And A Ribbon Ran Through It 3

And A Ribbon Ran Through It 3

“The Orange”

WEB1Pages created of  single folded sheets called “bifolia“.

WEB2Meditative pose..

WEB3Folded arms.

WEB4Ribbon slipped under stitches.

WEB5Each bifolium stitched to spine, and covers and spine stitched to felt, which hinged covers to spine and allows book to open.

WEB6Covers are textured with crumpled repurposed tissue that once separated metallic leaves, and Mod Podge.

WEB7Layered textures, patterns and colors. Ribbon used as a visual accent inside as well.

WEB8Ribbon “gesture” changes the look and feel of the piece.  Above, serious, sober, quiet.

WEB9Here, flirty…coquettish…ready for anything!

WEB90Ribbons folded into interior, slipped under inside stitch.

WEB91Gold leaf…shock top…juxtaposed verbiage creates text tension.

“Unfolding”

WEB1Old World Art” metallic leaf packing repurposed into folded pages stitched together like multiple signatures.

WEB2The orange of the repurposed tissue and strips of ribbon sang together.

WEB3Pages unfold and create sculptural spaces.

WEB4Flattened…

WEB5Bound back…open spine.

WEB6The ribbon eventually was adhered…the color was fun to play with.

“Open Book 1”

WEBc“Arms outstretched”…

WEBdPolka dots…

WEBeAnd more polka dots…

“Open Book 2”

WEBhInside

WEBijpgOutside

WEBjjpgDots in a row…

And a Robbin Ran Through It.

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A Taste For Texture I

A Taste For Texture I

I have a passion for texture…don’t you?  Ideally texture you can actually touch and feel, but visual texture too. Texture, the quality of the tactile, “HAPTIC“…these inspired this body of work.

Why do we have a craving for the tactile? It must be primal…the sense of touch that nurtured, warned, indicated and comforted as we evolved through our lives, and the eons.

WEBa“Singed Pages”, Front cover. Repurposed journal, tissue paper and adhesive used to create the texture, transformed with layers of paint and varnish, metal fleur-de-lis, gold thread for binding.

WEBd“Burnt Edges”, Interior / text block. Paper pages singed, bound as a single signature with gold thread.

WEB1“Mariposa Series 1”, Front cover,  Found board, tissue paper and adhesive used to create the texture, transformed with layers of paint and varnish,gold string, metal butterfly sewn with gold thread.

WEB2“Mariposa Series 1”, Interior / text block. Butterfly punched shapes, pastel paper pages bound as multiple, connected signatures with gold thread.

WEB1“Mariposa Series 2”, Front cover. Repurposed board, tissue paper and adhesive used to create the texture, ribbon, transformed with layers of paint and varnish, metal butterfly sewn with gold thread.

WEB2“Mariposa Series 2”, Interior / text block. Unfolding pages created from gold leaf packing, butterfly punched shapes, open spine, multiple signature binding, hemp cord.

WEBb“Mariposa Series 3”, Back cover. Repurposed journal, tissue paper and adhesive used to create the texture, transformed with layers of paint and varnish, metal butterfly sewn with gold thread, multiple signature binding sewn with gold thread.

WEBc“Mariposa Series 3”, Interior/ text block. Butterfly punched shapes, rice-style paper pages cut into repeated butterfly shapes,  bound in  multiple signatures with gold thread.

WEBh“Mariposa Series 3”, “Spinal view” with front and back covers. Multiple signatures with gold thread.

WEB2“RedJewel”, Front cover.  Repurposed journal, tissue paper and adhesive used to create the texture, transformed with layers of paint and varnish, Antique button and multiple signatures sewn with gold thread.

WEB4“RedJewel”. Interior / text block.  Rice-style paper pages cut into repeated heart shapes, bound in  multiple signatures with gold thread.

WEB1Prepping repurposed journals, using torn, crumpled tissue paper adhered with layers of adhesive to create texture.

WEB2Slowly re-purposing gutted journals, adhering pieces of torn tissue paper over the surfaces of the inside covers, revealing fragments of writing beneath.

This work, with all of its patient processes, is a labor of love.

It has to be!

 

Painted Pages: Reading Color I

Painted Pages: Reading Color I

Denim, acrylic paint, hemp cord, board.

Multiple signature binding, each signature composed of a single bifolium.

Cover imagery created by students unloading their paint brushes on to the denim surface, at the end of a class where they painted their own canvas book covers. The resulting painting was ‘captured”, adhered to boards, and used as the collaborative cover of this book.

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And a river ran through it. The End.

For now…

MemoryMaking Books

MemoryMaking Books

In celebration of the 125th Anniversary of the Santa Monica Public Library, I had the opportunity to lead a bookmaking program at the  Montana Avenue Library, my home branch of the SMPL

“Making Memory Books” was requested… a single signature style book, embellished with fabric.

WEBaLeather, denim, beads, as well as decorative papers and fabric scrap were some of the goodies laid out for participants to use.

WEBcThe signatures were already prepared, with holes punched. Once bound with the three-hole pamphlet stitch, the first and last pages were glued to the inside of the front and back covers, and the book was formed.

WEBiThen, the fun could really begin!  let the embellishment commence!

WEBkPaper, “eco-fi” felt, cloth, lace and leather transformed the book structures into unique works of art.

WEBdUpon request, a square shape was used, instead of the more common vertical  rectangle.

WEBeA mother daughter duo enjoyed adorning their book covers with butterflies.

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WEBfIs this a pink planet, surrounded by butteries?

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WEB2The inspiration for the project was a series of fabric covered sewn book models,

WEB8with cloth pieces applied patchwork style.

WEB1The colors, patterns, shapes and tactile quality of cloth and textiles can evoke powerful memories.

WEB2The effect can be pleasing visually, as well as tracing remnants of life stories barely remembered but held in the body, memory and emotions through the sense of touch.

These books, that may hold memories barely discernible to the maker, can now become the repository of new memories, as scrapbooks, photo albums, journals, or sketchbooks.

What a beautiful gift.

Happy Holidays, and peace and blessings for the New Year.

PaintedPages2: The Painted Book

PaintedPages2: The Painted Book

Painting on denim, reading color, the ties that bind, the vocabulary of color. 

These are themes that come to mind when creating “painted books”.

WEBeA multiple signature book, bound with hemp cord, covers of board covered with painted denim,  pages made of painted denim bifolios.

WEBaOne piece covers front and back covers, and spine piece.  Creating a book with a painting..

WEBdEdges left raw.

WEBlInside front cover is unpainted denim, overlaid with painted piece.

WEBb    The acrylic painting gives the pages a satisfying heft…WEBcThe content is color…

WEBnand texture.

WEBkAnd a river runs through it…when do the elements of shape, texture and color come together to create an image that would be interpreted by the viewer as in generally the same way?

When does a collection of elements become a “thing”?

The French Connection or How I Learned to Love to Link 2

The French Connection or How I Learned to Love to Link 2

Books made for children, featuring the “French Link” stitch

WEB1   I continue to play with the “French Link” stitch I recently learned. The best way to learn and skill is to do…so inspired by some special upcoming birthdays, I went to town with color, ribbons, and, of course, the “x” -like French link stitch!

WEB5Using “Eco-fi” felt (made of recycled plastic bottles, no less) in brilliant colors. The pink and green pop, in complimentary fashion. I hope the heart is seen as coming together, not breaking apart. This book was made for an eight year old girl!

WEB4The French link stitch over ribbons, using hemp cord.The knotting below and above the French linking gives the effect of a chain stitch, though each knot is independent of the others.

WEB1The flowing ribbons are folded in half, the loop pushed through a slit in the cover, and the ends then pulled tight through the loop.

WEB4The theme here is outer space, based on the ribbons, hopefully the polka dots elicit the feeling of planets roiling about in space. The red and black color scheme is meant to be positive,  powerful and masculine, with a bit of white to soften the effect.

WEB2The shape of the ribbon ends brings a sense of flags and heraldry to the piece, while the imagery on the ribbons remains playful.  This book was created for a six year old boy (after all!), who is fascinated with space.

WEB1   Designed for a spirited three year old girl, this book sports pink, purple. polka dots, and pastels. It’s green ties are made from shiny cord, knotted at each end.

WEB5The connecting ribbons are woven through two slits on both covers, with the end of each folded under and glued down. The polk-dotted ribbon glued to the page is the same colors, but a different scale then the connectors. it is fun to play with scale!

WEB4The extra slits for the ribbon create a pattern, and add an extra bit of zip to the cover design.

This work isn’t only pure love, it is sheer delight and great fun. Of course there are challenges and ups and down in the process, but the result is arresting and gratifying to the soul. Link On!

Books: unZIPPED

Books: unZIPPED

It can be fascinating, fun…and sometimes startling  to add elements to books that compel, or at least encourage engagement by giving the viewer, or, “handler”, (peruser?)  something to do. Books by their nature are most often opened and closed…but in what other ways can they move, or be moved?

WEB4WEB5This humble structure is informed by the Japanese concept of “Wabi-sabi“, an aesthetic of imperfection, impermanence, and even incompleteness. Repurposed cloth is sewn to thin, repurposed cardboard with jute cord, with other strips glued on inside. Repurposed paper passed to me by a colleague is sewn with jute to the cardboard spine in a single signature with a five-hole pamphlet stitch, to create the pages.

WEBcWEBhWEBnInspired by the cheesecake box from which it’s covers and spine are made, this piece was covered first in hand-me-down newsprint strips, then repurposed muslin fragments, then appliquéd (in the strict sense of the term) with repurposed lace and a zipper. It’s pages are five single folded sheet signatures, or bifolium , sewn to the spine with unwaxed linen thread.

WEB2WEB1This multiple signature (technically “section“) book is made from repurposed cardboard, acid-free drawing paper, hemp cord, a zipper, and Eco-fi felt. The signatures technically bifolium, are sewn onto a strip of the “felt”, which is then centered and glued over the spine. The book is covered, or “wrapped” in Eco-fi felt, which is used to decorative effect, and gives it a “cozy” feel. The zipper is glued to the spine.

web1web3This book is constructed in the same way as the one above, except that the pages are created from a  single signature, and three zippers are applied, making sound effects when engaged.

Participation encouraged. Books are made to interact with.