Article from Arden: How to Create Something Unique for Your Home with a Decorative Painter

 Article from Arden: How to Create Something Unique for Your Home with a Decorative Painter

Recently, i was fortunate enough to have colleague, stylist, real estate professional, and “Color  & Hue” practitioner extraordinaire,  Arden T. Reece of Color & Hue, and The Rudy Group Real Estate, pen the article  below about my work as a decorative painter, and highlighting  and helping  to define it at the same time.

 I met Arden through our studies at the International Association of Colour Consultants/Designers, (IACC), and have watched with admiration as she has created an amazing presence in the worlds of personal styling, color consultation for personal style,

and  real estate in the Long Beach-based company of Geoff Rudy.   She is also a whimsical water-colorist, with a delightful children’s book idea up her sleeve!

Please enjoy Arden’s interview and article below, about the art and applications of Decorative Painting!

Thanks Arden!

How to Create Something Unique for Your Home with a Decorative Painter

by Arden T. Reece

“We sat down recently with Santa Monica based artist, Debra Disman, who recreates rooms and objects with her arsenal of painting techniques. Her company, ArtiFactory Studio, provides custom decorative painting, faux finishing, color consultation and murals to the Residential, Commercial, Institutional and Nonprofit customer. Her work has graced the walls, ceilings and objects of many residences and spaces along the California coastal region and beyond. 

First off, thanks for agreeing to sit down with us!  Your work is amazing and you’re one of those artists that most people don’t know exist but when they find out about you, they’re thrilled! What exactly is a decorative painter?
Well, decorative painting is a bit of a “catch-all” term. In fact, the way I use it, it covers much more than “just” painting! Decorative painters use their skills and artistry to transform the ‘built environment’ – usually the architectural environment, both interior and exterior, but more often interior. We work on walls, ceilings, floors, furniture, and architectural details such as fireplaces, columns and molding, using paints, glazes, metallic leaf, and more, to create the look and feel requested by our clients. We may create full-scale murals, the look of marble, stone or wood (faux finishing), or apply gold leaf. As I say on my site, “Our passion is to translate the Client’s inner vision into concrete visual form.” I might work in conjunction with interior designers, architects, contractors, painting companies or even graphic designers to develop the textures, color palettes, treatments, mural compositions, designs and patterns that will bring a space to life and give it that extra oomph that can translate into the “wow” factor.

Custom Accent Wall by ArtiFactory Studio

Dress for Success Accent Wall by ArtiFactory Studio

Ceiling Treatment by ArtiFactory Studio

Mural by ArtiFactory Studio

Wall Mural for a business by ArtiFactory Studio

Vineyard Mural by ArtiFactory Studio

Wow is right — you truly are an artist in visually transforming objects and homes through color and paint!  Many homeowners love to create unique spaces in their homes but don’t quite know what to do. How do you help them in conceptualizing something?
The key is really individualized customer service and the customization of every project. Every finish, mural, design and treatment is tailor-made to the client’s need, environment, interest, and inner vision. How is this achieved? From my complimentary first meeting, through the sampling process, to the finished project, the focus is on hearing what the client (and their team, if they are working with a designer, architect, contractor, or painting company) have to say, seeing what they respond to, and continuing to listen to, respond to and communicate with them to make sure their project is progressing in the desired direction.

So…what is the step-by-step process for working with you? How can a homeowner create a great relationship with you so they get your best work?
My process for much of my work includes several steps. Once I get a referral, or a potential client has reached out to me, we discuss what they are looking for over the phone, and then set up a complimentary first meeting to review job site and potential project, and further clarify their needs, interests, vision and expectations. This gives me the information I need to determine pricing, so that I can present a quote/make a bid. I consider this meeting my first collaboration with the client, and it also functions as a consultation of sorts.

I will then, in most cases, present a written bid based on time and materials, a time-line for the job based on the client’s needs and schedule, and the availability and workload of my studio, ArtiFactory Studio. If the bid is accepted, we sign a contract, and I invoice for a deposit which is usually 50% of the total price. Now the work, and the fun, can begin! Based on meetings with the client, designer or any other “players” involved, I produce samples or mock-ups and submit/present them for approval. I will incorporate feedback and requested changes so that the client and their team’s vision develops along with mine. I will conduct further client meetings and provide consultation as needed throughout the process. Once all plans have been approved, I complete the job on-site or in my studio continuing to be open to client feedback and concerns. When the job is complete, I provide any necessary instructions for maintenance, repair options, and product for touch-up, and go over any questions the client/team may have. The last step in most cases is to invoice for balance due and leave a happy client having exceeded her expectations!

One trend that we’re loving right now in the design space is the idea of reuse and re-purpose. What are some things that you’ve done in re-purposing furniture?
I am so glad you asked about re-purposing furniture through decorative painting as it is one of my favorite things to do! Not only is it incredibly fun and creative but it also helps to minimize the waste-stream and thus supports the health of our environment, to say nothing of saving money! I have both purchased furniture from garage and yard sales and recreated them with decorative painting techniques and I’ve also taken pieces that I or a client already owned and transformed them into custom items that are specifically designed to work in a particular space. In those instances I work with the client step-by-step to realize their vision, just as I would with any other job.

Transformed TV Cabinet by ArtiFactory Studio

Closeup of Cabinet by ArtiFactory Studio Studio

Transformed bookshelves by ArtiFactory Studio

Although you make it look easy to do, I know it’s not! What are some things your clients need to be aware of when it comes to re-purposing their furniture or space?
One important thing is to give the process its due.  It does take time to clarify what look and feel the client is actually going for and discover the best way to achieve that. There are so many techniques, processes, applications and treatments that can be used…the options are endless! So, the dreaming, visualizing, planning and consultation process is really important, and in most cases should be collaborative, unless the client is willing to offer carte blanche and accept the results!

Next, I would say to any prospective client, as for any project, have fun with it! This is a process designed to put your vision into concrete visual form and it should be fun, exciting, enjoyable and creative for you as the client with gratifying results. Finally, in working with an artist/decorative painter/decorative artist, understand that you are working with a professional who has trained and practiced their art form or craft (just as your architect or designer has) and that there is a charge for the service. Work out the financial details ahead of time and get it all down on paper, so that everyone involved is apprised of the costs, and agrees to them, and then you can move forward and have a great, creative/collaborative experience.

To see more of Debra’s work, visit her at www.artifactorystudio.com or contact her at 310.920.4311 for a complimentary meeting.”

GRATITUDES for this lovely piece!!!

Media Medley

Media Medley

Being in the process of updating, retooling, adding and subtracting (mostly adding…subtracting is a whole other challenge!) my presence online, including  Website , Linked In profile, Pinterest, Etsy Store and more…I thought I would share some of my media offerings in an Artissima post.  Maybe You will get some ideas of media You can generate, to support, express, and promote Your work and business!

Let Your Voice Be Heard!

I had the good fortune of knowing a talented videographer (he is no longer working in the field, and does not accept inquiries…so, I won’t mention his name here), who filmed one of my projects, and put together a beautiful little video on it.  Although made several years ago, this video still feels fresh and relevant, because of his skill, and creativity.  Thank you Allen!

The Video Showcases an Image Central to My Site

The amazing and dedicated Carolyn Edlund, who “inspires artists to build better businesses”  through her ventures  Artsy Shark, and the Arts Business Institute was kind enough to interview me about how I built my decorative painting business.  The interview was done in two parts, and forms a “document” that can be shared with others, offering tips and guidance to support them on their journey!  Thank you Carolyn!

Use your Mind to Share your Heart, and Your Hand to Share your Voice

I was honored to participate in a project filmed for HGTV‘s Curb Appeal, entitled, “It’s All in the Details“, helmed by the inimitable John Gidding, architect, designer, and showman extraordinaire, and for the record, a great guy! John was kind, supportive, and a real team player on his show, where he stars, manages, designs, interacts, and even picks up a paintbrush!  Thank you John, and the HGTV‘s Curb Appeal team, as well as Johlt Productions…what a great experience.

Artistically Speaking Talk Show   is the brain child of  Rebecca E. Parsons,  Having met the wonderful artist/artisan   Lyna Farkus  through none other then Twitter (!…the power of social media, folks…),  who was at the time co-hosting with Rebecca, I had the pleasure of being interviewed by the two of them.  What a fun, and gratifying experience was this interview , as are all the interviews conducted on the show.  A must-listen to for any artist, artisan, entrepreneur, “ladypreneur”, “solo-preneur”, crafter, and more. Thank you dear Rebecca and Lyna.

Create Success..Believe…Gratitude…

One thing can lead to another…after the  Artistically Speaking  interview, Rebecca and Lyna asked me if I would do a monthly segment on the show, offering “tidbits of color wisdom”.  I was delighted to become part of the team, and “The Color Muze” segment began airing each (well, most) third Sundays of the month, at 7:15pmEST/4:15pmPST.  It is a joy to share color information, experience and exploration garnered through 5 years as a color consultant/designer, and training through the International Association of Colour Consultants/Designers.  After each show, I write up the Color Muze segment into an article, which is then published in Rebecca’s  online magazine, Cre8tive Compass  in the Color Muze section.

Muzing on Color

As You can see, there are many ways to share, support, inspire and connect through media. The internet offers opportunities for video, audio, and text, through its myriad channels.  Presenting yourself through these channels is not only promotion, marketing and PR, it is also reaching out, offering information, lending a hand through your own experience, teaching, and interacting with others.  Who knows who You might meet, touch, awaken, or work with next?  Media is also its own art form, whether it be composed of sound, images, words, or a fusion of of these, it is always an adventure, an exploration, a new frontier, and, a little bit of a risk.

But then, putting Yourself “out there” always is, n’est-ce-que pas?

So cheerio, and bon voyage, and see You later…Have a Great Trip!

Color: A Balancing Act 2

Color: A Balancing Act 2

What is the “emotional loading of a space”?

Says Helen Gurura,  an internationally accredited colour design consultant,  and executive vice-president of the International Association of Color Consultants (IACC). “Feelings can be evoked through colour at even an unconscious level and this gives rise to the term “colour emotion”, defined as “an associated feeling or emotion induced in the brain during the colour perception process”. In architectural psychology terminology this is called “the emotional loading of a space”.  Achieving balance in colour design clearly remains a challenge though.”

French Cafe..anyone?

In last week’s post, we looked at a variety of exterior architectural color schemes through the lens of visual “unity” and “complexity”, exploring what creates both over and under-stimulation,  and ways of creating balance between these extremes.  The goal is to  avoid both extreme unity/monotony/sensory deprivation which results in under-stimulation, and extreme complexity/variety which can over-stimulate the senses.  As Ms. Gurura states, “The balance between unity and complexity is the first and most important rule in the design of user-supportive architectural environments.”

Essentially, we expect, and I extrapolate from  this want and need  our senses to be moderately stimulated at all times.  I must assume that  dreaming accomplishes this when sleeping…even when mediating, we are often instructed to concentrate on the breath, a sensory experience.

The built environment is a place where we may posit our dreams, our imaginations, even our breath.  When we have been “doing battle”, even if that means fighting the good fight, out there in the world, we may need our homes to return to, relax, recharge, regroup  and  catch our breath in.

Let’s relax now, take a deep breath, and enjoy looking at some interiors that were designed through placement of color, pattern, texture, and more, to not only meet the functional needs and wants of those who live and breath there, but also to express their innermost hopes, dreams, wishes and desires…and perhaps even fantasies about themselves and their lives.

The owner of a charming home in  Berkeley, Ca, wanted to transform his son’s old bedroom into a guest room, that his fiance would claim as her own special space in the house. His love of strong color, bold artwork, rich, layered patterns and textures  is mitigated to accommodate  her taste for beige by the choice of a neutral wall color and creamy trim.

The wall color is taken to the bookcases, which frame not only scores of colorful books, but also his son’s powerful painting. By keeping the bookcases “color neutral”, what is contained within and between them is kept front and center, and the multitude of colors and patterns do not overwhelm.

Warmth, richness, depth,and elegance reign in this master bedroom, where the deep earthy golden-brown-with hints of persimmon wall color compliments the multi-hued wood floor, the heavy dark wood furniture, and fresh white trim.  The trim is needed to relieve the strength of the other colors, and because the room is spacious, filled with strong lines and architectural details, and  large pieces.

–

Although this room doesn’t have the plethora of  color, pattern and texture in its details like the Berkeley guest room above, the complexity of its space, containing recesses, alcoves and a window seat, the variance in the texture and light reflectance of its surfaces, and the expanse of textiles on bed and chair, give it just as much visual variety and interest. The room is beautifully balanced and filled with light, comfort and calm, with enough accent to engage the senses.

Here again pale “neutral” (read, “beige” ) walls and tile, and white ceiling contain,  frame and unify strong color and bursts of pattern,  just as the streamlined silver frames contain but do not restrain the beautiful, bright  watercolor paintings created by the owners’ children. The effect of the paintings and blue-patterned vase is amplified by their reflection in the mirror, which adds a sense of space to a smaller room. The varying colors and patterns are also on different planes: the paintings on the wall parallel to our line of sight, the counter top perpendicular to it,  the vase parallel, but below the paintings, creating a layered effect, adding complexity and variety to the space.

The serenity of this bedroom is achieved not only with soothing neutrals on wall and ceiling, but carrying that over into large swathes of textiles such as the bedspread, pillows and throw. Layers of texture and intricacy are created  through the “distressed” mirror frame which adds a painted and reflected scene to the visual mix, and intricately detailed and tasseled window treatment which adds sheen, pattern, and a whole other level of visual interest, as well as framing the window.  Who couldn’t relax in this room?  R & R is exactly what it is for…and as unbroken as possible. As opposed to…

the “boudoir”, in the same unit!  This room will keep you awake, though it does share the element of faux fur pillows with the bedroom. Needless to say, the owners are style Franophiles, at least with this space, which is a second dwelling for them, an urban “get-away” from their home in Napa County, CA. In this alcove, they had big  fun “papering’ the walls with a  fabulous, French-feeling fabric, placing a gold “sunburst” above the divan ( covered in the same pattern), and “peppering” it with black fur pillows.  Isn’t it wonderful to have a room where you can just go wild with the design and decor? Shouldn’t we all have that?  This room is just a little jewel box of color and pattern, and we found exactly the right paint color for the ceiling, to pull out the rich cream hue  in the fabric, and soften the pinky-red surrounding it.  Because the fabric is so all-encompassing, the walls, curtain, divan and pillows covered in it merge into one, and the complexity and visual variety is contained in that one pattern. The room is small, the room is warm, the room is happy, and the room sings…a totally different song then the bedroom,  and  another example of “securing unity in the midst of variety….”, and achieving balance, as Helen Gurura would say!

Intuitive Color

Intuitive Color

I have a bit of a confession to make.  As a color consultant, I go with my gut first- (after full-out discussions with the Client of course, and an assessment of their needs, wants, preferences and desires for their space, business or brand, and its color design).

I take a look at all the information, and at the raw data: the space, walls, architecture, logo, or existing visual identity, and then let my imagination wander.   After I identify my intuitive, initial, and well, gut response, I delve into my source material…my guides, charts, chapters and information garnered from my course of study at the IACC-NA (International Association of Colour Consultants/Designers of North America).

I cross-reference my initial, intuitive, and gut-level response with case studies, hard data, and historical info, and  analyze the color  choices from a number of vantage points including the psychological/associative, the sensory and the energetic.

In other words, how do colors make us feel emotionally, physically, and psychologically?  What emotions do we feel, or associate, what physical sensations do we experience, or associate, and what symbolic associations do we make with any particular hue..or combinations of hue?

Can we be healed by color? All of these effects, issues and questions come into play when choosing colors for the garden, the built environment, or a business, institution or organization.  There is no one right answer when determining, choosing or analyzing colors or color combinations for any purpose.  There are theories, the color wheel, associations, and our felt experience.  All of these must be brought to bear on our color decision.  Let’s look at some evocative color combinations in art, nature and life.  Evocative of…what?  Well might you ask.

Sometimes a complimentary ( opposite each other on the color wheel) color duo is necessary to add punch, accent or contrast, even within a range of softer, pastel hues.  Pale yellow and periwinkle blue cross into yellow and purple territory, creating contrast, without becoming jarring.

 Analogous colors (those next to each other on the color wheel), can work together to communicate a feeling, a brand,or a niche based on associations with nature. The analogous combination of blue and green  is a natural to express tranquility, life, truth, growth and hope.

Combinations of two secondary hues, such as green and lavender can create a feeling of both variegation and  harmony. The colors are contrasting, but also related, as they share the common element of blue.

We can look to the associations colors have with emotions to  better understand our reactions to them. Hatred can be associated with both red and black. This may be mitigated by the addition of white and pale yellow. How much each color is used is also a factor in how we respond to the color composition  as a whole.

Blue and orange, another complimentary pair, combine the tranquil and noble associations of blue with the happiness and joviality of orange. Tension or balance or…both?  We are held rapt by a sky both ethereal and dramatic.

Perhaps the employment of all three primary colors (red, yellow and blue) is the most dynamic of combos.  These colors, in near pure form, happily vie for attention in all their aspects, creating a brilliant, dynamic harmony.  This image keeps us awake, stimulates our minds, and enlivens our senses..  Like visual acupressure, all the points are touched..

Coming full circle, we return to the gradated harmonies of sea, mist, fog and sky…with the silhouette of a tree branch and a distant piece of the red-hued  Golden Gate Bridge thrown in for good measure.  Don’t “analyze this”…just let it wash over you…and trust your intuition, your gut response…they won’t lead  you wrong with color…ever.  ” This above all: to thine own self be true,” in color, and in life.   Is there a distinction?

Strike Me Pink…You Feel Me? Color Associations & You

Strike Me Pink…You Feel Me?

  Color Associations & You

Hello Gentle Readers of Artissima!  I am Debra Disman, your friendly Color Muze, here to share tasty tidbits of color wisdom…from here, there and everywhere.  (If you would like to know about the relationship between color, and taste..please check out previous posts on SYNESTHESIA, and….Synesthesia!)

April 15, 2012,on Rebecca E. Parsons wonderful, and inspiring  blog talk radio “Artistically Speaking Talk Show” ,  our Color Muze   found me in colorFULL convo with Rebecca, and her two highly cre8tive guests,  Deb Thompson, and Christy Gossett ; bloggers extraordinaire. We had a fun romp through a serious color association study, that I learned about from Mr.  Frank H. Mahnke, my instructor at the IACC-NA ( International Association of Colour Consultants/ Designers North America).  The  color skinny, as per this study?  Color associations may indeed be cross cultural…even universal, within a certain range, of both colors, and cultures.  Meaning that…in this study, the majority of participants had similar color associations.  What were they?  Well…please peruse my take and interpretation  below, and let the fun, and fascination, begin!   Less verbiage…let’s let “Les Couleures” speak for themselves!

Red   =   Love

Wouldn’t you know it?  (Heart, blood, life force, et al…)

However, when paired with black, the love may change to hatred…oh dear.

However, this may shift depending on the proportions of red to black, and the addition of another color, such as white.

The human presence, also may alter this association!

The obvious associations with sky and water seem to compel us to associate the color blue with peace and tranquility.

As well, green, with its relationship to springtime,  plants, and the rejuvenating life force of nature.

Although white may be the color of mourning in some cultures, the majority of participants associated the colors black and gray with mourning and sorrow.  Here the effect may be mitigated by an undertone of life giving green, paired with  fresh creamy trim.

The most common color associated with “happy” in this study was yellow…with orange coming in second.

What comes to mind when YOU think of orange? The color of joviality…[“French, probably from Italian giovale, from Old Italian, of Jupiter (regarded as the source of happiness”; from Latin joviālis of (the planet) Jupiter, considered by astrologers to foster good humour),

Warm oranges may be associated with appetite, and can be used effectually in kitchens and dining areas.

Here, the radiant, embracing orange wall and ceiling of this living room veer towards the yellow, or golden, also associated with “jovial”.

Fresh clear life affirmative green…no surprise that “LIFE” is a big association!

Slightly toned down, but still radiant!  Life Force…here we come!

Light-filled yellow…no orange here..with luminous associations.

More luminous-ness…an exterior faux finish featuring a deeper-valued texture over a lighter base,

popping on this building against an azure blue sky.  Yellow = sun/sunshine = light = luminous, indeed.

Speaking of blue…blue and violet associate with “noble”.

Noble blue door…this one does make a statement.

Purple has long been associated with royalty…and has been the color of royalty, or the “highest” of “noble blood”.  To obtain this once rare color, a fair amount of effort once had to be made.

“The actual color of Tyrian purple, the original color purple from which the name purple is derived, is the color of a dye extracted from a mollusk found on the shores of the city of Tyre in ancient Phoenicia (present day Lebanon) that in classical antiquity became a symbol of royalty because only the very wealthy could afford it. Therefore, Tyrian purple was also called imperial purple.“ (See Article).

Nature arranges colors so beautifully…in ways that delight us, and make our hearts sing… might her “color associations”  be the same as ours?

 What colors do YOU associate with “love”, “hatred”, “peace/tranquility”, “sorrow/mourning” “happiness”, “joviality”, “life”, “luminous”. or “noble”?

If you feel so inclined, please share them with us here.

We love to hear from You.

Remember, we are all color associating with this thing called Life, together.

Is Your Color Centrifugal or Centripetal?

Is Your Color Centrifugal or Centripetal?

Recently, during our Color Muze segment, on Artistically Speaking Radio, we discussed the fascinating phenomenon of centrifugal and centripetal action and complexity, as color designer and expert Frank Mahnke, of the International Association of Color Consultants/Designers,  terms it.

The concept of  centrifugal and centripetal action and complexity in this context,  is related to using color to create a mood, to support the function of a space. In essence, we create moods through use of color (and pattern), and we can support (or not) the function of a space by the colors and patterns we use in it.

Centrifugal action, derived from the Latin centrum, meaning “center”, and fugere, meaning “to flee”, does just that: directs our attention out and away from the center, or, our inward center, and towards the environment.  Warm color, with high luminosity, (” emitting or reflecting usually steady, suffused, or glowing light “), has a centrifugal effect, and can help to create bright, cheerful, animated environments, conducive to activity, and conviviality, such as Living and Dining Rooms!

Centripetal action, by contrast, from the Latin centrum “center” and petere “to seek, is associated with  inward direction, and can relate to contemplation and concentration. Cooler and softer colors, with less luminosity can produce a centripetal effect, which can in turn increase the ability to focus and perform demanding intellectual or visual work.  Or, relax, sleep or bathe!

Strong color contrasts will create excitement in a room,

while less contrast will feel more calming, as in “tone-on-tone” pattern.

The contrast of a dark and cool color, with a light and bright one can create animation and excitement in a space through contrast, while the colors themselves express restraint and dignity,

creating a fitting  (pun intended) mood for a sophisticated retail space.

Less color contrast, yet high warmth and luminosity, can create a contained aliveness,

“apropos”  for an entryway that is meant to be both welcoming and elegant, calming and warm.

By contrast, strong pattern and related colors can perk up even a small space,

without overpowering it, and distracting from its function!

In summary, when choosing colors for an environment, the function of that environment should be taken into consideration, and color’s ability to focus our attention inward or outward used to its full potential.  The warmth or coolness, luminosity, strength (or chromaticity) of a color, the contrasts between colors, and the use of pattern will have a significant effect on the perceived mood of any space, and thus on our ability to use that  space, and function in it to highest capacity.

Centrifugal and centripetal action and complexity is another example of the inherent power and effect of color, and how we can harness it to support and improve our lives.

Take a look around at YOUR color schemes.

Is Your Color Centrifugal or Centripetal?

If you so choose, please share about it with us here.

We Love to hear from You.

Remember, we are all trying to get centered in this thing called Life, together.

Color: Culture, Trends, and You

Color: Culture, Trends, and You

Over the summer, during our “Color Muze” segments on Artistically Speaking Talk Show,  we have focused on the Color Experience Pyramid, as outlined by color expert, Frank H. Mahnke of the International Association of Colour Consultants/Designers .

As described in the posts, “Pyramid Scheme”  and “The Embodiment of Color”, we experience color on a number of different levels, and Mr. Mahnke has developed a  ” pyramid scheme”  to organize them. This schemata looks like a  broad-based triangle, and is composed of six levels, starting at the wide base with our biological responses to a color stimulus, and ending at its pointed tip, with our personal relationship to  color.  In other words, the Pyramid levels move from the general to the specific.

Here’s to the red, white and blue…and, yellow!?

We are influenced by our cultures, and this affects how we experience and use color, and our emotional response to it.   Top 1 Oil, a company that produces and provides, you got, it, petroleum products, uses the colors of the American flag in its logo, along with sunny, optimistic, and energetic yellow.   Do we feel energetic when we view this logo?

In addition to presenting a logo and branding that encompass all three primary (red, blue, yellow) colors,  supported by white, aka, purity, this color combination reads patriotism plus.  The yellow adds brightness and warmth, relating to an image of golden oil. What a message of hopefulness, buoyancy, energy (oil = fuel,/sunlight = energy = fuel) and forward movement!

Very few of us, no matter how individual we may want to, or feel ourselves to be, can resist at least some influence of current fashions and trends. The  Color Marketing Group (CMG) mwebsite states that they are ” the premier international association for color design professionals. Our mission is to create color forecast information for professionals who design and market color. ”  There is a whole world of those forecasting the next color trend, or “color of the year”, and like it or not, they exert great influence over what we see on the runways, on the road, on our walls, and even  on our bodies.

Yet, what goes into these trends?  There must be some combination of cultural experience, current events, environmental states, and the impact of history that informs them.

Mid-Century … modern once upon a time…

As I share in my post, Featured Work: “Mid-Century Retro”:   Starburst, Atom, or Tinkertoy?,  Mid-Century Modern design style, both in its “original’ format more than a half a century ago, and in its many personalized revivals, encompasses specific colors, textures, shapes, and patterns.  These comprise a style or trend, that was fresh, “a la mode”, and au courant” at one time, and has now become retro, beloved by some, whimsical to others, fun and even intriguing to many.

Paradoxically, Mid-Century Retro and its accompanying earth tones, burnt oranges, grey and gold hues can be seen as a current trend or fashion, even though its original style is no longer fresh and new, or in the van guard.  The fact that this style is nostalgic (depending on when you were born…or, not) can, pun intended, color our emotional and aesthetic response to the palette.

Finally…to the personal..our Personal Relationship to Color….

So, why do we love what we love?

I quote Frank Mahnke, who says, “…the “color experience”, or, how we experience color, is made up of the inter-relationship and connection of all the levels of the pyramid….we, within our life and according to mood, change color preference….An expression through color…characterizes us, and gives an indication of who we are as individuals.’

Serving up some  specific Color Choices…

Bright colors on an exterior mural….what the client wants to see outside her kitchen window…

The purple sunset sky desired by a young girl for her bedroom ceiling….

Magical colors on the exterior of a building brightening the foggy weather…

Knowing the “theory”…, color theory that is, can help us make these choices, and feel as though we are on the “right”  track.

Our experience of color through nature  is direct, primal, and  visceral.  Also, most likely, backed up by theory, if we really look at it.

Nature, color and art, are they separable?  What do You think?

What is the influence of culture and trends on your personal relationship to color?

If you are so moved, please share about it with us here.  We love to hear from You.

Remember, we are all coloring in this thing called Life, together.

Cacophony to Calm…Compensating with Color

 Cacophony to Calm…Compensating with Color

Can color “theory” heal?   If healing means balancing, compensating, and otherwise enhancing the quality of a space, object, light source, or even our bodies, then I believe it can.

Our April 17, 2011 Color Muze  on Artistically Speaking Talk Show, “muzed” about how color can be used to adjust our perception of sound, or the lack of it, and thus balance or “heal” an environment through our sense of seeing, and its potential effect on our sense of hearing.  This is an aspect of the phenomenon of “Synesthesia”, or “Unity of the Senses”, as IACC-NA (International Association of Colour Consultants/Designers-North America)  lecturer, Frank H. Mahnke, terms it.  The idea being  that our perception of color can associate with our perception of another sense, such as hearing.

Warm colors (from red to yellow-green on the color wheel), associate with loudness.

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Cool colors (from green to red-violet on the color wheel) associate with quietness.

This is reflected in our language, the way we talk about our environment, or even our feelings, in terms of color. I am not sure I have ever heard anyone refer to a quiet (or cool) red, though anything is possible!  On the contrary, I remember my mother describing feelings of anger as “Seeing red.”

By comparison, people may speak of a  quieting their emotions when they enter a room in which a “cool” blue predominates.

It is interesting to view the two together…(albeit different hues and values of red and blue).

Thus if we wish to compensate for noise problems in a space, we can add more “cooling” colors such as  blues, blue greens, perhaps even a cool blue-violet. Warm to hot colors such a saturated reds, and “hot” oranges or yellows will tend to exacerbate our sense of being in a noisy environment, which can be significant in any setting where concentration is important.

To relieve a “too-quiet” or tomb-like atmosphere in a room, and add energy, warmer (and lighter) colors may be applied, such as yellow-green, golden-yellow, reds, oranges or “hot” purples (red-violets).

It is fascinating, and fun to see the sound associations the Henrich Frieling, Director of the Institute of Color Psychology assigns to a range of colors:

Red– loud, trumpet

Pink – soft, delicate

Orange – loud, major key

Brown – dark, deep minor key

Gold-Yellow – fanfare, major key

Yellow – shrill, major key

Yellow-Green – high-pitched, minor key

Green – muffled when dull, shrill when saturated

Green-Blue – soft

Blue – distant, flute to violin

Ultramarine – dark, deep, more minor key

Violet – sad, deep, minor key

Light-Purple – weak, restrained

Crimson – powerful, stately

It really begs the question…what might a musician, singer, or music therapist have to say about this?  What about Sharry Edwards, pioneer in the study of Human BioAcoustic Biology…might she have a “color link” to her work and theories on healing the body through sound?

Perhaps a subject for another post…

Have you used color to compensate for too much noise, or not enough sound in your own or other spaces? Have you felt the effect of color healing in regards to your, or your Clients’ auditory environment?  What is YOUR experience with Synesthesia, in regards to the relationship of sight to sound, the visual to the audible?

If you feel so inspired, please share your insights with us here.  We love to hear from you.

Remember, we are all seeking the balance in this thing called Life, together.

Here’s wishing you healing wherever you need it most, in your Life right here, right now.  Cheers!

Synesthesia: Sense and Sensibility Part Two

Synesthesia: Sense and Sensibility Part Two

Our February 13th “Color Muze” segment on Artistically Speaking Talk Show, focused on the fascinating concept and phenomenon of “Synesthesia”, or “Unity of the Senses. I learned about Synesthesia through my color seminars at the IACC-NA (The International Association of Colour Consultants and Designers North America) from Mr. Frank Mahnke, President of the  IACC-NA and the Director of the IACC Education/Accreditation Programs conducted worldwide. Mr. Mahnke lectures on the  psycho-physiological effects of color, light and the human reaction to the built environment, as well as the role of color as information and communication in the field of marketing.  In other words… Color Rocks the Big One…our Perception.

In my first Seminar with the IACC-NA, I learned about how colors (the visual) can provoke associations with our other senses, (smell, touch/the tactile, hearing and taste), as well as affect our perception of weight, volume, size and texture.  In the words of Mr. Mahnke , “It seems that the centers for processing sensory information are linked with each other, leading to crosstalk between the senses.” If this is true, and it would seem from the evidence of our senses that it is, then the concept of Synesthesia is an important consideration in any and every color decision we make, with potentially profound consequences emotionally, physically, aesthetically, and even spiritually.   How does our perception of Color make us Feel?

We tend to talk about color in terms of the visual; “Oh, that red bedroom is so bright!”, or “That’s a very pale shade of lilac.” But, if we tune into our own phraseology, we may just as often hear ourselves speaking about color in terms of our other four senses, the auditory, (hearing), olfactory, (smell),  gustatory, (taste), and the tactile (touch).  “Oh, that red is just so loud!” “What a sour green!”, “Such a sweet pink room!“, “I love that soft blue.”

Let’s awaken all our senses by taking a closer look, and tuning into what we feel, and how we respond to color.

What do colors sound like?

Warm colors such as yellows and oranges tend to feel loud to us, and can potentially make a space feel “noisy”.  According toHeinrich Frieling, Director of the Institute of Color Psychology, we associate gold-yellow with major keys, and orange with loudness and major keys. Cooler colors such as blue on the other hand, tend to feel quieter and more distant, with darker-hued spaces seeming to  further muffle sounds.

What do colors feel like?

What texture does a particular color “feel” like it has?  It’s not surprising that yellow tends to “feel” smooth. When we consider yellow’s associations, this makes sense.  Have we ever felt a ray of rough or scratchy sunlight?  Looking at yellow’s opposite or complement, purple, we can get a sense of velvet.  Would this have anything to do with our association of purple with royalty, and the images of purple velvet which we may associate with royal robes?

What do colors smell like?

The  chroma, saturation, lightness, and brightness of a particular color  can affect its sensory associations. Under Frieling, the Institute of Color Psychology has asserted that the color brown is associated with a musky, or roast taste.  We may even use the word “browning” in lieu of the word “roasting”, or to describe part of the roasting process.  However, green-blue may elicit fresh to salty associations, while the hue “blue” is essentially odorless. Add to this the nature associations we have to brown in all its aspects (think “earthy”), green-blue (sea) and just “blue” (sky), and the sensory meanings can become clear. Different blue and brown combinations will give different effects, making us think with our noses, as well as our eyes.

What do colors Taste like?

Taste and smell are closely related, and tend to hold the same or similar color associations. Red is sweet and strong, as long as it contains no yellow, and doesn’t cross over into the realm of orange, which may not be so sweet, despite our associations with the fruit.  Perhaps the holiday of Valentine’s Day has played upon this “red as sweet” association, with its emphasis on red-wrapped boxes of chocolate, and other sweets.  I would add the term “rich” into the mix, my association with Valentine’s Day chocolate, if its worth its salt- er, sugar.  Green, and yellow-green by contrast (red and green being complementary colors, and opposite each other on the color wheel) associate with sour, with yellow-green veering to the tangy, and green, to the juicy.  Consider green apples, kiwis, limes, fried green tomatoes (well, maybe not fried…tomatoes ARE fruits though!)  Green to yellow-green hues can make our mouths water and our lips pucker just by thinking about them!

Thinking about it.  In a way, that is the point.. isn’t it?  Because, as we know, as scientists, colorists, designers and artists know, however subliminally, that color IS a matter of perception.  Color exists in our brains. As Frank Mahnke says, “There is no doubt that a unity exists from one sense to another.  Perception is not just a mosaic of separate sense stimulations.  In certain aspects of psychology…the entire organism is looked upon as a whole.”

All of our senses play into the impressions we receive, the internal images we carry, and the ideas we form. resulting in how we feel.  How we feel affects how we behave, and vice versa. When we understand, or perceive of color that way, we realize how amazingly,  incredibly important and powerful  it is.  Color really does Rocks the Big One…our Perception. And as some would say, “perception is reality”.  What do You think?

If you feel so inspired, share YOUR sense and sensibility with us here.  We love to hear from you.  Remember, we are all experiencing this thing called Life, together.

Newsflash: for another yummy look at the phenomenon of Synesthesia, please check out Elizabeth Brown’s Colorific blog post on the same subject.

Color Muze Quarterly: Our View on Hue II

Color Muze Quarterly: Our View on Hue II

This post is based on an article written for  Cre8tive Compass Magazine, published 01/2011.

“Color Muze” is a five-minute segment on Artistically Speaking, a popular talk show on blog talk radio which airs at 6:30pm EST, most Sundays.   Color Muze comes on the show each third Sunday (mostly) at 7:15-ish EST.  Please join us for Color Muze Hues, News and Views, on Artistically Speaking Blog Talk Radio.  The good news is, you can hear the shows on your computer…anytime!

And now…let the COLOR begin!

Here is a round-up of some of our favorite Color Muze tips and tidbits from September, October and November of 2010 on Artistically Speaking.

Spearheaded by Rebecca E. Parsons, creative entrepreneur extraordinaire, and master decorative artist, Lyna Farkas,  Artistically Speaking has undergone some transformations in the New Year, and we are excited about what 2011 has in store for its listeners, and the readers of Cre8tive Compass Magazine.

In the future, we look forward to enhancing our Color Muze offerings with a variety of Color-Full articles to enrich your know-how, experience and practice of color. We look forward to continued “Muzing” with you about the fascinating, and ever-unfolding world of Color!

In September, we continued our discussion of The Color Wheel with a focus on complementary colors, and their relationship to each other.  The complements are sets of colors opposite each other on the color wheel, and comprised of one primary color (red, blue, yellow), and one secondary color (secondary colors result from the mixing of two primaries: purple, green and orange). Note: we are talking about pigment-based color mixing in this article.

The primary hues of red, yellow and blue set each other off when juxtaposed, as in the layered look created by these three rooms. The red room opens to the blue, which opens to the yellow (gold), creating an intense, saturated effect.

Likewise, when sets of complements, (opposite each other on the color wheel), are placed next to each other, or overlaid without transparency, they will enhance each other. Try using sets of complements in a room, on a canvass, or in a garden planting, and watch each color take on new life!

Yellow ~ Purple

Red ~ Green

Blue ~ Orange

Even when sets of complements are toned down, or made less bright,  they will set each other off when placed next to each other.

In fact, one way to subdue, “neutralize”, or gray down a color is to add some of its complement to it, thus lowering its level of intensity and saturation.

On the ceiling below, a semi-transparent rusty-orange-is layered over complement cerulean blue, subduing the intensity of the blue in areas. The coppery-orange of the stencil design is more opaque (paint, as opposed the more sheer glaze medium), thus mixes less with the blue below it, and stands out in greater contrast to its blue background.

Color can have a tremendous effect on our psychology, and emotional lives. In October we talked about how painting a kitchen’s dark, light-absorbing wood a golden-ochre color changed the life of its inhabitant.  A testament to the power of color, the homeowner declared, “The final outcome of the project was transformational. What had been a dark and brooding kitchen area became a light and inviting space that perfectly wove into the accent colors already in place. The end product created a welcoming environment.”

Illustrating the symbiotic relationship of light and color, we discussed how color on a ceiling can look very different then the same hue on a wall, depending on how the light hits and is absorbed by each surface. This concept is discussed beautifully in the book Color and Light: Luminous Atmospheres for Painted Rooms., by artists and colorists Donald Kauffman and Taffy Dahl.

Although in many places, November is a bit too cold to do exterior projects, during Thanksgiving month we shared about how to deal with choosing colors for exterior surfaces that are constantly shifting hue in the changing light outdoors.

One way is to observe the surface you are trying to match, or work with, such as a patio’s expanse of multi-colored Mexican tile, determine which color stands out as the most dominant, and base your treatment on that hue. We shared, and laughed about, a helpful simple trick when doing this: if you wear glasses, take them off!  You may find that you can see the fields or areas of colors you are trying to work with more clearly, without the distraction of “clear” vision! (And, make sure you aren’t wearing your sunglasses when observing, planning, and choosing colors for your project!)

We chatted a bit about the challenges of changing paint formulas, as Benjamin Moore and other vendors create a whole new set of more environmentally friendly color specs that don’t necessarily exactly match the old!

Anyone specifying color will be affected by this, and though we all appreciate our vendor’s attempts to “green” their products, we caution you to be prepared for some confusion in the interim, and apprise your Clients accordingly!  I have been told that the old Benjamin Moore color specs will continue to be sold while supplies last…then it’s out with the old, and in with the new!

Remember, any change, even the most exciting and positive, can create a bit of stress, as our senses, hearts, minds and souls take their own time to make the necessary adjustments.

Finally, we completed our discussion with a toe dip into the intriguing concept of Synethesia, or “Unity of the Senses”.   As states Frank L. Mahnke, President of the International Association of Colour Consultants/Designers, “Colors may evoke associations with odor and taste, appear heavy or light, give tactile impressions, be associated with sound, have volume, and temperature associations.”

We look forward to delving deeper into this fascinating material in further Color Muze segments!

What a luscious, luminous world we have as finishers, decorative painters, muralists, artists, artisans and humans, to explore! Please join our Color Muze on Artistically Speaking Talk Show, and Cre8tive Compass Magazine, “where we honor your passion, and your vision, in this community we are co-creating”

What Color-Full journeys have YOU taken lately?

If you feel so inspired, share them with us here.  We love to hear from you.  Remember, we are all journeying though this thing called Life, together.