ColorFULL of Meaning: PURPLE

ColorFULL of Meaning: PURPLE

This series of posts delves into the meanings, associations, and symbolism of color…starting with the color wheel above.  We have explored the Primary, Secondary, and Tertiary Colors…let’s go deeper with those now, and learn a bit about color psychology.  Now that’s a horse of a different color…but not necessarily a dark horse. Off to the colorFULL races. Today let’s play with  magical, mystical, provocative  PURPLE!

  PURPLE associates with internalization, depth of feeling, dignity, wealth, exclusivity, mysticism, and magic. No wonder we are provoked by it.

In Europe and America, PURPLE is the color most associated with vanity, extravagance, and individualism. Among the seven major sins, it represents vanity. PURPLE is a color which is designed to attract attention.

Lighter, and containing more red, PURPLE can become sensual, seductive, secretive, sweet, cosmetic, intimate, and can associate with love. Closer to blue, it can associate with nobility, borne out by its association with royalty, and use in royal garments. It is the color most associated with  royalty. perhaps because  Tyrian purple was expensive. PURPLE is also associated with piety, and is religious color worn by priests.

According to Max Lüscher /the  Lüscher color test, PURPLE (technically violet, a lighter shade of PURPLE) can also express magic and romance, as expressed above, as well as perception.

Child of blue and red, PURPLE  suggests blue’s integrity, and red’s strength. PURPLE can also give lonely, mournful and pompous effect, hence its use in Victorian times as a color to be worn after the first year following the loss of a loved one. Certain PURPLE hues can appear, or “feel” unsettling, degenerate, morbid, and narcotic. When very dark in value, PURPLE can appear “strict”.

As regards to Synesthesia, or  associations with other senses, PURPLE (technically violet)  associates this way: Sound: sad, deep, minor key/light PURPLE – weak and restrained. Temperature: depends on the ratio of red to blue in the hue. Taste/Odor: narcotic, heavy, sweet/light PURPLE – sweetly tangy. Tactile: velvety. Weight: heavy/light PURPLE – light

On an energetic level, PURPLE (technically violet) corresponds to the vertex chakra, symbolizing wisdom and spiritual energy, and influencing the pituitary gland.

How do YOU respond to PURPLE? Do You see it as passionate, provocative, pensive or playful? Does it express mourning , morbidity  or money to You? Are You attracted to its magic and mysticism, or penitence and piety?

Kings and Cardinals have worn PURPLE.  It can express vanity, dignity, strictness and sensuality. PURPLE can seduce, exclude, unsettle and sedate. How do YOU weigh in on this bewitching and complex color which changes its meaning, feel and effect so drastically depending on its hue? What does PURPLE mean to YOU?

ColorFULL of Meaning: ORANGE

ColorFULL of Meaning: ORANGE

This series of posts delves into the meanings, associations, and symbolism of color…starting with the color wheel above.  We have explored the Primary, Secondary, and Tertiary Colors…let’s go deeper with those now, and learn a bit about color psychology.  Now that’s a horse of a different color…but not necessarily a dark horse. Off to the colorFULL races. Today let’s jump into a color that can be both juicy and burnt…can it transcend its own contradictions? Here we go with ORANGE!

The primary associations of ORANGE are stimulating, happiness, joviality, warmth, sociability, and pleasure. It is lively,  outgoing and energetic. According to Max Lüscher /the  Lüscher color test, ORANGE can also express  competition, excitability, and excitability. Bright ORANGE excites and stimulates,  while light ORANGE cheers. When it is highly saturated, ORANGE can feel intrusive, brash, or aggressive. Next to red, it is the colour most popular for extroverts, and is a symbol of activity

ORANGE also associates with nature in a way very different than green:  Fall foliage…Autumn leaves,  harvest, (think Halloween pumpkins, Thanksgiving centerpieces replete with brilliant leaves and Indian corn), sunsets, the canyons of the Southwest. Although ORANGE closer to the actual color of fire…red is fire’s symbol (“fiery red”).

On an energetic level, ORANGE corresponds to the spleen  Chakra, symbolizing energy,  and influencing the heart and the spleen and pancreas.

ORANGE may be used as a color of warning, or caution in temporary and construction signage  specified by the US Manual on Uniform Traffic Control Devices  A skull with an ORANGE background indicates a toxic substance or poison, possibly also hearkening back to the scary aspect of Halloween. Level ORANGE is second only to level red in the US Department of Homeland Security‘s color system indicating  the threat of terrorist attack.

ORANGE can stimulate the appetite, and is often seen in the cheerful decor of casual dining establishments. It is the color of a wealth of fruits, vegetables and spices; from oranges (of course)  to carrots to pumpkins to salmon to paprika, and can be a great choice of hue for a variety of eating environments.

In fact, the “…colour orange is named after the appearance of the ripe orange fruit.^[2] The word comes from the Old French orenge, from the old term for the fruit, pomme d’orenge. That name comes from the Arabic naranj, through the Persian naranj, derived from the sanskrit naranga.^[3] The first recorded use of orange as a colour name in English was in 1512,^[4][5] in a will now filed with the Public Record Office. Before this word was introduced to the English-speaking world, the colour was referred to as ġeolurēad (yellow-red)….” the parent colors of ORANGE!

ORANGE is the hue most visible in dim light, or against the water.  It is  the color of life rafts, life jackets or buoys. It is worn by people wanting to be seen, including highway workers and lifeguards, and people who others want to keep track of, like prisoners (“Orange is the New Black“).  San Francisco’s  Golden Gate Bridge  is painted international orange to make it more visible in the fog that often shrouds the San Francisco Bay.

As regards to Synesthesia, or  associations with other senses, ORANGE associates this way: Sound: loud, major key. Temperature: warm, flame-like. Taste/Odor: strong. Tactile: dry

Born of red and yellow, ORANGE enlivens and cheers us, cautions us, encourages us to eat and warns us not to,  illuminates both what we want to see, and wish we didn’t have to. Always warm, and often inviting, ORANGE encourages, expresses, beckons, halts and screams both yes and no.

What does ORANGE mean to YOU?

ColorFULL of Meaning: GREEN

ColorFULL of Meaning: GREEN

This series of posts delves into the meanings, associations, and symbolism of color…starting with the color wheel above.  We have explored the Primary, Secondary, and Tertiary Colors…let’s go deeper with those now, and learn a bit about color psychology.  Now that’s a horse of a different color…but not necessarily a dark horse. Off to the colorFULL races. Let’s delve into the many nuances of not always serene GREEN!

Melding the happiness of yellow and the dignity of blue, a GREEN centered between it’s “parent” hues, blue and yellow, is calming.

  GREEN is the most restful color to the eye, as it focuses GREEN exactly on the retina.

When GREEN holds more yellow then blue, it becomes more stimulating, lighter and less serious,

and when GREEN contains a higher proportion of blue than yellow, or “leans to the blue”,  it becomes colder.

As regards to Synesthesia, or  associations with other senses, GREEN associates this way: Sound: dull = muffled, saturated = shrill. Temperature: cool. Taste/Odor: sour/juicy. Tactile: smooth to damp.

On an energetic level, GREEN corresponds to the fourth, Heart Chakra, Anahata, symbolizing love, sympathy, and harmony,  and influencing the heart and the thymus gland.

 GREEN associates with  relaxation, calm, freshness, contentment, tranquility, refreshment, quietness and Life! By the same token, it may be used to refer to youth and inexperience, (possibly relating to unripe or GREEN fruit) embodied in the term  “greenhorn“.

We can also be “GREEN” with jealousy or envy. The expression “green-eyed monster” was first used by William Shakespeare in Othello: “it is the green-eyed monster which doth mock the meat it feeds on.” Shakespeare also used it in the Merchant of Venice, speaking of “green-eyed jealousy.”^[59]

We associate GREEN nature, strong growth, regeneration, and new life.  However, GREEN is also the color of decay, mold, poison, sickness and death (in humans). How often do we say someone has a “greenish” cast to their skin when they are ill? Do we ever say, something has gone “GREEN” in the refrigerator?

GREEN can express hope. It can offer a sense of safety and shelter. We may use the term “GREEN light”, when we feel permission to go ahead with something, referring to GREEN traffic lights which signal that it is safe to proceed. Our reaction to GREEN is  emotional AND rational..(apparently these are not mutually exclusive), which shows the tremendous range and complexity of GREEN!

What does GREEN mean to You? Do You like to use it in your work or living spaces, design with it in your marketing materials, or express with it artistically? Do you prefer yellow-GREENS, or blue-GREENS? Or, the “just-right” in-between GREEN?  What about GREEN rooms, and GREEN screens? There’s just too much to talk about…regarding GREEN!

ColorFULL of Meaning: YELLOW

ColorFULL of Meaning: YELLOW

This series of posts will delve into the meanings, associations, and symbolism of color…starting with the color wheel above.  We have explored the Primary, Secondary, and Tertiary Colors…let’s go deeper with those now, and learn a bit about color psychology.  Now that’s a horse of a different color…but not necessarily a dark horse. Off to the colorFULL races. Let’s look now at the not always mellow YELLOW!

YELLOW associates with happiness, joviality, cheerfulness, optimism, high-spirits, and the sun. Related to light, and the most luminous of colors,  it  can symbolize a bright future, hope, expansiveness, and wisdom. It is also associated with gold, and wealth!

YELLOW is the color most often associated with the deity in many religions. Let’s remember that in Greek mythology,  Apollo is the god of light and the sun, as well as, truth, music and prophecy.  Perhaps that is where the idea of the “light of truth” originates!  The expansiveness of YELLOW means communication (which means mental and spiritual enlightenment).  It is the color of mail boxes in many places, and a symbol for the gods’ messenger, Mercury.  “You might have noticed the prevalence of the color yellow in stones and plants. YELLOW is a color of intellect and clarity. Wear yellow when you’re having a fuzzy-minded spell. Mercury’s attention is attracted to yellow, and offers clarity in response to it.”

When too strong, it can become glaring (think of about glaring sunshine). It is the color that most captures our attention, and thus can express egoism and madness. It is used to indicate caution, as the Green “GO” light turns YELLOW as a warning before it turns Red, demanding  that we stop! It is the color of pedestrian crossings  more easily seen than white. YELLOW is also used to express cowardice, jealousy and betrayal (“Yellow-bellied“)

In the world of advertising (and thus branding and marketing),  YELLOW communicates  activity and cheerfulness, expansiveness, search for new horizons, and  communication. Our reaction to YELLOW is primarily emotional. It alerts us, and activates out attention,and combined with  black, it communicates warning: think about bumblebees, black and YELLOW signage, the coloring of certain wild cats. Although we may respond to YELLOW with philosophical detachment, and also can awaken our anticipation.

As regards to Synesthesia, or  associations with other senses, YELLOW associates this way: Sound – shrill, major key. Temperature –  hot/warm. Taste/Odor – sour. Tactile – smooth. Weight – light.

On an energetic level, YELLOW corresponds to the Solar Plexus Chakra, symbolizing knowledge and intellect, as well as being the seat of tension. It influences the solar plexus and the adrenal body.

In conclusion, I am wishing you the happiness, enlightenment,  wealth and clarity of YELLOW, minus any egoism, betrayal or cowardice that this complex color associates with. May your paths be expansive, luminous, and paved with gold, or at least…YELLOW brick!

ColorFULL of Meaning: BLUE

ColorFULL of Meaning: BLUE

The next series of posts will delve into the meanings, associations, and symbolism of color…starting with the color wheel above.  We have explored the Primary, Secondary, and Tertiary Colors…let’s go deeper with those now, and learn a bit about color psychology.  Now that’s a horse of a different color…but not necessarily a dark horse. Off to the colorFULL races. Today let’s look at and feel the confidence-inspiring hue of BLUE!

 BLUE can symbolize  calm and relaxation, security and comfort, tranquility, truth, spirituality and wisdom. It can feel sober, contemplative, and maternal. Nobility, dignity, poise, and reserve can all be associated or symbolized by hues of BLUE.

BLUE can also be frightening, depressing, cold, melancholy and sad. We speak of “Having the blues“.

We associate BLUE with passivity, quietness, wetness, cleanliness, having no odor, mental reflection,  sea and sky.  Light blue especially may associate with yearning or longing, as in the song lyrics, “Blue, blue, my world is blue…”

BLUE can symbolize “The best”.  Think  blue ribbon (winning first place!) and blue chip (enduring, and of high quality and value) companies and stock.

In the world of advertising (and thus branding and marketing),  BLUE communicates trustworthiness,  security, and quality, and is used to inspire confidence. BLUE may stimulate consciousness, consideration, and decision.  Our reaction to it is  primarily rational.  It expresses seriousness, clarification, certainty, and satisfaction.

As regards to Synesthesia, or  associations with other senses, BLUE associates this way: Sound:  distant, flute to violin. Temperature: cool. Taste/Odor: no odor. Tactile: smooth to not solid. Weight: relatively light.

On an energetic level, BLUE corresponds to the Larynx  Chakra, symbolizing religious inspiration, creativity, language and communication.  It influences the thyroid gland.

Pale blue, royal blue, true blue, feeling blue, which BLUE are You? The answer to this may only be found moment to moment, as our moods, and our associations change with our feelings and circumstances. As we found in our exploration of RED, colors may be inflected many different ways, and even contain within themselves systems of opposites (associating with both Love and Hate, for example). Mysterious and ever fascinating, our study, knowledge and experience of color is ever-unfolding, a journey, rather than a destination.

 

ColorFULL of Meaning: RED

ColorFULL of Meaning: RED

The next series of posts will delve into the meanings, associations, and symbolism of color…starting with the color wheel above.  We have explored the Primary, Secondary, and Tertiary Colors…let’s go deeper with those now, and learn a bit about color psychology.  Now that’s a horse of a different color…but not necessarily a dark horse. Off to the color FULL races…starting with the ever powerful, ever provocative, unique hue of RED….

The primary associations we make with RED  are heat, fire  and blood, (“red-handed”),

and by further association, wounds, pain, war, victims, and revolution, warmth, sunset, the  tropics, excitement, and enthusiasm.  Have you ever spoken in a “fiery” manner, or been told, “You’ve got fire in your belly!”?

In Astrology, RED is associated with  Aries, the hot-tempered, impatient, aggressive leader,  and is the symbolic color for  Mars, god of war.  We know what color Mars the planet is!

RED also associates with life, love, passion, activity, devotion, eroticism, strength and sacrifice,

as well as aggression, intensity, fierceness, destruction and death.  Covering the gamut, RED is a color of extremes.

Physiologically RED energizes, stimulates, excites, initially raises blood pressure, and stimulates the appetite. A good choice of color for dining rooms, restaurants, and other eating areas.

RED can be provocative, (waving the  red flag at the bull to get it to charge),  a call to action, the signal of revolution. It is the color of combat, rebellion and dominance.

RED can be the color of hate…

.

or the color of love…

Attention-getting RED may be the most  dynamic of all colors, dominating other hues. It is used across cultures in branding, marketing, publicity and advertising.

The lens of the eye has to adjust to focus red light wavelengths, thus RED advances, making  red objects seem closer then they actually are.

On an energetic level, RED corresponds to the Basis Chakra, symbolizing life, fertility, and reproduction,  and influencing the sex glands and organs.

As regards to Synesthesia, or  associations with other senses RED associates this way: Sound- loud, trumpet. Temperature: warm-hot. Taste/Odor: sweet, strong. Tactile: firm, solid. Weight: heavy.

On a psychological level, RED is instinctive, and sets an alarm mood. Our reaction to it is primarily emotional.

In short, RED is a powerful color, the color of power, and through our own experience on all levels shows us the Power of Color!

Channeling Faber Birren

Channeling Faber Birren

Color expert Faber Birren was “a color consultant who read and analyzed tastes in the hues deemed most suitable for one’s surroundings”, as stated by his 1988 New York Times obituary. “Mr. Birren firmly believed in the therapeutic effects of bright colors on the mentally troubled. He also stressed that taste in colors, although occurring in fashionable cycles, was highly personal, with no two people responding the same way.”

Stumbling upon a nifty little book of Mr. Birren’s titled aptly, “Principals of Color“, I delved into the intricacies of tint, tone and shade.

Thinking I already knew quite a bit about what these terms meant, I was  intrigued to find that according to Birren, I still had  a way to go.

Birren divides up “color” into  three “forms”:  Hue (pure color), White, and Black.  True, I thought.  The combinations of these (and there are only four) create four secondary “forms”.  White +  Black = Gray.  Hue +  White = Tint.  Hue + Black =  Shade.  Hue + Black +White = Tone.

Wow, thought I…so true.  I had never considered it that way before. So caught up in the doing, the creating, mixing, playing with and achieving of colors…I had not deeply, deeply yet considered, the seven forms: Hue, White,  Black, Tint, Tone, Shade, Gray.

Apparently, as well, our eyes and brains will sort out, or simplify the huge range of existing color, IE, color wavelengths, (color is an effect of light wavelengths ) into a relative few.

In the words of Faber Birren, “It is thus philosophic, if not scientific, to conclude that the human sense of color doesn’t want to be bothered with the details.”    How human indeed!

It seems that we are actually, “dumbing down” the spectrum of colors that actually exist!

My colleague and associate, Rebecca E. Parsons of Cre8tive Compass Magazine, and Artistically Speaking Talk Show fame, shared a most fascinating story the last time we spoke on her blog talk radio show when I visited as the “Color Muze”.

She recounted that during a summer storm, an electrical storm, I believe, she looked up in the sky, and saw a color that she had never seen before.  No, not a permutation of red, blue, yellow, green, purple or orange. Not a black, or a white.

A TOTALLY DIFFERENT color that she had ever perceived, or laid eyes upon before…the closest she could get to describing it was that it might be said to be a “cooler” color.

Wow.

I have tried to research such a phenomenon,  but so far, have not come up with any information on spectral colors that most or all of us normally cannot see, but, that some can, or colors that can be seen only at certain times, and under certain conditions.

It just blows the mind!

I wonder what Faber Birren would have to say about such an experience?

Maybe, as I plough through research or stumble again upon information that might illuminate this mystery, I may find out!

Until then, I will have to live with its shadow of the mystery…or possibly, its light!

Have any of YOU ever heard about, or experienced such a thing?   Seeing “beyond”  the  color spectrum that most of us normally see within?

If so, please share about it with us here.

We Love to hear from You.

Remember, we are all coloring our way through this thing called Life, together.

“

Color for All Reasons II

Color for All Reasons II

The “meaning” of color can be assessed from a number of vantage points, and it can be fascinating to view your color choices through several lenses.  In this way you can determine which colors and color combinations are most appropriate, powerful and effective for your purpose.  Each “lens” approaches color from a different discipline  and can be effective in getting you where you want to go.

From an energetic point of view, in the chakra, or energy center system, violet is associated with the vertex chakra, and influences the pituitary gland. It stands for wisdom and spiritual energy.

Yellow is associated with the solar plexus chakra, and influences the solar plexus and the adrenal body.  Representing knowledge and intellect, is also the seat for tension.

The physiological and psychological associations of color can be complex, especially in the case of a mixed color such as purple (created of blue and red), but remain remarkably consistent across cultures.

Purple encompasses the strength of red, and the integrity of blue.  It symbolizes internalization, depth of feeling, dignity, wealth, mysticism, and magic.  As we know, it is associated with royalty, and exclusivity.  Purple can be mournful, lonely, pompous, conceited, unsettling, degenerate, morbid and narcotic, and can appear strict when dark.  Closer to red, purple can  become sensual, seductive, secretive, sweet. cosmetic and intimate.

Yellow, on the other hand, reflective and luminous, has been declared the happiest of all colors. It is associated with cheerfulness, high spirits, the life-giving properties of the sun, symbolic of a bright future.  Representing hope and wisdom (remember Apollo, the sun god, and his golden hair), it expresses expansiveness, communication and activity, However, when  too strong, yellow can become glaring and egocentric.  When paired with black, it can express danger in nature.  Think bumblebees!

From a sensory perspective, colors can evoke other senses, stimulating “cross talk’ between the senses, explored in previous posts about the phenomenon of “Synesthesia“,  or the “Unity of the Senses”.

For example, the color purple associates with deep sounds, in a minor key.  Its association with touch is velvety, and its “taste” (and “smell”  is heavy and sweet. Weight-wise, it “feels” heavy, while its ‘temperature’ tends to the cool.

By contrast, yellow ‘sounds’ like fanfare, and a major key.  It’s tactile associations are smoothness and silkiness, or sandy and crumbly when more ochre, or earthy.  It’s taste and smell associations are sour, its weight light, and its temperature warm, as you might expect from the “happiest of all colors” which evokes the sun!

What associations do You have with the colors purple, violet, yellow, gold and ochre?  Have You used this set of compliments in any aspect of Your life?

Are Your yellows luminous, sour, light or cheerful?

Are Your purples velvety, magical, sweet or narcotic?

Are they both wise? (!)  What have your colors done for You, and Your life?

If You feel so inclined, please share about it with us here.

We love to hear from You.

Remember, we are all coloring our way through this thing called Life, together!

Color Muze Quarterly: Our View on Hue II

Color Muze Quarterly: Our View on Hue II

This post is based on an article written for  Cre8tive Compass Magazine, published 01/2011.

“Color Muze” is a five-minute segment on Artistically Speaking, a popular talk show on blog talk radio which airs at 6:30pm EST, most Sundays.   Color Muze comes on the show each third Sunday (mostly) at 7:15-ish EST.  Please join us for Color Muze Hues, News and Views, on Artistically Speaking Blog Talk Radio.  The good news is, you can hear the shows on your computer…anytime!

And now…let the COLOR begin!

Here is a round-up of some of our favorite Color Muze tips and tidbits from September, October and November of 2010 on Artistically Speaking.

Spearheaded by Rebecca E. Parsons, creative entrepreneur extraordinaire, and master decorative artist, Lyna Farkas,  Artistically Speaking has undergone some transformations in the New Year, and we are excited about what 2011 has in store for its listeners, and the readers of Cre8tive Compass Magazine.

In the future, we look forward to enhancing our Color Muze offerings with a variety of Color-Full articles to enrich your know-how, experience and practice of color. We look forward to continued “Muzing” with you about the fascinating, and ever-unfolding world of Color!

In September, we continued our discussion of The Color Wheel with a focus on complementary colors, and their relationship to each other.  The complements are sets of colors opposite each other on the color wheel, and comprised of one primary color (red, blue, yellow), and one secondary color (secondary colors result from the mixing of two primaries: purple, green and orange). Note: we are talking about pigment-based color mixing in this article.

The primary hues of red, yellow and blue set each other off when juxtaposed, as in the layered look created by these three rooms. The red room opens to the blue, which opens to the yellow (gold), creating an intense, saturated effect.

Likewise, when sets of complements, (opposite each other on the color wheel), are placed next to each other, or overlaid without transparency, they will enhance each other. Try using sets of complements in a room, on a canvass, or in a garden planting, and watch each color take on new life!

Yellow ~ Purple

Red ~ Green

Blue ~ Orange

Even when sets of complements are toned down, or made less bright,  they will set each other off when placed next to each other.

In fact, one way to subdue, “neutralize”, or gray down a color is to add some of its complement to it, thus lowering its level of intensity and saturation.

On the ceiling below, a semi-transparent rusty-orange-is layered over complement cerulean blue, subduing the intensity of the blue in areas. The coppery-orange of the stencil design is more opaque (paint, as opposed the more sheer glaze medium), thus mixes less with the blue below it, and stands out in greater contrast to its blue background.

Color can have a tremendous effect on our psychology, and emotional lives. In October we talked about how painting a kitchen’s dark, light-absorbing wood a golden-ochre color changed the life of its inhabitant.  A testament to the power of color, the homeowner declared, “The final outcome of the project was transformational. What had been a dark and brooding kitchen area became a light and inviting space that perfectly wove into the accent colors already in place. The end product created a welcoming environment.”

Illustrating the symbiotic relationship of light and color, we discussed how color on a ceiling can look very different then the same hue on a wall, depending on how the light hits and is absorbed by each surface. This concept is discussed beautifully in the book Color and Light: Luminous Atmospheres for Painted Rooms., by artists and colorists Donald Kauffman and Taffy Dahl.

Although in many places, November is a bit too cold to do exterior projects, during Thanksgiving month we shared about how to deal with choosing colors for exterior surfaces that are constantly shifting hue in the changing light outdoors.

One way is to observe the surface you are trying to match, or work with, such as a patio’s expanse of multi-colored Mexican tile, determine which color stands out as the most dominant, and base your treatment on that hue. We shared, and laughed about, a helpful simple trick when doing this: if you wear glasses, take them off!  You may find that you can see the fields or areas of colors you are trying to work with more clearly, without the distraction of “clear” vision! (And, make sure you aren’t wearing your sunglasses when observing, planning, and choosing colors for your project!)

We chatted a bit about the challenges of changing paint formulas, as Benjamin Moore and other vendors create a whole new set of more environmentally friendly color specs that don’t necessarily exactly match the old!

Anyone specifying color will be affected by this, and though we all appreciate our vendor’s attempts to “green” their products, we caution you to be prepared for some confusion in the interim, and apprise your Clients accordingly!  I have been told that the old Benjamin Moore color specs will continue to be sold while supplies last…then it’s out with the old, and in with the new!

Remember, any change, even the most exciting and positive, can create a bit of stress, as our senses, hearts, minds and souls take their own time to make the necessary adjustments.

Finally, we completed our discussion with a toe dip into the intriguing concept of Synethesia, or “Unity of the Senses”.   As states Frank L. Mahnke, President of the International Association of Colour Consultants/Designers, “Colors may evoke associations with odor and taste, appear heavy or light, give tactile impressions, be associated with sound, have volume, and temperature associations.”

We look forward to delving deeper into this fascinating material in further Color Muze segments!

What a luscious, luminous world we have as finishers, decorative painters, muralists, artists, artisans and humans, to explore! Please join our Color Muze on Artistically Speaking Talk Show, and Cre8tive Compass Magazine, “where we honor your passion, and your vision, in this community we are co-creating”

What Color-Full journeys have YOU taken lately?

If you feel so inspired, share them with us here.  We love to hear from you.  Remember, we are all journeying though this thing called Life, together.