The Sheltering Book Chapter 5

The Sheltering Book Chapter 5

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I am honored to have been one of 17 artists who received an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University, to create, “The Sheltering Book“.

web2hOpen to the world.

The Sheltering Book will be a life-sized book structure which will become the backdrop for community bookmaking workshops drawing parallels between the meaning and architecture of the book, and that of the Sukkah. The project also explores the relationship between the public sphere and private space, whether that space be our personal creativity, where we create, or what we create.”Debra Disman

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A “Sheltering Book” program was held at the , of the Santa Monica Public Library. The program was attended by participants from preschool to post school who created books,  and shared them in the shelter of The Sheltering Book.

webaThis kind patron helped Montana Branch Library Manager Stephanie Archer and I carry The Sheltering Book into the Community Room.

web9Covers and pages were prepped, and participants bound them together into a single signature book which they then added to with writing, drawing and collage materials.

webgA whole wonderful family of three generations…grandma, mom, and four fantastic, talented and creative daughters!

webbwebiReveling in materials.

webcCreative use of papert strips too create waving grasses, behind which cat’s eyes glimmer…

webtSharing with little sis looking on…

webewebkUse of magazine images.

webhShe has a beautiful sense of design.

webdGrandma gets into the act!

weblwebpCreating with Grandma…pretty in Pink!

webrSharing…

webmA children’s book illustrator…

webushares her creation…lovely color choices!

webnThis wonderful teaching artist claimed the time to create a piece about her own identity…

webvemploying buttons, collage, mixed media,

webv2to great effect…  webv4and sharing.

webxBeautiful use of leaves…

webx1outside,

webx3

webx4and inside, her book!

weby_1She strolled into the Community Room during a break, and jumped right in!

  weby_4A natural presenter!

levyweb6-jpgThis lovely couple go right into the expressive spirit…

levyweb2-jpgcreating about music,

levyweb3-jpgand other visions.

levyweb1b-jpgPhotogenic too!

This maker truly committed…

weby1using inspiration from the natural

weby2and the man-made worlds…

weby4and fully developing ideas

weby3within her book.

weby5Sharing…


webzThis spirited artist used to be a casting agent…

webz1and she has truly found a new medium within which to epxress herself…and vision.

The Sheltering Book becomes a synergistic process and experience for the community at-large, offering shelter, safe space, and creative inspiration for all who engage with it. 

Let us hold the vision!

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The Sheltering Book Chapter 4

The Sheltering Book Chapter 4

I am honored to have been one of 17 artists who received an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University, to create, “The Sheltering Book“.

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The Sheltering Book will be a life-sized book structure which will become the backdrop for community bookmaking workshops drawing parallels between the meaning and architecture of the book, and that of the Sukkah. The project also explores the relationship between the public sphere and private space, whether that space be our personal creativity, where we create, or what we create.”Debra Disman

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A “Sheltering Book” workshop was held at 430 Pico in Santa Monica, a building owned by the Community Corporation of Santa Monica (CCSM), who rents out apartments to families and others, and provides a range of programming to them. Our workshop was part of that programming, and was attended by families with children from preschool to high school. A group of volunteers provided a lovely buffet and supported the participants, who created books,  and shared them in the shelter of The Sheltering Book.

web9Covers and pages were prepped, and participants bound them together into a single signature book which they then added to with writing, drawing and collage materials!

web3I taught the pamphlet stitch, but this young maker jumped right in, and wrote his book before it was bound!

web4Working with images cut from magazines…

webgAdding letters to create words…

webbDeveloping the interior…

webhCreating meaning…

webmUsing the drawing materials…

webaweba2A future “Women in the Arts”…

webnSharing our books in the shelter of The Sheltering Book.

websRoom for creative work here!

webvHe worked long and hard with a devoted volunteer to spell out his name in letters culled from magazines.

web7Celebration! Showing our books within the pages and open “walls” of The Sheltering Book”…supported within its loving “arms”.

The participants become the content and the characters of The Sheltering Book. Through their presence and their creations they people its pages, add meaning to its presence, and add life to its structure.Their story becomes its story, and vice versa.

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The Sheltering Book becomes a synergistic process and experience for the community at-large, offering shelter, safe space, and creative inspiration for all who engage with it. 

Let us hold the vision!

The Sheltering Book Chapter 3

The Sheltering Book Chapter 3

I am honored to have been one of 17 artists who received an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University, to create, “The Sheltering Book“.

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The Sheltering Book will be a life-sized book structure which will become the backdrop for community bookmaking workshops drawing parallels between the meaning and architecture of the book, and that of the Sukkah. The project also explores the relationship between the public sphere and private space, whether that space be our personal creativity, where we create, or what we create.”Debra Disman

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The WORD Grant, a project of American Jewish University’s Institute for Jewish Creativity, supports artists creating projects that explore Jewish ideas, themes, tradition, history, and identity. We believe in supporting a contemporary, vibrant, Jewish cultural landscape in Los Angeles.”  —The Institute for Jewish Creativity

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Made of corrugated cardboard, primed, base-painted, and treated with layers of transparent color, the Sheltering Book becomes a Sukkah With the addition of dyed netting stenciled with ferns, the “s’chach“, roof of the Sukkah.

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web2The Sheltering Book at The Braid Theatre Gallery, Home of the Jewish Women’s Theatre

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   Our first community bookmaking workshop was held at the lovely Braid Theatre Gallery.

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The Sheltering Book onstage, becomes a theatrical backdrop, a set, and a theater in and of itself, as participants create their books nearby,

web8using brilliant and beautiful materials.

web10aMother and daughter work side by side.

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web12Participants focus on”building”, then developing their flag books.

web13Documenting while doing.

web14web14aPutting together word and image,

web17color,

web19text and texture,

web16web20 themes.

web15and adding titles.

web24   Then we shared….in the safety of The Sheltering Book.

web22web25a web26a web27web31Was it a fluke that black was the predominant clothing color that day? Creating a striking contrast between Book and Bookmaker.

web21Glorious…and sublime.

…to be continued…

The Sheltering Book Chapter 2

The Sheltering Book Chapter 2

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I am honored to have been one of 17 artists who received an inaugural ‘The WORD Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University.

web1The Sheltering Book at The Braid Theatre Gallery, Home of the Jewish Women’s Theatre

The WORD Grant, a project of American Jewish University’s Institute for Jewish Creativity, supports artists creating projects that explore Jewish ideas, themes, tradition, history, and identity. We believe in supporting a contemporary, vibrant, Jewish cultural landscape in Los Angeles.”  —The Institute for Jewish Creativity

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For my project, “The Sheltering Book“, I constructed a “life-sized” book, to become the backdrop and inspiration point for bookmaking workshops! The book also draws parallels to the “Sukkah”, a small temporary  shelter used in ancient times for those harvesting to eat and sleep in during harvest season (part of the Jewish holiday of Sukkot which falls in October).

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Please join us this coming Saturday at The Montana Branch Library to make books and explore The Sheltering Book in community!

Saturday October 22nd 10 AM – 1 PM  The Montana Branch Library/Santa Monica Public Library  1704 Montana Avenue, Santa Monica, CA 90403

I will also be there with The Sheltering Book from 2 – 5 PM that afternoon for more exploration, bookmaking and sharing!

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The Sheltering Book Chapter 1

The Sheltering Book Chapter 1

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I am honored to have been one of 17 artists who received an inaugural ‘Word Grant 2016: The Bruce Geller Memorial Prize” from the Institute for Jewish Creativity, a project of American Jewish University.

The WORD Grant, a project of American Jewish University’s Institute for Jewish Creativity, supports artists creating projects that explore Jewish ideas, themes, tradition, history, and identity. We believe in supporting a contemporary, vibrant, Jewish cultural landscape in Los Angeles.”  —The Institute for Jewish Creativity

For my project, “The Sheltering Book“, I am constructing a “life-sized” book, to become the backdrop and inspiration point for bookmaking workshops! The book also draws parallels to the “Sukkah”, a small temporary  shelter used in ancient times for those harvesting to eat and sleep in during harvest season (part of the Jewish holiday of Sukkot which falls in October).

Here is The Sheltering Book in process in the studio:

web3The book is made of corrugated cardboard, primed, base-painted and layered with paint washed, a paint effect, or decorative painting technique. Here boards are waiting to be painted, while the accordion spine

web2is readied to receive its wash treatment on the work table.

web4The base colors are Fine Paints of Europe primary colors, the paint version of the Pantone Color System.

web6Accordion spine made in two parts, with overlapped center.  Extra pieces added to the top to add height.

web24Because the spine was made of moving boxes, there were slits cut on either end. The end that became the bottom of the book was folded over and glued to create extra strength. (Not pictured here.)

web26 The slits and resulting gaps in the top were covered with board prepared in the same manner as the primed, painted and treated surface. The diamonds cover the last bit of gap, and became a design element.

web5Cover board before border added.

web9Cover boards with borders, glued and stitched to accordion spine.

web10Stitching cover board to spine. Interior view.

web8Cover board attached to inside of spine. Left side exterior  view.

web23Cover board stitching. Right side exterior view.

web14Left side pages glued to spine.

web20 Ready to glue left side pages.

web19Harvest colors: red-russet  covers, golden-yellow pages (complimentary purple on reverse- not pictured.)

web28The process: holes punched with awl, spaced with handmade cardboard template. Sewn with 48lb / 21.7kg natural hemp cord.

Please join us for one of the public bookmaking workshops!
  • Sunday October 16th 10 AM – 12:30 PM   The Braid Theater Gallery, Home of the Jewish Women’s Theater / 2912 Colorado Ave #102 Santa Monica, CA 90404
  • Thursday October 20th 7 – 9 PM, 430 Pico Boulevard, Santa Monica, CA 90405, A  Community Corporation of Santa Monica (CCSM) Affordable Housing Bldg. (This one is just for building residents and CCSM Staff).
  • Saturday October 22nd 10 AM – 1 PM  The Montana Branch Library/Santa Monica Public Library  1704 Montana Avenue, Santa Monica, CA 90403 I will also be there with The Sheltering Book from 2 – 5 PM that afternoon!                                        

 
                                      
                                        

Material World (4)

Material World (4)

One of the pleasures and deep satisfactions of bookmaking is delving into the visual, visceral, and tactile pleasures of materials.  Though many artists do not make the kind of money that allows for indulgence in what might be termed, “material pleasures”, we may be seen as materialistic…for materials are the very warp and weft of our trade.  We can find our way to the ineffable through immersion in the materials and techniques we choose to create with. Here I share some of my own investigation into the qualities inherent in materials that create texture. Though I am a visual artist, I find the sense of touch as powerful as that of sight, and am fascinated with how the two work together.


web1“A Stitch in Time Saves 9”, Flag Book, Title stitched onto flags, covers textured with crumpled tissue paper and adhesive, collage and repurposed beads stitched onto cover.

WEBaTextured Fan, covers covered with textured, painted and glazed paper, accordion spine made of repurposed Neutra VDL House brochure

WEB4“Brown Paper Bag”, Covers textured with crushed plain brown paper and brown paper bags, bound with hemp cord.

WEB4PaperPaintPlant, single signature binding, using paper containing plant material.

WEBcTeapot Book, Japanese Side Stab binding using thick highly textured handmade paper for covers, and drawing paper for pages, teapot rubber-stamped.

Synesthesia” isa rare neurological condition in which two or more of the senses entwine.”

The sense of sight and the sense of touch. How can we separate the two?  Does something feel like what it looks like, or does it look like what it feels like? Powerful questions for anyone working in the visual, or any realm of communication and expression.  Powerful stuff.

Material World (3)

Material World (3)

One of the pleasures and deep satisfactions of bookmaking is delving into the visual, visceral, and tactile pleasures of materials, and how to employ and combine them. The following shares one step of my journey exploring and investigating the qualities inherent in specific materials.   Though many artists do not make the kind of money that allows for indulgence in what might be termed “material pleasures”, we can be seen as materialistic… for materials are the very warp and weft of our trade.  We find our way to the ineffable through the use and exploitation of the materials we choose to create from.

The following books are created from basic but sturdy  cardboard, the kind that drawing pads are attached to, wrapped with a felt that is made from recycled plastic bottles. That aspect alone would lend these pieces a feel-good quality, but the fact that they become warm, fuzzy and strongly tactile books for some reason is currently irresistible to me. Playing with the single signature bound book form in this way has been pure joy. All the books employ the pamphlet stitch.

WEB1WEB2WEB3WointerSuite: Gray

This is a multi-signature (gathering of folded pages) book structure, even though each signature is composed of a single folded page, stitched separately to a piece of felt that was then glued to the whole inside surface of the book. The pages are high quality drawing paper  designed for pastels.


WEB1WEB2WinterSuite: BlueBlack

This piece is also a multi-signature structure, each signature composed of a single folded sheet, stitched separately to a strip of felt that was then glued to the spine. Two other cerulean blue sheets of felt were then glued to the inside surfaces of both covers. The pages are also pastel drawing paper, of a different sort. Yes, that is a working zipper on the spine. “Unzipped“?  “All Zipped Up“?

WEB1WEB2WEB3 WEB4WinterSuite: BabyPink

Fascinated by the use of Eco-fi felt, I wanted to see how felt pages would look and feel, and so bound this “BabyPink” book.   It’s 6 pages are created from a single signature of 3 folded felt pieces, stitched to a strip of felt that was then glued to the spine. A piece of off-white felt was  glued to the inside surface of each covers. The corners that were cut off the felt “wrapper” and other felt fragments were used for embellishment, in an effort to use the felt to its fullest. In this way, such activity becomes piece / peace work.

 There is something primal about doing this… primal as regards to materials, and creating the basic form of covers, spine and pages.  Even when open, the book remains  mysterious and primordial form in feeling. It seems to start at the very beginning…

Material World (2)

Material World (2)

One of the pleasures and deep satisfactions of bookmaking, is delving into the visual, visceral, and tactile pleasures of materials, and how to employ and combine them. The following shares one step of my journey exploring and investigating the qualities inherent in materials.   Though many artists do not make the kind of money that allows for indulgence in what might be termed, “material pleasures”, we may be seen as materialistic…for materials are the very warp and weft of our trade.  We find our way to the ineffable through the use and exploitation of the materials we choose.

WEBaFront view…closed and tied.

WEBbPeeking open, ribbons wafting

WEBcAn open book…

WEBdSeen from behind

Single signature binding with wrapped covers, collage, patterned paper from scrapbook pads, drawing paper, recycled shirt-weight cardboard covers, binding sewn with hemp cord, ribbon. Ribbon inserted through book, between cover board and wrapping and over spine.

Artists Books, The Book Arts, Bookbinding, Bookmaking, The Making of Books, however you want to put it, is fertile ground for this exploration/exploitation.  In this sense, we are turning even our language on its proverbial head. For what might be seen as negative, such as materialism (being “materialistic”) and exploitation (making use of and benefiting from resources) becomes an act of creativity, imagination and exploration through this transformative  process.  Which becomes ultimately, an act of expression.

Material World (1)

Material World (1)

One of the pleasures and deep satisfactions of bookmaking, is delving into the visual, visceral, and tactile pleasures of materials, and how to employ and combine them. The following shares one step of my journey exploring and investigating the qualities inherent in materials.   Though many artists do not make the kind of money that allows for indulgence in what might be termed, “material pleasures”, we may be seen as materialistic…for materials are the very warp and weft of our trade.  We find our way to the ineffable through the use and exploitation of the materials we choose.

WEB3Three Books in Bows…all dressed up and  ready to go. An exploration of textiles, papers, ribbons, beads, shells, repurposed materials,  collage, hemp cord, jute, nylon and bindings. Textures created with tissue and brown wrapping paper and adhesive, layering of transparent material over collaged two-color cover, and stitching. Detail added with recycled and found beads, a treasured shell, and gauzy, glittery, patterned and woven ribbon.

WEB1Two Friends…My own version of an “art pauvre”, …a simple structure of humble, repurposed materials existing quietly in the world. Single signature binding of recycled graph paper pages, using jute cord, covers and spine made of recycled cardboard, covered with scraps of recycled cloth. Repurposed ornament stitched to front cover with hemp cord. The pleasures and mysteries of the seemingly mundane and everyday.

WEB5Unzipped…so named because there is a zipper stitched to the front cover…(to be depicted at a future time if a good picture can be made of it.) Another example of my expression of “art pauvre”.  Single signature book with pages made from recycled paper,  covers and spine made of recycled cardboard, covered with repurposed cloth. Jute cord used for binding, and to attach exterior cloth to covers. Interior cloth strips/insets glued on.

WEBiWEBjZebra BookSingle signature binding with wrapped covers, patterned paper from scrapbook pads, recycled shirt-weigh cardboard covers, folded card stock weight spine, patterned gauze ribbon, embroidery thread used for sewing. Ribbon inserted through book, between cover board and wrapping.

WEBmWEBpLace 2… Single signature binding with wrapped covers, collage, patterned paper from scrapbook pads, drawing paper, recycled shirt-weight cardboard covers, binding sewn with hemp cord, ribbon. Ribbon inserted through book, between cover board and wrapping and over spine.

WEBfWEBgWEBhLos Angeles, California, Single signature binding with wrapped covers, collage, maps printed on multipurpose paper, patterned paper from scrapbook pads, drawing paper, recycled shirt-weight cardboard covers, binding sewn with hemp cord, ribbon. Ribbon inserted through book, between cover board and wrapping and over spine.

Artists Books, The Book Arts, Bookbinding, Bookmaking, The Making of Books, however you want to put it, is fertile ground for this exploration/exploitation.  In this sense, we are turning even our language on its proverbial head. For what might be seen as negative, such as materialism (being “materialistic”) and exploitation (making use of and benefiting from resources) becomes an act of creativity, imagination and exploration through this transformative  process.  Which becomes ultimately, an act of expression.