranges, grey and gold hues can be seen as a current trend or fashion, even though its original style is no longer fresh and new, or in the van guard.  The fact that this style is nostalgic (depending on when you were born…or, not) can, pun intended, color our emotional and aesthetic response to the palette.

Finally…to the personal..our Personal Relationship to Color….

So, why do we love what we love?

I quote Frank Mahnke, who says, “…the “color experience”, or, how we experience color, is made up of the inter-relationship and connection of all the levels of the pyramid….we, within our life and according to mood, change color preference….An expression through color…characterizes us, and gives an indication of who we are as individuals.’

Serving up some  specific Color Choices…

Bright colors on an exterior mural….what the client wants to see outside her kitchen window…

The purple sunset sky desired by a young girl for her bedroom ceiling….

Magical colors on the exterior of a building brightening the foggy weather…

Knowing the “theory”…, color theory that is, can help us make these choices, and feel as though we are on the “right”  track.

Our experience of color through nature  is direct, primal, and  visceral.  Also, most likely, backed up by theory, if we really look at it.

Nature, color and art, are they separable?  What do You think?

What is the influence of culture and trends on your personal relationship to color?

If you are so moved, please share about it with us here.  We love to hear from You.

Remember, we are all coloring in this thing called Life, together.





Compliments of the House

Compliments of the House

Complimentary Colors = those opposite each other on the Color Wheel.

So… the compliments are opposites, yet they, “compliment” one and other…I.E.: set each other off…draw each other out, and balance each other!

Now…let’s have some complimentary fun, and celebrate these complimentary pairs.

Don’t get distracted by the green…

House Happy….

Fire and water….

Enjoy some compliments today…they are always there to inspire us, pique our interest, energize and awaken us.

Ciao!

Compliments of Artissima, and ArtiFactory Studio!

An Amble through the Gamble

An Amble through the Gamble


The architectural brethren team of Greene and Greene, created (with the expertise of many) this magnificent Arts and Crafts masterpiece in Pasadena, Ca,  for the Gamble family, of Proctor and Gamble fame.  The Gambles lived there three months out of the year.

On Tuesdays, starting at 11:30am, you can bring a brown bag lunch to enjoy in the Gamble gardens behind the house, and then take a short (planned for 20 minutes!) tour of its first floor, for $5.00.

As many other of Pasadena’s wonders, such as the Norton Simon Museum, are closed on Tuesdays, this mini-tour is a wonderful option. And, the gardens are lovely…tables are set up for ease of dining.  Out tour was composed of several other travelers, passing though town.

An expanse of green/Greene lawn stretches between the main house and what used to be the garage, and is now

the wondrous bookstore.  Fascinating and beautiful both outside,

and in,  the temptation to browse for hours may very well descend upon you.  Delightful gifts may be found within its walls.

Indeed, the whole experience is a gift, one of many that Pasadena offers.

Stay tuned for the next post, in which I will share some of the marvelous architectural details  and accoutrements, of  The Gamble House!    Gambling on the Gamble…you can bet on it!!!

Have You ever visited The Gamble House, seen the work of Greene and Greene, or other Arts and Crafts buildings?

If so, please share about it with us here.  We love to hear from You.

Remember, we are all ambling and gambling our way through this thing called Life, together.  Happy Trails!


Gamble Amble: The “Deets”

 Gamble Amble: The “Deets”
The architectural brethren team of Greene and Greene, created (with the expertise of many) The Gamble  House, a  magnificent Arts and Crafts masterpiece in Pasadena, Ca,  It is also  a National Historic Landmark and museum.  The Greenes designed the house in 1908, for the Gamble family, of Proctor and Gamble fame.

Let’s amble by some of the Gamble’s captivating details.

Hang the verdigris lantern…hows this for a house number?

More lantern: repetition of forms creates integration and harmony.

One of my favorite “deets”…. coppery patina against weathered wood.

A window on, and of, wood…

Or, two. Resonant shapes, frames and symmetry.

These doors give context to the lantern, and are beautifully balanced compositions unto themselves.

And…these! Showing off the Greenes’ use of articulated joinery, and iridescent glass which changes color throughout the day.

Sheltering eaves, metal patina, lantern, exposed timbers, articulated joinery, shingles…a marvelous makers’ tableau.

Variegated Verdigris…the age of patina on a drain pipe, against the eaves.

On the Ground: pavers tile  to brick to wood.  They all work together, providing interest, harmony and texture, a melodious materials medley.

Up above: a celebration of wood and  exposed structural timbers in a range of hues that work together, and blend with the surrounding landscape.

Do you love the above? Watch this!  http://www.finewoodworking.com/PlansAndProjects/PlansAndProjectsArticle.aspx?id=27096 and, this!  http://www.youtube.com/user/WNEDTV#p/c/4/Un1derJy54U

What captivates YOU about The Gamble House, or other Arts and Crafts architecture You have seen?

If you so choose, please share about it with us here.  We love to hear from You.

Remember, we are all ambling and gambling our way through this thing called Life, together. Happy Trails!

LA Stories I: La Couleur de Santa Monica

LA Stories I: La Couleur de Santa Monica

Having recently visited the “beach town” of Santa Monica, and about to go there again soon, I wanted to remark upon “la couleur” (or, the color!)  I found there, in an effort to discover, locate or identify some specificity: IE…qualities of color which seem. or feel to be specific to this local.  local color, if you will.

I wanted to share some of my findings…or, shall we say, “sightings”, traversing the highways and byways of S.M.

What does this unusual color combination remind You of?  Is it retro? So-Cal? LA? Simply Santa Monica? Beach-ie? I am not sure, but I like it, in fact, I love the fact that these colors, in this combination, on this architecture, exist right here, I mean, there, on the Third Street Promenade, right now.  It’s just, well, fun!  Somehow, to me, there is something surfer-ish about it.  The surfboard de Mondrian?

One of the wildest things I saw on this trip…a “DAD” dumpster. Why DAD? Why teal? DAD may stand for “Dump and Discard”, but who can see the letters “DAD”, and not think of…, Dad.   The white letters  on bright teal/blue-green associate with water, freshness, cleanliness and even purity (my personal take-), an interesting combination for a trash receptacle!  Fun fact,  “The Intercessors of the Lamb, a Roman Catholic lay ecclesiastical movement, wears as its habit a teal scapular, which symbolizes the community’s role as intercessors between heaven (blue) and earth (green).”  — Wikipedia

The 18th Street Coffeehouse…or, is it Cafe (maybe I will check on that when next I am there…) warms and welcomes  with wood, and red, associating with the heart. Needing a place to perch, and ease my walk-weary feets, the cozy, yet vibrant and light-filled  hangout, which I believe is on Broadway near 18th Street, filled me with gratitude, and some nice joe. Bustling with a continuous flow of patrons, no-one seemed to care how long I stayed, slowly sipping my coffee, munching on a bagel, and sorting out the inevitable tangle of maps, lists, brochures and cards which inform the act of travel.

Gradations of green, set off by the complementary red and analogous yellow crane caught my eye,  because one just doesn’t see buildings in this colorway and pattern every day…at least not in the Bay Area. The rather monumental scale, the graphic stripes, the dulled down spring green stripes…is it a LA phenom?  So-Cal? Or, specifically Santa Monica?

I don’t know what this place is…perhaps a preschool, or a daycare center, but I love the whimsy, boldness, and pure audacity  of its color, patterns, and shapes, to say nothing of the marvelous tree gate. Again, those repeating patterns, diamonds suspended by lines from the top of the wall this time, and that sense of being over-sized…big statement, strong combination, even though there are only two colors used, neither intensely bright. This sense of being “larger than life”…is it the influence of mythical Hollywood,  or again…simply Santa Monica?

Maybe I will find out…

Do YOU?  I am looking forward to my next trip “down”, and to sharing more “LA Stories” with You soon!

What do YOU love about the  “La Couleur de Santa Monica”?

If You so choose, please share about it with us here.  We love to hear from You.

Remember, we are all coloring in the shapes of  this thing called Life, together. 

LA Stories II: Siting Santa Monica

LA Stories II: Siting Santa Monica

Discovering Santa Monica, one site at a time…iconic, over-sized, whimsical, outlandish, commercial, many-faceted.  From beneficent Buddha heads, to unexpected Indians, from pop sound to gas station topiary,  expect the unexpected, and come along for the ride.

Pretzel Apparel, Third Street Promenade

Gas Station Topiary

Buddha Nature

Pop Sound


Incidental Indian

Car Planting, Bergamot Station

What unexpected sitings have YOU had recently?

If You so choose, please share them with us here.  We love to hear from You.

Remember, we are all siting this thing called Life, together.


LA Stories III: The Balm of Palm

LA STORIES III: The Balm of Palm
What says “Southern California” more succinctly than palm trees?  Yes…they also bespeak the tropics, surfing,  Miami Beach, and the essence of relaxation itself, , even paradise,  but when in LA, the Balm of Palm is King…er. Queen?

Here are some of my favorite recent “Palm Psalm” sitings in Santa Monica and Venice…so sit down with your favorite drink, tropical or otherwise, , relax, and listen to the palm leaves rustle….

Palm-lined boulevards are the norm in Santa Monica

Reflections of a palm darkly…in downtown Santa Monica

Follow the palm-lined road…

Biblical implications behind Yahoo Center, Santa Monica?

Headed down Colorado Boulevard to the Santa Monica Pier…looking left!

The leaning tower of palm…

The Washingtonia robusta palm trees line Ocean Avenue in Santa Monica

Abbot Kinney, I presume…Venice!

“Who you lookin’ at?”  Third Street Promenade, Santa Monica

The storied Venice Canals…

So, what are we to make of the abundance of LA palms?

Well, according to Wikipedia, the free encyclopedia, “In historical times palms have been symbols for victory, peace, and fertility. Today, palms remain a popular symbol for the tropics and vacations”.  Hmm…from victory,  peace and fertility, to the tropics and vacations…go figure.  Sounds like So-Cal to me!

What do Palm Trees mean to YOU? Have You relaxed under any lately?

If You so choose, please share about it with us here.  We love to hear from You.

Remember, we are all relaxing into this thing called Life, together.



2011 in review

The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.

Here’s an excerpt:

A New York City subway train holds 1,200 people. This blog was viewed about 4,700 times in 2011. If it were a NYC subway train, it would take about 4 trips to carry that many people.

Click here to see the complete report.

Published in: on January 1, 2012 at 10:50 pm  Leave a Comment  
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