Le Papier V

Le Papier V

“Gossamer”

Side-bound book, repurposed paper, cloth, paint chips, vellum (?) and cord.

“Maggie’s Book”
“Folded fan” flag book, repurposed brochure, vellum (?), photo corners, brochures and postcards.

 

Le Papier IV

Le Papier IV

When a discarded placemat just screams “book”

Single signature binding

Side bound book made from packing material, twisty ties and jute.

Le Papier III

Le Papier III

“Prioritaire”

A Flag Book

Front

Opened, covers folded

Opened, covers unfolded

Back

Le Papier II

Le Papier II

LostGirlsFound”

Envelope book with accordion fold pages.
Repurposed paper, print media and ribbon.

Lost Girls OK Group

Lost Girls Falling

Moments Become Absurd

Discover I Think I Can

It’s Everything

I am the vulnerable girl

WeAreTheVulnerable

 

Le Papier I

Le Papier I

Side stab binding…repurposed materials…emptying the mind…instinctual movement

Faber’s Book, repurposed cardboard, repurposed paper, hemp cord, tissue, pencils, matchbook

Fixing Broken Hearts, repurposed cardboard, repurposed paper, hemp cord, tag, print media

Full“, repurposed cardboard, repurposed paper, hemp cord

2014

 

“If You Remember, I’ll Remember” III

“If You Remember, I’ll Remember” III

If You Remember, I’ll Remember”  an innovative group exhibition about cultural/historical memory  is currently at The Block Museum of Art At Northwestern University .

“If You Remember, I’ll Remember is an invitation to reflect on the past while contemplating the present through works of art exploring themes of love, mourning, war, relocation, internment, resistance, and civil rights in 19th and 20th century North America. This exhibition includes works by artists Kristine Aono (b. 1960), Shan Goshorn (b. 1957), Samantha Hill (b. 1974), McCallum & Tarry (active 1998-2013), Dario Robleto (b. 1972), and Marie Watt (b. 1967). By engaging with historic documents, photographs, sound recordings, oral histories and objects of material culture drawn from institutional and informal archives, these artists highlight individuals’ stories or make connections to the their own histories. Some make explicit links to events across time periods, while in others these associations are implicit.”

The work of transdisciplinary artist Samantha Hill:

‘Since 2009, Chicago artist Samantha Hill has been developing the Kinship Project Archive, a repository comprised of oral histories and more than 3,000 objects, including vintage photographs and scrapbooks mostly from African-American families. The items are obtained primarily through Hill’s in-depth engagement with various U.S. communities, particularly in Anchorage, Alaska, Charlotte, North Carolina, and Chicago. Her installation “Herbarium”(2015 to 2017) was first presented at the Hyde Park Art Center in 2015 and has been revised and expanded for this exhibition. The work was inspired by a gift of artifacts from a Hyde Park family dating from 1839 to 1940 and includes newspaper clippings, letters and other documents related to family history and political events in the South. Hill’s work also features items related to the early of history of Birmingham’s 16th Street Baptist Church, which became a nationally charged site in 1963 when members of the Ku Klux Klan bombed the building, killing four little girls.” —https://news.northwestern.edu/stories/2017/01/if-you-remember-ill-remember-poses-timely-questions/

“If You Remember, I’ll Remember” II

“If You Remember, I’ll Remember”

If You Remember, I’ll Remember”  an innovative group exhibition about cultural/historical memory  is currently at The Block Museum of Art At Northwestern University .

“If You Remember, I’ll Remember is an invitation to reflect on the past while contemplating the present through works of art exploring themes of love, mourning, war, relocation, internment, resistance, and civil rights in 19th and 20th century North America. This exhibition includes works by artists Kristine Aono (b. 1960), Shan Goshorn (b. 1957), Samantha Hill (b. 1974), McCallum & Tarry (active 1998-2013), Dario Robleto (b. 1972), and Marie Watt (b. 1967). By engaging with historic documents, photographs, sound recordings, oral histories and objects of material culture drawn from institutional and informal archives, these artists highlight individuals’ stories or make connections to the their own histories. Some make explicit links to events across time periods, while in others these associations are implicit.”

Marie Watt, recently featured in American Craft magazine and an artist I am fascinated with for her use of used textiles and stitching,  is showing stitched blanket pieces, some of which are collaborative such as Companion Species: Ferocious Mother and Canis Familiaris, (2017) below.

 Witness, (2015) below, is “drawn from a 1913 photo …of a First Nations, Quamichan, Potlatch, off Vancouver Island.” — Marie Watt

PowerFUL.

“If You Remember, I’ll Remember” I

“If You Remember, I’ll Remember” I

If You Remember, I’ll Remember”  an innovative group exhibition about cultural/historical memory  is currently at The Block Museum of Art At Northwestern University .

“If You Remember, I’ll Remember is an invitation to reflect on the past while contemplating the present through works of art exploring themes of love, mourning, war, relocation, internment, resistance, and civil rights in 19th and 20th century North America. This exhibition includes works by artists Kristine Aono (b. 1960), Shan Goshorn (b. 1957), Samantha Hill (b. 1974), McCallum & Tarry (active 1998-2013), Dario Robleto (b. 1972), and Marie Watt (b. 1967). By engaging with historic documents, photographs, sound recordings, oral histories and objects of material culture drawn from institutional and informal archives, these artists highlight individuals’ stories or make connections to the their own histories. Some make explicit links to events across time periods, while in others these associations are implicit.”

I was struck (no pun intended…the piece features nails)

by Kristine Aono‘s stunning installation:

Nails, documents, wood, styrofoam, burlap sacks
11 x 47 feet
Installation at the Mary & Leigh Block Museum of Art, Evanston, Illinois
February 4 – June 18, 2017
curated by Janet Dees
“Deru Kugi Wa Utareru is a Japanese proverb which can be translated as “The nail that sticks up the farthest takes the most pounding.” When I came across this saying, it helped to explain how 120,313 people of Japanese ancestry, 2/3 of whom were American citizens, could so obediently submit to being incarcerated during WWII. The proverb and its translation wrap around the room. The walls are wallpapered with copies of letters from my maternal grandfather and documents of testimony by former internees given before congress. Stippled into the walls is a grid of 120.313 holes, one for each person interned. Rusted nails are pounded into the grid, forming a large American flag on the main wall. The remaining nails would fill the walls. Visitors are encouraged to add nails to the wall in memory of or to honor those who were incarcerated.”    —Kristine Aono
 

Patrons are encouraged to become participants in the creation of the piece.

The immensity  yet subtlety of the piece makes it challenging to photograph…

I found the combination of writing overlaid by nail emerging from it, both of which require manual actions to effect, particularly compelling and evocative, in an almost silent way, like a memorial.

We must not forget.

Chromatic Interactions III

Chromatic Interactions III

CHAPTERS: Book Arts in Southern California” presented at the Craft and Folk Art Museum in LA.

I was commissioned to create an interactive book.

I created “Chromatic Interactions”

Chromatic Interactions is a flag book is comprised of an accordion spine, front and back covers, and flag pages which are pockets with windows cut out of them to reveal both front and back of the cards that visitor participants wrote and drew on, then inserted into the pockets.

 The front and back covers had windows cut out of them that correlated with the windows cut out of the flag pocket pages.

People’s responses, offerings, additions and interactions surprised me…they really did pause and participate.

This is one of my favorites.

May we all have…Joy…in the morning, in the night…all the time.

As Much As Possible.

JOY

Chromatic Interactions II

Chromatic Interactions II

CHAPTERS: Book Arts in Southern California” presented at the Craft and Folk Art Museum in LA.

I was commissioned to create an interactive book.

I created “Chromatic Interactions”

Chromatic Interactions is a flag book is comprised of an accordion spine, front and back covers, and flag pages which are pockets with windows cut out of them to reveal both front and back of the cards that visitor participants wrote and drew on, then inserted into the pockets.

It was eye-opening to see how people responded, what they wrote and drew, and how the book transformed over time.

I am exploring this phenom through a series of posts, now that the show is over. The CAFAM was kind enough to save and give to me many of the file cards added to the book by the participants who interacted with the piece…keeping it in a continual state of transformation.

The front and back covers had windows cut out of them that correlated with the windows cut out of the flag pocket pages.

Someone had to remove the cards so that new ones could be inserted. I am still not sure if this was the Museum staff, or the patron participants themselves. Here is some of what they wrote….

“STRIKE while the iron is hot”

“Speak Out

Stay Calm

Carry On”

“How can we stop the political train wreck?”

“It was the best of times. It was the worst of times. *activism….”

“people say don’t hate anything except for hatred”

This one “speaks” for itself.

Actually, they all do.

People

Speak

Out