Artistically Speaking…I Presume?

Artistically Speaking…I Presume?

This post is a bit of an ode to a beloved endeavor that many are involved in, but one intrepid woman spearheads…”Artistically Speaking Talk Show” on Blog Talk Radio, helmed by Rebecca E. Parsons, of REP Media.

Working out of her Florida island home, studio and office, Rebecca cre8tes, cre8tes, cre8tes…radio, web, her online magazine, Cre8tive Compass, artwork, writing, and  more.

As she says of her magazine,

“Cre8tive Compass Magazine is ALL about exploring, creating and most importantly LIVING the creative life. Our mission is to inform, enlighten, encourage, delight and entertain you.  We also want to give you ideas to enjoy every minute of your creative life and lifestyle.“

She is a tireless advocate for artists, entrepreneurs, “solopreneurs”, bloggers, crafters, bakers, cuisine artists, and all who make, cre8te and craft their life, or long to.

“Cre8Tive Compass and REP MEdia produce and present Artistically Speaking Talk Show…giving voice to a new generation of creative entrepreneurs. Every Artist has a story…we tell them here.” –Rebecca E. Parsons

You can hear some pearls of Rebecca’s  wisdom and experience here.  This show aired Sunday  6/10/2012, and in it,  she jumps into the breach created by a cancelled guest, and unrolls her magic carpet of blogging, branding, and beneficence tips, taking all of us listening for a ride.

She is joined at the last by the outstanding Quinn McDonald, Founder and Chief Curiosity Officer of Quinn Creative, offering “…life- and creativity coaching, writing services and training in business writing, presentations and business communications.”

I am honored to serve as the Color Muze for both Artistically Speaking Talk Show, and Cre8tive Compass Magazine, and have the opportunity to work, play, learn and grow with Rebecca and her cohorts and guests each third Sunday of the month, at 4:15 PST.

Please join us, as we laugh, learn, engage and share our way to greater awareness, understanding, embodiment, and enjoyment of our cre8tive and giving selves and lives, and as Rebecca says, “Have a blessed day”.

Absolutely!!!

Thank you ‘becca….GrAtItUdEs…from all of “US”!

You certainly ARE a “‘Trep” for the intrepid!!!

The Colors of Healing

The Colors of Healing

In November of  2011 I chatted with  Rebecca E. Parsons  on her fascinating  Artistically Speaking Talk Show , on Blog Talk Radio   where she interviews a wide range of artists, coaches, and other creatives, such as mixed media painter  Sarah Ahearn Bellemare.  As the show’s   Color Muze , it is my job to offer fun, interesting, colorFULL and salient color tips each third Sunday of the month, at the end of the interview.  The Color Muze  is then transformed into an article, and published in Rebecca’s   Cre8tive Compass Magazine , and my own blog, Artissima, the blog of ArtiFactory Studio.  We strive to make our Color Muzes both delicious AND nutritious…to keep the learning sweet!

On November 20, 2011, our Color Muze took a turn to the metaphysical, and the arena of  psychosomatic medicine. We discussed an approach to healing with color I had learned about during my studies with the  IACC , ( International Association of Colour Consultants/Designers), based on the “Chakras‘, or energy centers existing outside of the body, which, according to our teacher and color expert, Frank Mahnke , “are in communication with the automatic nervous system and the regulation of hormone secretion.  These energy centers are divided into seven chakras and each chakra corresponds to one of the seven spectral colors.”

We had so much colorFULL fun during our Muze, looking at the list of these, and their correlations, which, gratis Mr. Mahnke,  I share with you, Gentle Readers, here and now.

   The Vertex chakra corresponds to VIOLET…representing  wisdom and  spiritual energy, and influences the pituitary gland.

The Forehead  chakra  corresponds to INDIGO…representing intuition, ( the third eye), and  influences the pineal gland.

The Larynx chakra corresponds to BLUE… representing religious inspiration, creativity, language, and communication, and influences the thyroid gland.

The Heart chakra corresponds to GREEN and PINK… representing  love, sympathy, harmony, and influences heart and thymus glands.

The  Solar Plexus chakra corresponds to YELLOW…representing  knowledge and intellect, and is the seat for tension, and influences solar plexus and adrenal body.

The Spleen chakra corresponds to ORANGE… representing energy, and  influences the  spleen and pancreas.

The Basis chakra corresponds to RED… representing life and reproduction, and influences sex glands and sexual organs. (Can’t help thinking about VALENTINE’S DAY here!)

And, what happens when colors such as complimentary BLUE and ORANGE are placed next to each other?

We invite you to  listen to our Color Muze from November 20th, along with the wonderFULL interview with Sarah Ahearn Bellemare, and find out!

What experiences have YOU had with Color Healing?

If You feel so inclined, please share them with us here…Muze with us!

We love to hear from YOU!

Remember, we are all healing through this thing called Life, together.

Wishing YOU Health, Peace, and Color in Your Life.

A a liner note, the above pictures were taken at the magical and marvelous San Francisco event, “Bouquets to Art”, held each MARCH, at the Fine Arts Museums of San Francisco, (FAMSF).  Follow the link, and check it out if you are in the Bay Area at that time (it is coming up next month!)  You won’t be disappointed…”Bouquets” is bound to add sweetness, AND color to your life and senses!

Brand New 2

Brand New 2

What is a “brand“?  I added a link to the term, because I think Wikipedia describes the concept better than I can, at least at this stage.  One of the salient words used in the definition is “identity”.  Specifically: “A brand is the identity of a specific product,  service,  or business.” My colleague  Elka Eastly Vera,  transformative coach and brand consultant, defines it such: “A brand is like soul DNA. It’s what people recognize you for. It’s where the “you of you” meets the world. It’s the essence of your business. “

Jim Moran, founder and manager of Co-Op, a NYC-based branding firm, says, “Brand is really the DNA that defines your company. Branding is about storytelling.  it’s about bringing the DNA to life and creating perceptions.”

When Frank Mahnke, of the International Association of Colour Consultants/Designers says that color is a form of communication and information, he is talking the language of branding.  How do colors, patterns, textures, shapes, forms and images create  ‘soul DNA’, and story?

It took me awhile to realize how much like graphic design and marketing decorative painting could be.  When I worked with the talented graphic designer Dianna Jacobsen, of Jacobsen Design, on the creation of my website, business cards, brochure, and postcard, I went through an in-depth process of determining how I wanted to beam my business, my work, my self, out into the world.

“It’s not just about making things beautiful, but creating an experience for people.” says Dianna, about bringing the “brand” into physical spaces.

When I found myself working with clients ranging from businesses and  organizations to  non-profits and institutions, I discovered that I was helping them do just that through visual, and often verbal elements as well.

Let’s take a look at a few of them who employed the painter’s brush as a tool for communicating their message.

921 Front Street is a historic building dating from 1859, located in the North Waterfront area of San Francisco. Originally a warehouse, it is now a commercial building providing office space. The signage in the lobby is based on the building’s logo, so there is an immediate tie-in to the brand.  The metallic copper and steely silver colors used in the lettering reflect the natural and industrial materials used in the lobby.

Maitri Compassionate Care provides exemplary, innovative, and compassionate hospice care. The Maitri Mover Campaign Donor Recognition Arch above was designed to honor the donors who participated in the capital campaign supporting its present facility. Names of donors are hand-painted onto the glazed surface of the industrial arch which supports the one-time parking garage.  Like 921 Front Street,  the lettering is done in metallic paints to draw the eye to the words, and make them stand out from the background.  Whether said background be black or white, and the words words sparse or abundant, all visual and verbal elements support the branding.

“On the Fly” is a specialty men’s store designed by  Martinkovic Milford Architects.  The broken stripe design suggests stitching, as well as the classic men’s pin-striped suit sold inside. The stripe patten reflects the visual branding image used in the brand’s marketing materials. The “hands on” stripe application both communicates and enhances the store’s established visual message, and is “tailor-made” for the venue!

Also communicating directly out onto the “street”, but in a whole other way, the mural above depicts an imagined “Land of Oshun”, where a host of interacting Oshun figures express the colors, symbols, and attributes of this beneficent and inspirational goddess figure. Oshun Center, a drop-in center for women and their families, is a program of the Haight Ashbury Free Clinics.   “Oshun“ is the name of an “Orisha” or goddess in the Yoruban (an ethno-linguistic group of West Africa), Brazilian, and Cuban religious pantheons.  Oshun’s color is yellow, and her metals are gold and copper. Other symbols depicted in the mural include peacocks and mirrors, reflective of vanity and physical beauty.  Oshun represents life’s joys, and all that makes it worth living, and this is the “soul DNA”, message, story,  brand, of Oshun Center, supported in turn, by the visual language of the mural.

When we think about how everything we see, indeed everything we experience through any of our senses, transmits something, carries and provides associations, and potentially stirs our emotions, we can see just how powerful visual and verbal elements can be in telling the story of our soul, and communicating the soul of our story.

How have You communicated the essence of your own work or business, or that of another,  through the elements of color, pattern, texture and imagery?  What about words, text, or as the brand editor Abby Kerr would say, “phraseologie”?

Please share about the richness of your experience with us here.  We love to hear from You.

Remember, we  are all branding through this thing called Life, together.

The Importance of Being Earnest…

The Importance of being Earnest…

I recently received an email, in which a Client expressed his appreciation this way:

” I know in the big picture, our job on Corbett is tiny compared to all that you handle. However, you really made us feel important and that is genuinely appreciated.”

My (emailed) response included this comment, ” …by the way- you/Corbett ARE important to me!!!”

This exchange gave me pause for thought…

Why would a Client think that his/their project, in this case, color consultation for the exterior of a 3 unit condo building where he is the HOA president, was not important, or as important then other projects that I, or for that matter, my colleagues might have?

We have all heard the adage “The customer is always right.” as well as “Every client is important.”  But, what does that really mean?

For me it means that if I take on a Client, I make a commitment to them and to their particular project  within the scope of the work we are doing together.  So much of our work as artists, decorative painters, craftspeople, designers, architects and color consultants (to name a few) is collaborative.   We work WITH  the Client to realize their vision, and our vision of their vision.  If we don’t have their contribution, commitment, buy-in, or what-have-you, that process can become difficult, stymied, or downright impossible.  We may even get our head, or someone else’s, handed to us!

In other words, yes, every Client and their project should be important to us. It just so happens that the particular Client I have quoted here,  falls into the category of “dream” Client.  Along with his partner, he has been responsive, communicative, cooperative, intelligent, and generous with time and fee.  Add to this reasonable, fun and funny, and I think you get the picture.  This is a great Client, with a fun and engaging project, and I have thoroughly enjoyed working with him and his partner.

I don’t value this Client and his project less because the Job in question is not as lucrative financially as some others.  Lucrative does not only refer to  the dollar amount received for a particular Job.  To me,  it means what I am getting out of the Job, vis-a-vis what I am putting into it. Is there positive return on all fronts: artistic gratification, compensation,  appreciation, and client interactions?  In essence,

and

must be upheld on both sides for a fruitful relationship that delivers results and satisfaction, perhaps even exceeding expectations.

I recently heard a marvelous audio interview with Wine Country painter Ann Rea, founder of Artists Who Thrive,  by Carlos Castellanos of Drawn by Success.  During the interview Ann brilliantly describes how she feels that she gets paid twice by those who purchase her paintings, prints, and other artwork. In money, yes, of course, but also in the appreciation of her work by her buyers and collectors, and the relationships she forms with them.

I think many of us know what she means.  We need to have our work connect with others and the larger world outside ourselves to have it really mean something, outside ourselves. So that our work, (and ourselves) do not remain in shadow, or behind bars.

So yes, every Client is important, and especially those with whom we can have a great rapport, grow, and create something that is more than the sum of its parts. When we find ourselves in the path of these dream Clients, all we can be is grateful…

to grow ourselves by working closely with them, realizing their vision, and our own.

Lucrative?  More like priceless!

What priceless Client experiences  have made YOU grow lately?

If you feel so inspired, share them with us here.  We love to hear from you.  Remember, we are all growing though this thing called Life, together.

 

 

 

TJ’s…and Me

TJ’s…and Me

I am sure many colleagues, fellow artists, artisans, decorative painters, solopreneurs,  “creativepreneurs” (does that word exist yet in our lexicon?)  and many others, can relate to the feeling that I had not so long ago, after a spec visit to a potential new Client.  We love what we do, interacting with people, the excitement of beginning a new project, the creative collaboration with our Clients, the focus, commitment and connections required.  What we don’t love is that sometimes the continual reaching out into the unknown: people, projects, ideas, materials, challenges (the weather, for heaven’s sake!), can at times be momentarily exhausting, even overwhelming.

The feeling can overtake us at any given moment, after a meeting (hopefully not before, or during), unloading supplies, working through the numbers for a bid, or even working on a blog post (not me.. no, never!)

Suddenly, the professional interaction feels demanding, carrying supplies becomes lugging, the numbers seem either too high, or too low, and perfectionism and procrastination rear their challenging heads.

I felt that way recently, when I found myself trying, as we all do, to pull the various factors of a project together to make it work out well for the Client and myself, to say nothing of the associated painting contractor.  I left the meeting, and since Trader Joe’s was  right on my way home, I decided to stop in and do a little shopping, knowing that I always enjoyed the experience.

Why do I always enjoy the TJ’s experience, especially at my “home” store?

Well, for starters, there is the free coffee and samples, an offering  to the weary traveler (ah- customer) ready for a little TLC.  Whether it is a mother with young children clutching her cart, a couple on a budget preparing for a party, or, like me, a working gal needing a break, the TJ’s temple of artisanal eats is there to serve.

And serve me that day it did.  The instant I dismounted my vehicle, traversed the parking lot, and entered the grocery’s hallowed hall, I felt that blast of energy one gets when stepping  into the stream of animated humanity there for but one reason: to gather forth sustenance for themselves and their families, and to have fun doing it.

The sights, scents, and colors (yes, colors ARE part of sights, but so much more, as my colleagues in HUE will attest to…) of flowers, fruits, cheeses, chocolate, (I recommend the Trader Joe’s truffles, to all who are looking for a little something sweet to bring to a gathering), among seemingly millions of other things, all of which I knew I could love, greeted me upon entering.  I made a beeline to the samples station,  reanimated myself with a tiny cup of perky cafe, and snarfed down a thimbleful of something hot and delicious that was being featured, once again thinking, “What an awesome marketing strategy…this great free stuff makes one want to come here, without one even knowing it…one looks forward to the goodies one knows one is going to get!”

Not only that.  The Trader Joe’s “wait staff” is a part of the total energizing quality of the place, at least at the store we patronize.  Fresh and positive, they make you feel as though you are making their day just by being there.   They are just thrilled to share with you where the soymilk is, how many kinds of Parmesan there are, and whether a favorite item is ever going to show up in the store again, or has been discontinued.  After a few interactions with these folks, I felt the tension drain away, and a new lease on life take its place.  After all, how bad can it be, when one can treat oneself to a frozen vegetarian pizza, or stack of salmon patties so reasonably?

If it all is part of a marketing strategy, it is working. Stimulated by the coffee, and nourished by the tasty sample and friendly chat, I was ready to shop, and of course ended up buying more than I had originally intended, which was pretty much nothing.

There are so many business and life lessons embedded in this experience.  First of all, the resonance of a positive experience had already been established by many visits to TJ’s in the past, which drew me to go there expecting to have one again.  I had sense memories of sights, sounds and  tastes that had been enjoyed there.  I knew the whole philosophy of the place is good value in a fun atmosphere.  I knew I’d be fed, both literally and figuratively, in the process of food shopping.

TJ’s gives us a break from our normal routine of constant commerce by offering us up that little treat to keep us going: that sip of coffee, swallow of juice,  bite of something delicious, a smile or a  joke without, ostensibly, asking for anything back.  But what they do get back is something so much more: customer loyalty, continued patronage, and increased sales, just because people have so much fun being there, perhaps walking out feeling better then when they walked in.  Of course, the goods are delivered: healthy, artisan goods of  quality, delivered  at a reasonable price.  Everyone knows what they will get when they go there, and they keep coming back.

This is what we all want from our businesses,  from our lives…a continued commitment in quality relationships, goods and services, something we can afford, and gives us pleasure and satisfaction, something we can, in this precarious world, depend on.  Something that doesn’t disappoint, but keeps us coming back for more.  Maybe keeps us hungry for more.

TJ’s, thank you for being there!  I will continue to learn by your example, and enjoy your offerings.  Now…where’s that vegetarian pizza?

Small Changes…Big Results

Small Changes…Big Results

We have all experienced the power of small changes: that slight shift in hue, design, tone of voice, or verbiage, that can lend an entirely new meaning to something we see, say, or feel.  Color consultation is all about this, and it doesn’t always take a lot.

Before Painting

After Painting

Well, sometimes it does!

Before Painting

After Painting

A “simple” choice of color can affect  the entire look and feel of something.

The Devil is in the Details

Whatever we may think about the green swag against the yellow house body trimmed in white, we can probably agree that the choice of color, any color, of this decorative detail makes a significant difference in the look and feel of the building.

We know as artists, colorists or both, that the tiniest drop of tint into a paint color can change it completely.  Many of us have found this out through intentional or unintentional experimentation.  The balance can be shifted from warm to cool, from clear to muddy,  from light to dark, from saturated to diffused.  The process is always a discovery, an adventure, and a journey.

Taking the Journey

So it is with our words, our actions, and perhaps most importantly, with our thoughts.  We have all had the experience of an interaction escalating into a tirade or an argument, and then thinking later that if we had made just a small change in how we spoke, or behaved that the whole experience and outcome could have been different.  Or, we do make a comparatively small change, such as wearing  a new color of clothing, finally purchasing something that we needed, giving something away, or rearranging possessions, and we think to ourselves something like, “Why didn’t I do that sooner? Keeping these things in a box instead of a bag is just so much easier!”

Why is it so hard to learn these lessons?

I am not sure of the answer to this, but I do know that practice in making the small changes can help us make the big ones without our even being aware of it.  Practice may not always make perfect,  but it may help us approach the larger transitions and decisions in our lives with greater acumen and  confidence.  If we get into the habit of changing small things,  the larger changes we face may be that much less overwhelming.  Our change muscles are flexed, having done some preliminary exercises, and primed to take on the greater challenges of our lives.

Recently, on the wonderful blog talk radio show “Artistically Speaking“, my colleague Lyna Farkus was interviewed about her career as a decorative painter, and inevitably, her life journey.  She shares how recently, she allowed a fellow driver she encountered on a busy workday morning to go ahead of her, and how she saw clearly how that simple act of  generosity would potentially affect that person’s entire day; his interactions, relationships, and who knows, maybe even his safety.  By easing the driver’s frustration, that “random act of kindness” may even have saved his life. by causing him to be calmer and thus more careful on the road.

We don’t know the ripple effect of our actions, and there is an infinite amount of factors that we cannot control.  But, just like the tiny drop of tint that can completely change the character of a color, a tiny action,  change or shift can yield significant results.  Just as we learn about color mixing through practice and experimentation, so we can make small changes a practice.  However daunting, scary and heart-stopping change may seem to be, we can fall back on our experience of the positive outcomes engendered by the changes we have entered into willingly, and enter the mystery of the unknown with that much more clarity and serenity, and maybe, even a modicum of joy.

Entering the Mystery... may yield results

If you feel so inspired, please share with us some of the changes you have made, and how you were able to make them.  We love to hear from you. Remember, we are all  in this thing called Life, together.

Color Muze Quarterly: Our View on Hue

Color Muze Quarterly:  Our View on Hue

One of the things we discuss often during our Color Muze segments on Artistically Speaking Talk Show is how we can make our lives just a little bit easier as decorative painters, faux finishers, muralists, artists, artisans, and “atre-preneurs”. Learning and experiencing more and more about the function, properties, and effects of color can help us in this endeavor, which ultimately will support not only our bottom line, but our ability to offer more effective service to our Clients, as well as enhance our creative efforts.  Color know-how is another tool in the kit we can bring to our work, our art, our business, and our Life!

This article is a round-up of sorts, a quarterly review of Color Muze since its debut in May of 2010 on Artistically Speaking Talk Show, powered by Rebecca E. Parsons, creative entrepreneur extraordinaire, and master decorative artist, Lyna Farkas.

In May we discussed ways to add ease to our glazing life!

By keeping base coat and glaze colors close together in hue (color), we can effect easier, smoother blending of the glazes over the base coated surface. This can make any joins, overlaps, or other undesirable drama created by drying glaze edges less visible.

In order to create the sunset sky requested by the Client for their daughter, the ceiling below received five successive application of colorwashed glaze. The base coat is purple, and four of the five glazes are hues of purple, including the almost white clouds, with a fuchsia pink added for intensity. Because all of the glazes were related in hue to each other, as well as to the base coat, they blended easily, and created the sense of depth and airiness desired by the young inhabitant, and an immediate tie-in to the rest of the purple  painted room.

Sunset Sky, Purple Style

We  talked as well, about using the base coat color itself as one of the glaze colors, which was done in this breakfast room. What could have been a daunting challenge: blending fast-drying latex glaze over a domed ceiling that sloped into wall sections, became a gratifying creative endeavor by tinting clear glaze with the chiffon-colored base coat paint, and using it as one of several glazes blended together with sponges over the surface. Use of the base coat color softened the mix of the other glaze colors, so that the treatment texture and color flows smoothly over the entire surface with no breaks, streaks, or heaviness to mar its subtlety.

Breakfast Room Dome Flow

Perhaps inspired by June’s golden sunlight, we talked about gilding, and how we can make our leafing lives easier by choosing our base coat color with care. Whether we are using “schlag (combination metal leaf),  or the real thing (gold), we may be working under time restrictions, material limitations, or other challenges on a site. By choosing a base coat color related to our leaf color, we can camouflage any tears or holidays in the always precious metal leaf we are applying.  Here is the original Cross for All Saints Episcopal Church in San Francisco, which was stripped down to its original wood, primed to seal the surface, than base painted in an ochre color, to coordinate with the 22 carat gold leaf applied over it.

Simulating Clay Bole

Clothed in Gold

Ochre , black,  and red are some of the colors of “clay bole”, used historically as a surface preparation for gilding, “There are many shades of bole that may be used including ochre, red, black, orange, blue, and green, imparting various tonal affects under the layer of gold leaf. “ — CHARLES DOUGLAS GILDING STUDIO, (Please click  for further information on GILDING).

Celestial Gold

July found us Muzing about the Color Wheel, and some of its many applications to the work of the decorative painter.  “As the Color Turns” ,  Color Muze article #1 in Cre8tive Compass Magazine discusses primary, complementary, analogous and “neutral” colors, how we can use them, and why “neutral” may be a relative term! Please read the article here.

In August, we heated up our Muze, with a chat about how to use tints and shades to create highlights and shadows.

A tint of a color is created by adding increments of white to it, and a shade, adding black.

Tints and shades were created from the wall color and used to highlight and shadow a subtle “Mid-Century Retro” design in a guest room.

Tinkertoy? No..."Mid-Century Retro" Style

In the color-saturated logo below, a tint was mixed from the white, red and yellow used in the rest of the painting, while just a pinprick of black was added to both the yellow and the red to create shades of each. Creating even a hint of highlight and shadow can create dimensionality to make your treatment, design, image or mural pop, and add life, and even drama to your walls, ceilings, furniture, and floors!

Top 1 Oil is TOPS

We  offered up some advice on how to use color “tactics” in laying out your website’s image thumbnails, in order to catch the eye of visitors and surfers.

In this set of 7 thumbnails introducing  decorative treatments on a website, a balanced, yet not symmetrical distribution of hue (the “color of a color”), value (lights to darks), intensity (saturation, or concentration of color), texture, and detail creates a pleasing composition which catches the viewer’s eye without giving away too much about the image as a whole. Create thumbnail images and layouts that entice your site visitors to  click to see more.  Compose your webpages,  like you compose your canvasses, walls, rooms, and everything else you consider Art and Design!

As always, we continued our Muze on the relationship between Color and Light, with the help of Donald Kauffman and Taffy Dahl, creators of Donald Kauffman Color, and their beautiful book: Color and Light: Luminous Atmospheres for Painted Rooms.

Say the authors:

“Glazed walls refract the light—bending each ray as it moves through two different mediums, from the translucent layers to the more opaque undercoat. (Whenever you glaze a wall, if you make the undercoat lighter and warmer then the topcoat, it will create a more luminous effect.)”

What a luscious, luminous world we have as finishers, decorative painters, muralists, artists, artisans and humans, to explore!

Please join our Color Muze exploration on Artistically Speaking Talk Show, and Cre8tive Compass Magazine, “where we honor your passion, and your vision, in this community we are co-creating”– Rebecca E. Parsons

Here’s to a Color Full Journey!

And thanks for visiting…we are all in this thing called Life, together.

 

Slowing it Down to Move it Forward

Slowing it Down to Move it Forward

It may feel counter-intuitive, but more and more often,  I find that the best way to move “it” (aka: life, work, even relationships) forward, is to slow down, perhaps even STOP, take a breath, look inwards, or outwards, rally my forces, or let it all go, for just a few moments.

Like the old story of the tortoise and the hare, sometimes,“slow and steady” really does do it.

Sometimes when we slow down, we a find that we actually reach our goal more quickly, exceeding expectations, and enjoying a richer, more luxuriant experience.

In business for ourselves as artists, we may worry, as we work on a project and  near  its completion, that we are not meeting our bottom line…that time is “getting away” from us, that we under bid, over worked, or otherwise miscalculated our efforts and agreed-upon compensation.

That is exactly the moment to  STOP, take a breath, recalibrate, recalculate. Of course we need to make a living, to  be aware of  our bottom line, and consider our contract. But, at the same time, if we allow that to get in the way of our soul’s delight in what we love to do, then the whole enterprise can fall into question.

Instead, we can learn the creative, artistic, and business  lessons that each job, each experience, and each project offers,  and especially in those last few hours, minutes, and moments of completion, take joy in what we do, while exerting our best efforts.

Because, sometimes we need to see the parts,

in order to appreciate the whole.

Sometimes we need to slow down, even STOP,

to get the shot, the concept,  the bigger picture, the Moment: something wondrous, wonderful, and unexpected.

Sometimes we need to STOP and observe, from our own vantage point, what is around us, and feel what is inside of us.

In order to make ourselves whole again, we may need to STOP  for a moment, to realize where we have come from, how far we have traveled, and where we are going.

In doing so, we may find that we have come

full circle.

If you have the Time, please STOP! and share some of your experiences slowing it down, to move it forward.

And thanks for visiting…we are all in this thing called Life, together.

Reconnecting to Our Joy…In Praise of Sitting

Time out of Time…Reconnecting to Our JOY

As artists, entrepreneurs, solo-preneurs, and art-preneurs, we have the tendency to either procrastinate, or work until we drop. To avoid a decision or an issue, or to wrestle and wrastle and wreak havoc upon our brains and our senses until we do or do not find an answer, or a solution.

But can we think to much?

Perhaps what we tend to forget, is that our work  is creative, and inspired by the imagination. I have found that when dealing with imagination lock down,  brain drain, or creative blocks, one of the best things I can do is get the heck out of there.

By “there”, I mean the circular pattern created by going over and over the same issue to no avail, the overload that can happen with too much input, or the standstill that fear, resistance, aggravation or frustration can create.

When this happens, I have learned that if I can get myself the heck out of “there” and back into my joy, to the central passion that brought me into my endeavor in the first place, I can move through the challenges at hand with that much more grace,, joy, and fun, to say nothing of success.

Chihuly in yellow...ain't we got fun...

I betake myself to the source,  inspiration central: the Art Museum. Blessed to live and work near The Fine Arts Museums of San Francisco, The De Young and The Legion of Honor, in their magnificent natural locations, are a constant, offering up continual visual fare.  But here’s the thing: when I go to The Art Museum,  I rarely look at the “ART”, though fascinating, provocative, and inspiring art there is to be found.

Crushed Cans Creation

When I go to The Art Museum, (aka, The Art “Muse”),  I betake myself to the cafe, or the sculpture garden, or the patio, or the bench, and I sit.

I sit, often with eyes closed (nobody cares), and let my  mind simply drain away, basking in the warmth of absolute nothingness.  It’s a ready, set,  stop  kind of experience,  and when it can be achieved, it feels cleansing, rejuvenating,  divine. To  sit without anything required, even for a short time, can permit  the mind to unwind and  allow  insights, ideas and inspirations to reach the lizard  brain and break the gridlock.

Just to sit...

It can be difficult to allow oneself to do this, to take this “break”, but even a limited time of it can yield wonders. Give it a try. Find your own “inspiration central”, and go there for a time out of time. Just sit. Ask nothing of the experience. You stand to gain everything.