Going with the Grain

Going with the Grain

As a companion to my June Bay Area Women’s Journal article  on “Faux Bois“, or the fine art of wood graining I am writing this post to further explore the subject. To create, or recreate the look of wood on tired, damaged, or lackluster surfaces is one of my favorite things to do!

There are so  many uses for even the most simple Faux Bois!  Who doesn’t love the warm look of wood in a space?  Natural (looking) wood gives a feeling of bringing the outside in.  From rustic, to elegant, and back again….go with the grain to enjoy beautiful (painted) wood for all seasons.  I would…wouldn’t you?

One of the most common uses of Faux Bois  is on doors, especially exterior doors.  Often these doors are made of wood that has been painted, or has become worn and weather-beaten.  Sometimes a homeowner, house painter or contractor will opt to have it refinished in a wood grain  finish, rather then replace it, or strip and restore it.

As most Faux Bois looks are achieved through the manipulation of semi-transparent glazes over a base coat, the color that emerges is the skillful combination of the two. This  also results in a sense of depth, giving the “fake grain” a sense of naturalness.

Windows too, are a common surface for Faux Bois. Sometimes, like the above, the sashes have been replaced, and need to be wood grained to match the existing frames and surround.  This can be tricky…matching not only color, but “faux” to real wood, but it can be done, and to great effect.

And, sometimes, as in the window above,  all of the wood areas are done, or redone, at the same time, on the recommendation of an interior designer, architect, or even decorative painter!

Ceiling beams can be especially fun, and satisfying to recreate.  These beams were initially painted the previous ceiling color, what a waste!  The homeowners and their designer wanted them to look like wood again, and to match the heavy, darkly stained wooden doors installed throughout the house.  Now they really pop against the creamy ceiling, adding character and interest to the room!

Both the cabinet and the mirror frame above are grained to work with the marble vanity top, a great solution for these newly built and installed raw wood pieces.  As the treatment is custom, the clients could choose the color, style and feel they wanted, in keeping with the hues in the marble.  As with any finish, Faux Bois is fine in a bathroom, as long as it is sealed with the  proper water-resistant varnish.

In the master bath above,  the tub cabinets were painted in white latex.  Once wood grained, they become a focal point in the room, providing another layer of richness and luxury, and connecting the room to the other wood finishes in the master suite. These cabinets are sealed with an oil-based varnish for extra water-resistance, luster, and depth.  The slight ambering of the varnish over time will only add to its warm glow!

If carefully planned, and executed with artfulness and skill, Faux Bois, like any finish, will enhance your surroundings, whether interior or exterior.  You can have the look of rich, natural or stained wood, without having to strip, restore, or replace.  Now, wouldn’t that be grand?!

Have YOU used “Faux Bois” in your Home, Business, or Community Spaces?

If so, please share about it with us here. We love to hear from you!

Remember, we are all designing this thing called Life, together.

HeARTfull Stone

HeARTfull Stone

In a recent article published in the  Bay Area Women’s Journal called  “Faux Finishing…Get the Look of Marble and Stone“, I discuss the “faux” finishes of stone and marble (a kind of  rock).  I created this “sister” post to show more painted and glazed stone and marble faux (fake!) finishes, and to share a bit more about the process.

Stone blocking is a technique in which individual “blocks” of stone are depicted, as well as the grout between them. Below, the lower part of an exterior shed door is painted (stippled and pounced) to look like the actual stone blocks on either side of it.  The grout, of course, is also painted. The painted door meets the real flagstones underneath it.  Underfoot, as it were.

Careful match of color helps create the illusion, despite the obviousness of hinges.  The “Trompe L’Oeil” (‘tricking the eye”- to make us think something is there that actually isn’t) effect is broken when…

 the door is opened, which adds to the fun. The treatment satisfied the aesthetic yearning of the homeowner to have the eye perceive  a line of stone blocks  unmarred by the more prosaic brown-painted door.

Below we have an ornately detailed fireplace, with a lot of carved character.  It sits resplendent in its prepped glory, primed but not even base painted yet.  Looking white white, it is set off by a new marble surround and hearth.

Voila, here we have the same fireplace with a stippled “limestone look”  finish, which draws out its ornate detail, and works with the colors of the marble.

The carving plays with the light, both reflecting and absorbing it.  It is highlighted by the glazes (semi-transparent veils of color) that are stippled across its surface.  Details like  this can be coaxed out and showcased through the addition of color and texture!

The same “limestone-like” stippled technique can be used to add character to a one-of-a-kind table that already has plenty,  (again, the technique pulls out the carving),

or, a smooth, plastered, rather standard issue stove hood, which needs to be brought into line with the other splendid details of its Spanish Revival architectural setting.

Stone finishes can also be used in tandem with their sometimes showier cousin, marble finishes, also known as marbling, or marbleizing.  On the fireplace below, semi-transparent glazes were used to create the marble finish, and opaque paints in equivalent colors for the stone.  The marble and stone treatments are both set off by the classical detailing, which is in turn set off by the treatments!  At their best, architecture, decorative treatments and detailing work hand in hand, each strengthening the other.

The pillar below is treated in a subtle limestone finish, with the same glaze colors employed in a marble finish on its base.

In the same room and colors, the hearth below is marbled through the combination and simultaneous manipulation of several glaze colors over its smooth, base painted surface.

The same technique is employed on the fireplace mantel and pillars, unifying the piece.  The Clients wanted to enhance the architectural details of their white-walled living room in an elegant yet subtle way, and the paint and glaze colorways were designed accordingly.

The fanciful marble treatment designed for the white, latex-painted built-in below is enhanced by the addition of gold, not only in the veining, but also on the inset frames on the cabinet doors. The diamonds are created by a second application of marbleizing.

  The fantasy marble finish employing pink, gold, and antique white glazes adds sumptuousness. The marbleized diamond offsets the rectangular shapes that comprise the cabinets.

Whether the goal is to integrate, enhance, create elegance, luxury or history, the application of stone and marble faux finishes can add depth, character, mystery, and even fun and fantasy to a space. Take a look around your environment, and imagine the addition of finishes true to nature, to the imagination, or both! Consider drawing out classical or whimsical details,  harmonizing your color scheme, or adding a bit of eye trickery to where you live, work and play.  You’ll soon feel the benefit of the Magic of Decorative Painting.

Have YOU used Stone and Marble finishes in your Home, Business, or Community Spaces?

If so, please share about it with us here. We love to hear from you!

Remember, we are all designing this thing called Life, together.  Cheers!

The Art of Stenciling, I Presume?

The Art of Stenciling, I Presume?

Once upon a time, after the New Year of 2011 had begun, and before 2010 taxes were due, I had the opportunity to collaborate with an esteemed Client and associate, to add that “finishing touch” (actually, the window treatments came afterwards) to a very special Guest Bath.

This Bath was in the process of being transformed, from a place of day to day use by his son, now gone off  to college, to a fresh and fun “new” space for his fiance, who tended towards a minimalist, Mid-Century,  New York sensibility.

My awesome Client, himself a long-time Berkeley, CA resident, has an eclectic design sense, informed by extensive travels around the globe,

art collected at home and abroad,

and a love of bright color,

rug patterns,

and funky furniture.

Indeed, he has done much of the interior painting in his home himself.

We discussed that bathroom in question, and I took a look…

It was freshly painted, with colorful artwork, of course,

and the green tile had to be taken into consideration.

I chose three repeating stencil designs, and made Samples for my Client and his Intended to look at on site, in the room. Taking my cue from the tile, the artwork, the colors in the adjacent hallway and throughout the home, I used cerulean blue and deep forest green, nature colors that would contrast beautifully with the base coat,  Benjamin Moore OC57, “White Heron”,  give a clean fresh feel to the room, and support its function.

I also wanted the design to reflect both a feminine and masculine sensibility, and be able to marry both eclectic-world beat-funky tastes with minimalist-Mid-Century-streamlined preferences. Or, try, anyway.

I was thrilled that the Client chose a custom stencil that I had created from an existing source years ago, for a master bath suite  in another and very different East Bay city.  Happily, the design contained both geometric and organic elements, that created both a sense of movement and stability.

It was fun, it was crafty, it was elegant, yet funky, and the Client supported my idea of applying the paint color in a mottled, layered, and textural way.  Best of all, in the words of my Client’s fiance, “It complete(d)  the room!”.  As I was concerned that she be as happy with the result as he, this comment was music to my ears.

The repeated design pulls out colors in the artwork,

and creates a bower for the painted lovers.

The blue and green hues set off the strong red accents prevalent throughout the home.

The stenciled effect is multiplied through reflection.

A spot application of invisible clear varnish protects the stenciled border from the effects of moisture.

With careful planning, enhanced by Client collaboration, even a room already containing strong elements of art and color can be “completed” through the well-placed pattern, whether hand-painted, stenciled, printed or plastered. That extra addition of artful love and care to a space can really “pull it together”, and bring it to the next level of design and artistry.  A stenciled border can contain and express both feminine and masculine elements within its design.  Eclectic-world beat-funky can marry minimalist-Mid-Century-streamlined. My Client/s, and our collaboration have proved that!

Have YOU ever “married” sensibilities, styles and approaches in Your projects?

If you feel so inspired,  please share about it with us here.  We love to hear from you.

Remember, we are all collaborating in this thing called Life,  together.   Cheers!