Le Papier I

Le Papier I

Side stab binding…repurposed materials…emptying the mind…instinctual movement

Faber’s Book, repurposed cardboard, repurposed paper, hemp cord, tissue, pencils, matchbook

Fixing Broken Hearts, repurposed cardboard, repurposed paper, hemp cord, tag, print media

Full“, repurposed cardboard, repurposed paper, hemp cord

2014

 

Chromatic Interactions III

Chromatic Interactions III

CHAPTERS: Book Arts in Southern California” presented at the Craft and Folk Art Museum in LA.

I was commissioned to create an interactive book.

I created “Chromatic Interactions”

Chromatic Interactions is a flag book is comprised of an accordion spine, front and back covers, and flag pages which are pockets with windows cut out of them to reveal both front and back of the cards that visitor participants wrote and drew on, then inserted into the pockets.

 The front and back covers had windows cut out of them that correlated with the windows cut out of the flag pocket pages.

People’s responses, offerings, additions and interactions surprised me…they really did pause and participate.

This is one of my favorites.

May we all have…Joy…in the morning, in the night…all the time.

As Much As Possible.

JOY

Chromatic Interactions II

Chromatic Interactions II

CHAPTERS: Book Arts in Southern California” presented at the Craft and Folk Art Museum in LA.

I was commissioned to create an interactive book.

I created “Chromatic Interactions”

Chromatic Interactions is a flag book is comprised of an accordion spine, front and back covers, and flag pages which are pockets with windows cut out of them to reveal both front and back of the cards that visitor participants wrote and drew on, then inserted into the pockets.

It was eye-opening to see how people responded, what they wrote and drew, and how the book transformed over time.

I am exploring this phenom through a series of posts, now that the show is over. The CAFAM was kind enough to save and give to me many of the file cards added to the book by the participants who interacted with the piece…keeping it in a continual state of transformation.

The front and back covers had windows cut out of them that correlated with the windows cut out of the flag pocket pages.

Someone had to remove the cards so that new ones could be inserted. I am still not sure if this was the Museum staff, or the patron participants themselves. Here is some of what they wrote….

“STRIKE while the iron is hot”

“Speak Out

Stay Calm

Carry On”

“How can we stop the political train wreck?”

“It was the best of times. It was the worst of times. *activism….”

“people say don’t hate anything except for hatred”

This one “speaks” for itself.

Actually, they all do.

People

Speak

Out

CHAPTERS 8: SoCal Book Arts Explored V

CHAPTERS 8: SoCal Book Arts Explored V

Final thoughts…for now…

The Craft and Folk Art Museum of Los Angeles currently has on viewChapters: Book Arts in Southern California curated by Holly Jerger through May 7, 2017.

“Chapters explores the significance of Southern California artists in establishing the field of book arts from the 1960s to present day. The exhibition highlights over 60 artists, presses, and organizations who explore ideas related to conceptualism, feminism, process, and community building through artists’ books, sculptural forms, small editions, and zines. “–CAFAM

Artists’ Books pack the proverbial punch…I did not get photos of the labels for these…but their power is made manifest through their forms. Visit the show to see them up close (well, closer-) and personal.  They are, both personal, and universal.

You can still catch the show for another almost week.

Check it out!

In the next few posts I will explore  and share my interactive book, “Chromatic Interactions” commissioned for the show and its viewers become participants. An interesting perspective.

Let’s hear it for Free Speech.

CHAPTERS I : “Chromatic Interactions”

CHAPTERS I: “Chromatic  Interactions”

The wonderful Craft and Folk Art Museum of Los Angeles currently has on view “Chapters: Book Arts in Southern California” through May 7, 2017.

I had the opportunity of creating an interactive book for the show, one that potentially 8000 viewers/participants could become co-creators of by adding and subtracting color, pattern, graphics and text as they so chose.

weba

I created the flag book  structure from book board (covers),webe

watercolor paper (accordion spine), rice paper (covering the spine),webi

repurposed file folders (torn into pieces to “cover the covers” and folded to form the flag page pockets), linen thread (to stitch the flag pages/pockets), Lineco Neutral pH Adhesive (for gluing) ,webd
and colored file cards (to write and draw upon, and insert into the pockets in varied arrangements), to create  “Chromatic Interactions”.webc
I aligned the ‘windows” in the covers, with the windows cut out of the flag book pockets, 
webf

so that the file cards would read through the front and back cover apertures.webg
The results of offering the public the opportunity to express themselves through interacting with the book were fascinating.
webm

I was moved that participants were expressing their feelings about current events, and the “state of the nation”. webn
Some just got silly and had fun.
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Some asked profound questions…reflecting what is on the collective mind.webq

Some waxed poetic.webu
And one young artist expressed her feelings through creating a bookmark, as all the windows were filled!
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 Perhaps the greatest treasure of all…

Thank you Inez!

And thank you to the wonderful Holly Jerger, curator, for this amazing opportunity to give CAFAM viewers a voice..I am looking forward to seeing what else they have to say.

“The Big Book”: Collaboration 3

“The Big Book”: Collaboration 3

Last summer I had the opportunity to do a collaborative book project with students aged 5-10. We called it “The Big Book“.

I created the structure out of repurposed corrugated cardboard. The students then added to, developed, embellished and played with the structure.

The students had access to all of the drawing, painting and collage materials we were using in class on our bookmaking projects to use in any way they wished (within time and space constraints, and reason) on the The Big Book.

Here is some of their play…..

webc1Images of students working on their book projects…on The Big Book


webiDesign and line…

webjWe used beads, paint pens, ribbon, paper, and much more…

The Big Book…Lives!

“The Big Book”: Collaboration 2

“The Big Book”: Collaboration 2

Last summer I had the opportunity to do a collaborative book project with students aged 5-10. We called it “The Big Book“.

weba1I created the structure out of repurposed corrugated cardboard. The students then added to, developed, embellished and played with the structure.

weba2I primed all of the surfaces, and painted the outside of the covers and spine black and the inside white.  I framed the outside of the covers with  extra strips of cardboard for stability.

weba3The students had access to all of the drawing, painting and collage materials we were using in class on our bookmaking projects to use in any way they wished (within time and space constraints, and reason) on the The Big Book.

weba4They went to town using pipe cleaners, cloth, washi and glittery tapes, feathers, and their own drawings

weba5to create designs, borders, text, textures, color and artworks on the collaborative piece.

webb2Because the students were a range of ages, there were a range of effects,

webb1which melded together to become a singular Book Work of charm, energy, and personality!

We worked together. We created together. We laughed together. We respected each other.

A Lesson for Living.

“The Big Book”: Collaboration



The Sheltering Book Chapter 6

The Sheltering Book Chapter 6

I was honored to be one of 17 artists to receive an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University, to create, “The Sheltering Book“.

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The Sheltering Book will be a life-sized book structure which will become the backdrop for community bookmaking workshops drawing parallels between the meaning and architecture of the book, and that of the Sukkah. The project also explores the relationship between the public sphere and private space, whether that space be our personal creativity, where we create, or what we create.”Debra Disman

web2cThe Sheltering Book is composed of an accordion spine, front and back covers, and two movable pages on each side which open away from the center, creating a space for shelter, presentation, performance and sharing.

web3To create a Sukkah shelter, dyed and stenciled netting was spread over the top of the Book, held in place by pins.

web9dThe Sheltering Book was constructed out of corrugated cardboard, primed, base painted, and transformed with layers of semi-sheer paint applications in harvest colors, which played across the surface.

webiParticipants gathered in front of The Sheltering Book to create their own books,

webvand then share them, using The Sheltering Book as a backdrop, stage set, and human-sized performance space.

webbThe Sheltering Book becomes a synergistic process and experience for the community at-large, offering shelter, safe space, and creative inspiration for all who engage with it.

Let us hold the vision.

The Sheltering Book Chapter 5

The Sheltering Book Chapter 5

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I am honored to have been one of 17 artists who received an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University, to create, “The Sheltering Book“.

web2hOpen to the world.

The Sheltering Book will be a life-sized book structure which will become the backdrop for community bookmaking workshops drawing parallels between the meaning and architecture of the book, and that of the Sukkah. The project also explores the relationship between the public sphere and private space, whether that space be our personal creativity, where we create, or what we create.”Debra Disman

web9d

web4

A “Sheltering Book” program was held at the , of the Santa Monica Public Library. The program was attended by participants from preschool to post school who created books,  and shared them in the shelter of The Sheltering Book.

webaThis kind patron helped Montana Branch Library Manager Stephanie Archer and I carry The Sheltering Book into the Community Room.

web9Covers and pages were prepped, and participants bound them together into a single signature book which they then added to with writing, drawing and collage materials.

webgA whole wonderful family of three generations…grandma, mom, and four fantastic, talented and creative daughters!

webbwebiReveling in materials.

webcCreative use of papert strips too create waving grasses, behind which cat’s eyes glimmer…

webtSharing with little sis looking on…

webewebkUse of magazine images.

webhShe has a beautiful sense of design.

webdGrandma gets into the act!

weblwebpCreating with Grandma…pretty in Pink!

webrSharing…

webmA children’s book illustrator…

webushares her creation…lovely color choices!

webnThis wonderful teaching artist claimed the time to create a piece about her own identity…

webvemploying buttons, collage, mixed media,

webv2to great effect…  webv4and sharing.

webxBeautiful use of leaves…

webx1outside,

webx3

webx4and inside, her book!

weby_1She strolled into the Community Room during a break, and jumped right in!

  weby_4A natural presenter!

levyweb6-jpgThis lovely couple go right into the expressive spirit…

levyweb2-jpgcreating about music,

levyweb3-jpgand other visions.

levyweb1b-jpgPhotogenic too!

This maker truly committed…

weby1using inspiration from the natural

weby2and the man-made worlds…

weby4and fully developing ideas

weby3within her book.

weby5Sharing…


webzThis spirited artist used to be a casting agent…

webz1and she has truly found a new medium within which to epxress herself…and vision.

The Sheltering Book becomes a synergistic process and experience for the community at-large, offering shelter, safe space, and creative inspiration for all who engage with it. 

Let us hold the vision!

web8a

The Sheltering Book Chapter 4

The Sheltering Book Chapter 4

I am honored to have been one of 17 artists who received an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University, to create, “The Sheltering Book“.

web1

The Sheltering Book will be a life-sized book structure which will become the backdrop for community bookmaking workshops drawing parallels between the meaning and architecture of the book, and that of the Sukkah. The project also explores the relationship between the public sphere and private space, whether that space be our personal creativity, where we create, or what we create.”Debra Disman

web32

A “Sheltering Book” workshop was held at 430 Pico in Santa Monica, a building owned by the Community Corporation of Santa Monica (CCSM), who rents out apartments to families and others, and provides a range of programming to them. Our workshop was part of that programming, and was attended by families with children from preschool to high school. A group of volunteers provided a lovely buffet and supported the participants, who created books,  and shared them in the shelter of The Sheltering Book.

web9Covers and pages were prepped, and participants bound them together into a single signature book which they then added to with writing, drawing and collage materials!

web3I taught the pamphlet stitch, but this young maker jumped right in, and wrote his book before it was bound!

web4Working with images cut from magazines…

webgAdding letters to create words…

webbDeveloping the interior…

webhCreating meaning…

webmUsing the drawing materials…

webaweba2A future “Women in the Arts”…

webnSharing our books in the shelter of The Sheltering Book.

websRoom for creative work here!

webvHe worked long and hard with a devoted volunteer to spell out his name in letters culled from magazines.

web7Celebration! Showing our books within the pages and open “walls” of The Sheltering Book”…supported within its loving “arms”.

The participants become the content and the characters of The Sheltering Book. Through their presence and their creations they people its pages, add meaning to its presence, and add life to its structure.Their story becomes its story, and vice versa.

web29

The Sheltering Book becomes a synergistic process and experience for the community at-large, offering shelter, safe space, and creative inspiration for all who engage with it. 

Let us hold the vision!