Letter to a Young Decorative Painter: In-depth

Letter to a Young Decorative Painter: In-Depth

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In my last post, Letter to a Young Decorative Painter, I shared a list of tips and ideas, advice and recommendations that I had sent to a “young” decorative painter…IE, someone new to the field, who is just starting out, and trying to get clients and build business.

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How interesting it is to look back, and see all the things we have  done along the way to learn, develop, grow, sustain and thrive as an artist, entrepreneur, small business person, and member of the “creative class” and service industry.  A more in-depth look at my list seems in order.  Maybe it will open some doors for others, wherever they are in their career.

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  • Get a good Website, absolutely, to share and showcase your work. Absolutely essential. Anyone, anywhere needs to be able to access images of your work, your contact information, bio, and references, referrals, and testimonials.  I use my site as my online portfolio, calling card, tool of communication, and catalog! Start small, and develop your site as your business develops. WordPress sites are lauded as being user-friendly, and offering you the ability to update your own site, which can be a boon! You can choose to depict the kind of work you most wish to be hired for, and steer whoever looks at your site in that direction.

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  • Start a Blog, focusing on the kind of work you would like to do, etc. Many advise that having a blog is also essential in today’s entrepreneurial world. That may be, but only if you post on it  regularly! A blog also can be a tool of communication, a marketing tool, a place to develop ideas and attract audience, followers and colleagues as well as clients, and even create outlines and drafts for other writing projects. I have found that planning specific time each week to post helps get it done. You may want to focus your blog, or a series of posts on specific subjects, or aspects of your business.

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  • Network with Interior Designers and Architects, as well as Painters, Paint Stores, and others in the Building/Built Environment field. Networking is key, and there are many ways of doing this, in person, online, by referral, formally, and informally.  As a decorative painter, muralist and faux finisher, you may find great resources at your local paint store, design center, or design district. You may want to do some demonstrations of your paint store’s product, offer to do signage, or other small project for a designer or architect whom you admire, and would like to work with, or for a favorite charity, non-profit, or organization. Whatever you do, make sure you have plenty of business cards, and other print material handy to post, and pass out to anyone you want to connect with, or to those who may know others who could use your work.

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  • Join a networking group, such as “BNI INTERNATIONAL“, (Business Networking International). (Google it). The “BNI” model is a group that meets weekly, consisting of one person only from any profession, with the purpose of referring clients to each other.  Many skills, and challenges are inherent in the process: defining your business so that you can share about it to the group, presentation, listening and supporting others, volunteerism, and interaction, to name a few!  A tremendous learning and development experience, on both a personal, and professional level.

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  • Take an entrepreneurship or business class, or whole program, and put together a Business Plan. Entrepreneurship classes, programs and studies are becoming much more prevalent in our society, and educational systems. You can learn how to create a business plan, and put money, marketing and management mojo to work, in the company of like-minded individuals. looking at your numbers, putting your goals and objectives down on paper, presenting to a group, learning about others’ business plans can be stimulating, clarifying and sometimes startling, but always educational and growth-inducing!

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  • Have a selection of good-sized Samples, depicting your strengths, and the kind of work you most like to do, most want to do, and from which you think you will get the most business. What is the work you most want to do? Are strongest in?  is most sought after by the potential clients that are most sought after…by you? Create a set of samples, and a way to present them, so you can share with others your abilities, and what you can produce. You are in a visual business, so help potential clients imagine how you could transform their environment through your work.

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  • Create brochure, and a postcard, as well as a business card to go with your Site…they should all work together, as your business Visual Identity. Put your card and brochure in Local Paint Stores, and other appropriate venues! This is another arena where you can have fun, and put your color, design and graphics skills to use. it is not possible to do it all, and especially not well, or to professional standards, so enlist the expertise of  recommended / vetted and true graphics/web designer to work with you to develop a visual identity system that does you and your work proud. Your web and print presence are your visual calling cards, so make sure you present yourself at your best, and in the way you truly want to be seen.  Dianna Jacobsen, of  Jacobsen Design is a superb graphic and web designer who can design for clients based anywhere on the globe, and does.  Once you have your visual identity, put it out there…put it everywhere!

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  • Start an email newsletter (it can be simple) , and start building your Mailing List. Use your postcards! Keep in touch with your clients, potential clients, colleagues, associates and networking partners through digital and analogue means.  Email newsletters, blogs and social media can be a great way to stay in touch, but never underestimate the power of a beautifully designed card or stationary, and the handwritten word!

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  • Selectively, Do Some High Profile Work, at a Reduced,  or no Cost, for 1-3 Clients…to get your name out there, and showcase your skills and abilities. Have a party to celebrate it, at the job site if you can, when completed. If you are not yet known, move to a new locale, change the focus of your work/practice,  or have a great opportunity to support a cause dear to your heart, or for an entity that you want to connect with, consider doing a carefully selected and thought-out project that will gain you some visibility, recognition, and contacts, as well as give back to the community. Do not get into a long, costly, back-breaking job that will require elaborate scaffold or expensive materials. Consider something attainable, affordable, and impactful, and then use your communication systems to draw attention to it , create credibility, and potential referrals.  Ask the recipient of your efforts for a referral, testimonial or reference, and try to build your business from their. Most importantly, pick a project you will enjoy doing, and let the love show through!

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  • Get a Facebook Business Page, a  Twitter feed, and a Linked In and Pinterest  account, and keep up with them…interact and support others in related fields, and post many images. Share, support, educate, inspire and inform. Develop your online presence with care, remembering that as is stated in the wonderful film “The Social Network“, “The internet isn’t written in pencil, it is written in ink.” meaning that, assume that whatever you put on the web is there forever, for any and all to see.  So, present yourself truthfully, and as you wish to be seen…hopefully there is not too much of a disconnect between those two (!), and give to others, while spreading your own word and image.

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  • Follow “Seth Godin for rich, daily doses information and inspiration. You can research his work  through Google/Facebook. Sign up to receive his daily blog posts in your email inbox.  Pithy, rich, down to earth advice on anything and everything related to marketing, entrepreneurship, creative business, and more. Easy to read, yet resonant, such that you can reread his words many times over.  Enough said…read his generous work!

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  • Don’t get discouraged. Do something to grow your business every day, keep on  plugging, and, don’t forget to help others and give back!!I would love to hear how You are doing in the comments section! Thank you for reading, thinking, considering, and creating.  Bestest wishes!

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Brand of Colors: The Power of Compliments

Brand of Colors:  The Power of Compliments

When my colleague Debbie Josendale, of 3C Marketing Group, asked me to consult on colors for one of her client’s visual identity, which encompasses its  brand / branding, I was intrigued.  I had a deep purple color in front of me as a starting point, but knew that it was too dark and somber to represent what I understood her client’s message to be.

I read up on the client, I played with colors, I visualized, and knew that purple would be one of the colors involved.  And the obvious choice of a secondary “partnering” color would be its compliment, gold. Purple and yellow, violet and gold…these are combinations which are opposite each other on the color wheel.  They are sets of compliments, of opposites. They are complimentary colors and being opposites, set each other off in high contrast, much in the way that black and white do.  So that the color design wouldn’t be garish, I chose hues that were somewhat toned down, rather than bright, though they are strong and saturated. There is a slight earthiness to these colors, that I felt better communicated the feeling of the brand.  Color design for the visual identity of a business can also be tricky in this regard: the colors may look different on different computer screens, and even when printed on different papers or surfaces, and by different companies. The colors are used throughout the client’s site.

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The symbolism, and associations of the chosen colors are also important in determining their meaning, resonance, and appropriateness for the brand and its story.  In a future post, we will  look at the color choices from the vantage points of:

The Energetic (the chakras, and their meanings, associations and influences), The Associations we have with these colors, (What they express, or represent) and their associations with the other senses (Sensory).  What does purple “taste” like?  How heavy does gold “feel”?

Visit us again to find out….and learn more about the wild, wooly and wonderful world of Color!

 

Intuitive Color

Intuitive Color

I have a bit of a confession to make.  As a color consultant, I go with my gut first- (after full-out discussions with the Client of course, and an assessment of their needs, wants, preferences and desires for their space, business or brand, and its color design).

I take a look at all the information, and at the raw data: the space, walls, architecture, logo, or existing visual identity, and then let my imagination wander.   After I identify my intuitive, initial, and well, gut response, I delve into my source material…my guides, charts, chapters and information garnered from my course of study at the IACC-NA (International Association of Colour Consultants/Designers of North America).

I cross-reference my initial, intuitive, and gut-level response with case studies, hard data, and historical info, and  analyze the color  choices from a number of vantage points including the psychological/associative, the sensory and the energetic.

In other words, how do colors make us feel emotionally, physically, and psychologically?  What emotions do we feel, or associate, what physical sensations do we experience, or associate, and what symbolic associations do we make with any particular hue..or combinations of hue?

Can we be healed by color? All of these effects, issues and questions come into play when choosing colors for the garden, the built environment, or a business, institution or organization.  There is no one right answer when determining, choosing or analyzing colors or color combinations for any purpose.  There are theories, the color wheel, associations, and our felt experience.  All of these must be brought to bear on our color decision.  Let’s look at some evocative color combinations in art, nature and life.  Evocative of…what?  Well might you ask.

Sometimes a complimentary ( opposite each other on the color wheel) color duo is necessary to add punch, accent or contrast, even within a range of softer, pastel hues.  Pale yellow and periwinkle blue cross into yellow and purple territory, creating contrast, without becoming jarring.

 Analogous colors (those next to each other on the color wheel), can work together to communicate a feeling, a brand,or a niche based on associations with nature. The analogous combination of blue and green  is a natural to express tranquility, life, truth, growth and hope.

Combinations of two secondary hues, such as green and lavender can create a feeling of both variegation and  harmony. The colors are contrasting, but also related, as they share the common element of blue.

We can look to the associations colors have with emotions to  better understand our reactions to them. Hatred can be associated with both red and black. This may be mitigated by the addition of white and pale yellow. How much each color is used is also a factor in how we respond to the color composition  as a whole.

Blue and orange, another complimentary pair, combine the tranquil and noble associations of blue with the happiness and joviality of orange. Tension or balance or…both?  We are held rapt by a sky both ethereal and dramatic.

Perhaps the employment of all three primary colors (red, yellow and blue) is the most dynamic of combos.  These colors, in near pure form, happily vie for attention in all their aspects, creating a brilliant, dynamic harmony.  This image keeps us awake, stimulates our minds, and enlivens our senses..  Like visual acupressure, all the points are touched..

Coming full circle, we return to the gradated harmonies of sea, mist, fog and sky…with the silhouette of a tree branch and a distant piece of the red-hued  Golden Gate Bridge thrown in for good measure.  Don’t “analyze this”…just let it wash over you…and trust your intuition, your gut response…they won’t lead  you wrong with color…ever.  ” This above all: to thine own self be true,” in color, and in life.   Is there a distinction?

Brand of Colors

Brand of Colors

A recent color consultation and analysis got me thinking…about why we choose the colors that we do.  Of course we can analyze, assess from various vantage points, provide argumentation to support our choices…but really, why do we just feel like some colors  and combinations of colors are just “right” for a particular purpose, venue or view?

I think it all comes down to how a color “makes us” feel.  What emotions, and sensory reactions we have when we gaze upon that part of the light color spectrum that is NOT absorbed by the surface we are looking at.

Take green, for example, specifically the fresh, bright hue of green the Client of my marketing colleague, (who had brought me in to analyze, assess and consult on her client’s color choice, and suggest a tandem hue) was drawn to.

Some of the associations with green include Life, Growth, Nature, Springtime, Immortality, Hope, and Resurrection. Not bad for a “secondary” color!

Green “sounds” soft to shrill, “feels” smooth to damp, “tastes” and “smells”  juicy, sour, or tangy, and

can be “cooler” or “warmer”, “heavier’ or “lighter” depending on the ratio of its components,  yellow to blue.  Energetically, green relates to the “Heart Chakra“,  representing love, sympathy and  harmony, and influencing the heart, and the thymus gland.

What might one put with green, a bright, fresh green, that wouldn’t contrast with it so greatly as to change its character?  Although green and its complement red (or even pink) are a dynamic duo, unless associations of Yuletide, India, or the tension of opposites are desired…another choice must be made.

Hmm…green and orange, green and purple or violet…still too dynamic…as both of these secondaries have red in them.  Yellow would be too similar to the Client’s chosen green in warmth and temperament, containing too much of light and bright and luminous and warm.  Yellow, I felt, would  compete with the green, and not provide the contrast necessary for visual interest.

The Client’s brandmark is a penguin…ah…images of sea and sky emerge.   I ‘saw’ a Teal Blue…that would contrast with the green as a hue darker in value, and provide a coolness that would more subtly offset the bright and warm green,

Blue and green both associate with Tranquility and Peace.  They both suggest aspects of nature.  Blue relates to the Larynx Chakra.  It stands for Religious inspiration as well as creativity, language, and communication, (the Larnyx is often referred to as the “voice box”!), and it influences the Thyroid gland.

Blue “sounds” distant, or soft, it “feels” smooth, it “tastes” and “smells” odorless or fresh, to salty.  It’s perceived “weight” tends to the heavier, and more solid, it’s “temperature, to the cool.  Blue ‘s associations include nobility, contemplation,  truth, spirituality, wisdom, dignity, trustworthiness, value, calm, security, poise, reserve, sea and sky.

We can imagine then, when we put blue and green together, that the effect will be refreshing, and  “natural”,  both warm and cool,  embodying the warm, harmonious heart of love, and the inspired, creative communication of  language, symbol, and of course, color!

If You would like to know who wrote the book on color consultation and design, please investigate the International Association of Colour Consultants/Designers, and the writings and teachings of Frank H. Mahnke.  There is a whole world of color exploration awaiting You out there…and within!

To hear more about color choices and analysis, the how and the why, tune into my Color Muze on  Artistically Speaking Talk Show with Rebecca E. Parsons.

Give it a try…turn YOUR senses on and rock Your world, with Color!

If You feel so inclined…let us know how You do it!

Brand New 2

Brand New 2

What is a “brand“?  I added a link to the term, because I think Wikipedia describes the concept better than I can, at least at this stage.  One of the salient words used in the definition is “identity”.  Specifically: “A brand is the identity of a specific product,  service,  or business.” My colleague  Elka Eastly Veratransformative coach and brand consultant, defines it such: “A brand is like soul DNA. It’s what people recognize you for. It’s where the “you of you” meets the world. It’s the essence of your business. “

Jim Moran, founder and manager of Co-Op, a NYC-based branding firm, says,Brand is really the DNA that defines your company. Branding is about storytelling.  it’s about bringing the DNA to life and creating perceptions.”

When Frank Mahnke, of the International Association of Colour Consultants/Designers says that color is a form of communication and information, he is talking the language of branding.  How do colors, patterns, textures, shapes, forms and images create  ‘soul DNA’, and story?

It took me awhile to realize how much like graphic design and marketing decorative painting could be.  When I worked with the talented graphic designer Dianna Jacobsen, of Jacobsen Design, on the creation of my website, business cards, brochure, and postcard, I went through an in-depth process of determining how I wanted to beam my business, my work, my self, out into the world.

It’s not just about making things beautiful, but creating an experience for people.” says Dianna, about bringing the “brand” into physical spaces.

When I found myself working with clients ranging from businesses and  organizations to  non-profits and institutions, I discovered that I was helping them do just that through visual, and often verbal elements as well.

Let’s take a look at a few of them who employed the painter’s brush as a tool for communicating their message.

921 Front Street is a historic building dating from 1859, located in the North Waterfront area of San Francisco. Originally a warehouse, it is now a commercial building providing office space. The signage in the lobby is based on the building’s logo, so there is an immediate tie-in to the brand.  The metallic copper and steely silver colors used in the lettering reflect the natural and industrial materials used in the lobby.

Maitri Compassionate Care provides exemplary, innovative, and compassionate hospice care. The Maitri Mover Campaign Donor Recognition Arch above was designed to honor the donors who participated in the capital campaign supporting its present facility. Names of donors are hand-painted onto the glazed surface of the industrial arch which supports the one-time parking garage.  Like 921 Front Street,  the lettering is done in metallic paints to draw the eye to the words, and make them stand out from the background.  Whether said background be black or white, and the words words sparse or abundant, all visual and verbal elements support the branding.

“On the Fly” is a specialty men’s store designed by  Martinkovic Milford Architects The broken stripe design suggests stitching, as well as the classic men’s pin-striped suit sold inside. The stripe patten reflects the visual branding image used in the brand’s marketing materials. The “hands on” stripe application both communicates and enhances the store’s established visual message, and is “tailor-made” for the venue!

Also communicating directly out onto the “street”, but in a whole other way, the mural above depicts an imagined “Land of Oshun”, where a host of interacting Oshun figures express the colors, symbols, and attributes of this beneficent and inspirational goddess figure. Oshun Center, a drop-in center for women and their families, is a program of the Haight Ashbury Free Clinics.   Oshun is the name of an “Orisha” or goddess in the Yoruban (an ethno-linguistic group of West Africa), Brazilian, and Cuban religious pantheons.  Oshun’s color is yellow, and her metals are gold and copper. Other symbols depicted in the mural include peacocks and mirrors, reflective of vanity and physical beauty.  Oshun represents life’s joys, and all that makes it worth living, and this is the “soul DNA”, message, story,  brand, of Oshun Center, supported in turn, by the visual language of the mural.

When we think about how everything we see, indeed everything we experience through any of our senses, transmits something, carries and provides associations, and potentially stirs our emotions, we can see just how powerful visual and verbal elements can be in telling the story of our soul, and communicating the soul of our story.

How have You communicated the essence of your own work or business, or that of another,  through the elements of color, pattern, texture and imagery?  What about words, text, or as the brand editor Abby Kerr would say, “phraseologie”?

Please share about the richness of your experience with us here.  We love to hear from You.

Remember, we  are all branding through this thing called Life, together.


Brand New

Brand New

What is a “brand“?  I added a link to the term, because I think Wikipedia describes the concept better than I can, at least at this stage.  One of the salient words used in the definition is “identity”.  Specifically: “A brand is the identity of a specific product,  service,  or business.” My colleague  Elka Eastly Veratransformative coach and brand consultant, defines it such: “A brand is like soul DNA. It’s what people recognize you for. It’s where the “you of you” meets the world. It’s the essence of your business. “

If we look at the idea of a “brand” this way, then it could even be used to describe how we present ourselves in the world.  But that is a subject for another post….

The visual elements of color and design, pattern and image, texture, shape and composition can all be brought to bear upon  the process of developing and communicating a brand identity.  Graphic designers, like the talented Dianna Jacobsen, of Jacobsen Design, do this all the time.

As an artist, muralist, decorative painter, and colorist (not mutually exclusive terms by any means), I am always intrigued with how this works, and fascinated to participate.  We may tend to think of “brands” as purely commercial (cereal, dog food and shoes come to mind), but devoted non-profits and noble institutions also have theirs, and in my experience, a similar approach is taken to communicate them.

Let’s look at a number of  businesses and organizations who employed the painter’s brush as a tool for communicating their message, how color plays a starring role in their brand identity, and why.

When  Benihana Restaurant in Cupertino, Ca. underwent extensive remodeling,  a mural consisting of a branded graphical design was specified to be painted on the “corrugated” concrete surface approximately 10 to 80′ in the air.  Benjamin Moore Creative Paint in San Francisco matched the colors of the restaurant’s branded interior wall covering in  paint. Master color mixer and matcher Norman Chinn chose Ben Moore Aura exterior paint colors by eye. He was so precise that without knowing it, he chose the very strawberry red used as a stock color in the Benihana Restaurant brand, which is heavy on warm reds, punctuated by creams, darker reds, and red-blacks. Red tends to be associated with heat fire and blood…can we read, appetite?

Red is used in a different way in the new  Dress for Success San Francisco headquarters, designed by local architectural firm, Martinkovic Milford Architects.  Dress for Success provides business attire and training for women, and key to the design is the theme of butterflies, expressing the idea of transformation. Tone on tone reds provide warmth, accent, and a sense of womb-like support for the women getting ready to launch out into the business world.  Red’s association with life and love doesn’t hurt either.

  Blush Organic Frozen Yogurt venue in San Francisco’s South of Market District is painted is apple green and crisp white, communicating a sense of freshness appropriate to a dairy-orientated ‘snackery”.  However, this hue of green also provides other tasty associations:  the sharp and pungent flavors of limes and sour apples, as well as the sweetness of kiwis and honeydew melons.  All cool and refreshing, and fruity ingredients that could be used in their delicious yogurt!

Although also used to evoke connotations of the natural world, the greens in the  mural below, designed and executed for San Francisco’s Planning for Elders in the Central City organization serve quite a different function. “PECC”, which works to “improve the quality of life of seniors, adults with disabilities, and their caregivers in San Francisco and beyond….”  wanted to use the tree as a central image to express life, giving, renewal, community and support.  Associations with the Tree of Life, and the Giving Tree are amplified by using the color of leaves, which also represents life.  Green is also one of the colors associated with the heart chakra, standing for love, sympathy, and harmony.

Embarking on this post, I see how rich, expansive, and complex the subject of visual branding and the way artists can support it,  is.  A sister post may be in order to further elaborate on the subject. 

When we think about how everything we see, indeed everything we experience through any of our senses, communicates something, carries and provides associations, and potentially stirs our emotions, it boggles the mind, (no pun intended.)  We see, and experience first-hand just how powerful the element of color is, and how many different ways it can be used. 

We can perhaps understand in a new way, the expression, “…coloring perception…”

What experiences have You had with color branding?  Have you used color as part of a brand consultation? Color consulted with businesses, organizations, or even individuals on the how of hue  for their “soul DNA“, as Elka Eastly Vera, would say?

If so, please share it with us here.  We love to hear from You.

Remember, we are all bounding and branding through this thing called Life, together.




Vendor Spotlight: Jacobsen Design

Vendor Spotlight: Jacobsen Design

The word “vendor” doesn’t adequately describe the graphic design firm Jacobsen Design, and it’s principal, Dianna Jacobsen, though that she is, and they are.  No, Dianna is also artist, musician, entrepreneur, creative solopreneur, designer, and small business person and small business supporter. Her work is focused on identity design and web design for small business.

As she states the ABOUT section of her unique and eponymous website, “I grew up surrounded by art. Many of my family members are fine artists, including my father, who made a living with his paintings for many years. I suppose it was only natural that I would gravitate toward a creative way of making a living.”

Dianna understands that,To grow, your business must stand out from the competition. A cohesive, interesting, visual presentation does this: one that communicates what your company is all about and why its products or services are unique.”

And she delivers just that.  Says Jim Smith, Innkeeper, The Wine Country Inn, St. Helena, Napa Valley, California, “…Jacobsen Design has helped my business immensely. Our ‘image’ was in need of a complete overhaul and Dianna moved us from the 70s into the new century with panache and ease. From a new logo to a new brochure to new letterhead and business cards, she did it all. And she did it quickly.”

Dianna did this for my decorative painting company, ArtiFactory Studio, too, as well as creating the design for the very blog, Artissima, that you are reading right now.

ArtiFactory Studio brochure, business and postcard by Jacobsen Design

ArtiFactory Studio first homepage by Jacobsen Design

I met Dianna at the Rennaissance Entrepreneurship Center‘s Annual Fundraiser, in 2006. I knew I needed to develop my graphic business identity, and that my website needed a serious and professional overhaul.  Without missing a beat, Dianna suggested we work on a template for the site, from which would spring a logo, brochure, business card and postcard design.  With creativity, talent, skill, AND tremendous patience, she inched me forward step by step into a complete visual business identity which has  proved to be an excellent and effective way of presenting my work and services, and  has garnered oohs and ahhs from clients and colleagues alike.

While preserving the site’s format, we  have upgraded, altered, and refined its images and text, adding social media links, as well as designing and installing “Artissma, blog of ArtiFactory Studio”  in May of 2010.

Throughout, Dianna has provided expert guidance, technical skills, and graphic design wisdom, as well as tremendous generosity of spirit.  She has continually upgraded her own skills, moving adeptly through the fast-paced world of  graphic and web design and  becoming a WordPress wiz in the process. She says. “For the past few months I have been building most of my new sites in WordPress with the Genesis Framework, which allows me to design a beautiful custom website with the added functionality of WordPress. What my clients can potentially do with a WordPress site is virtually limitless – blogging, photo galleries, easy form building tools, to members only sections and even eCommerce.”.

As I testify on her site, “Dianna is flexible, responsive, creative, and informed about the ever changing options available in the digital world of graphic design. She created a very unique website template for my decorative painting business, and then created a complete identity system around that site including business card, brochure, and postcard. She understands artists, and she understands business people, and that is a winning combination for those of us doing both!
Thank you, Dianna / Jacobsen Design! Please take a moment to check out her site, and visit Jacobsen Design on Facebook, Twitter, and LinkedIn to learn more about her amazing work, and design servicesYou’ll have fun!

Do you have a favorite vendor, associate colleague or business partner that you would like to spotlight?

If  you feel so inspired,  please celebrate them here.  We love to hear from you.  Remember, we are all creating our way through this Life, together.