Happy Birthday SMPL

Happy Birthday SMPL

December 2015 marked the 125th Anniversary of the Santa Monica Public Library. The Library celebrated from November 2015 through January 2016 with programs and special events that “honor the library’s position as a connecting point – bridging the past to the future, bringing community members together, and plugging library patrons into the resources they need to read, connect, relax and learn.”

I was honored to lead a bookmaking program for families and folks of all ages on Saturday, January 12th.

Sat, Jan 9

Make a Fan-Style Memory Book Saturday, January 9, 2016 at 11:00 am Main Library, Youth Activity Room, 601 Santa Monica Boulevard For families with children and adults. Commemorate the library’s anniversary with a memory book in this craft workshop.

Let the fun begin!

After folding their accordion spines, participants added covers and pages to create their books.

Our first hour was spent learning how to create the book structure and doing so, then…

we got to the fun part (well, it is ALL fun…)…what to add to our books.

Colorful, glittery stickers were in abundance.

The folded “fan” book (which has some similarities to the  “Flag Book“) can stand up on a surface in a star-like shape…

so that the pages can be seen from different vantage points, and used to great effect for display. Great for a centerpiece, and to display photos on.

Participants enjoyed a multitude of foam sticker letters.  Has spelling ever been so fun?

Here’s our line-up of stellar assistants, two library pages (yes, they are still called “pages”,) and a volunteer.  It would not have been the same with out them!  THANK YOU Perla, Keisha and Cassandra!

More letter stickers, and a layering of color, texture and shapes creates an elegant cover.

This one’s for Mom…(George’s Mom…)

The books become sculptural when three-dimensional elements are added.

     Proud BOOKMAKERS share their completed masterworks…

Displaying an  impressive creativity, use of materials, and sense of design.

One appreciative patron took off on the idea of creating a book to commemorate  “her” library…

This one may be archived by the SMPL…it’s a keeper.

A keeper of memory, celebration, and possibility.

Like the Library!

Happy Birthday, SMPL!

The Big Draw LA: Drawing for All

The Big Draw LA: Drawing for All!

Last Saturday I had the pleasure of leading a drawing event for The Big Draw LA at the Fairview Branch of the Santa Monica Public Library.

The Library staff set up four large rectangular pieces of white paper on tables, for participants to work on together and create “Big Drawings” that would be hung on panels around the community room, and serve as decor, color, inspiration and fun!

Children from the ages of two to twelve showed up with parents, and jumped into the activity with gusto! Moms and Dads followed suite….

They used a myriad of colored pencils…

and markers..large and small.

Artist moms got the opportunity to play with color, shape, line and pattern…

and some young artist chose to work on their own drawings, separate from the group projects,

c0mplete with lots of detail.

Toy horses were outlined,

and rainbows were born.

The result was magnificent…the result of many artistic voices.. An enterprising eleven-year-old started this piece off by drawing in the horizon line, and adding a few mountains rising up above it, to show distance. The composition grew from there, as each participating artist added their “thing”. Slowly the land and sky developed into a wonder world.

Rowan volunteered to be outlined on  another sheet,

and so did Ellie on yet another.

It took the devoted efforts of several drawers coloring to make this piece complete. Are his hands purple, or is he wearing purple gloves?

Two young artists with a  love of green created the border around the edge of this drawing, then Ellie was outlined inside. parents and children worked together to make the dress as green as the one she was wearing. What a happy face!

As patrons came into the community room, they were invited to outline their hand along the edges of the fourth piece of paper, then design, develop and decorate it, adding their name if they wanted to.

The community room is now alive with the work of the community.

Line, shape, color, space, composition, perspective, proportion, scale…who knew learning about these could be so fun! Learning by doing, making art in community, and having a blast at The Big Draw LA, at The Fairview Branch Library

Many thanks to The Fairview Branch Library Manager, Erica Cuyugan, for the vision and commitment to make this event possible.  Thank  you Erica!!!

!

The Big Draw: Exploring Elements of Drawing

The Big Draw: Exploring Elements of Drawing

This coming Saturday I will be leading a drawing program at The Fairview Library in Santa Monica, as part of The Big Draw LA.  I am hoping to get some photos of participants creating big murals on white butcher paper with drawing tools and techniques that The Library and I provide!  Here I share the information, concepts, terms and techniques I plan to share with them tomorrow in a handout, and through our drawing projects, which will then grace the library’s walls.

I invite you to learn, study, play, enjoy…and DRAW!

Composition is the placement, arrangement, combination or organization of visual or pictorial elements such as line and shape in a work of art. Composition is not the subject or theme of a work. It is the arrangement of everything we see within the borders of a drawing or other work.

The foreground, middle ground, and background are three parts of a composition that can help to create the illusion, or sense of depth in a flat or two-dimensional artwork such as a drawing or painting. The foreground is what appears closest to the viewer, while the background looks furthest from the viewer. The middle ground is located between both the foreground and background.

Line is the most basic element of the drawing. Lines span a distance between two points. Lines are what separate one area of the drawing from the other. A single line will divide your drawing into two areas. The more lines that are added, the more complex and detailed your drawing becomes. A line has a width, direction, and length. A line’s width is sometimes called its “thickness”. Lines can be all the same width or a single line can vary in width. A line can start out thin, get thicker, and then get thin again, depending on your drawing tool, and how you use it. Lines of varying widths can add interest to your drawing!

Shape is another important element of visual art. Shapes are flat spaces enclosed by lines. The boundaries of shapes are, or create, lines. Shapes are limited to two dimensions: length and width.

Shapes can be geometric, such as squares, circles, or triangles, or organic, such as the natural shape of a puddle, cloud or leaf.

Geometric shapes have clear edge, are precise, and related to mathematical principles. They can require a guiding tool to draw such as a ruler. Geometric shapes usually look organized, and have names such as circle, square or rectangle. Most geometric shapes are made by humans, and don’t often appear in nature though crystals, which appear in nature, are considered to be geometric.

Organic shapes have less well-defined edges, a natural look, and are usually outlined in curvy lines. They are typically irregular and asymmetrical (not exactly the same on both sides). Organic shapes usually do not have a name. They aren’t circles or squares. People, trees, flowers and other things that have been alive or are alive are usually made up of organic shapes.

Space is the distance or area around, between, above, below or within what is put into the composition. Space includes the background, foreground and middle ground of a composition. There are two kinds of space: Positive and Negative Space.

Positive space is best described as the areas in a work of art that are the subjects or actual things being shown. The area around the positive space is called the negative space. Negative space is area around and between the subjects or things being shown in a work of art. Which is the negative space, and which is the positive space in the image below?

Is the negative space the black shapes around the white goblet, or is it the white space between the two faces? Is the positive space the white goblet, or the black faces?

Texture, another element of art, is the way a three-dimensional surface feels to the touch, or how the surface of a two-dimensional or flat work looks like it might feel if touched, I.E., its “visual feel”.

Visual Textures created through Drawing

Objects appear smaller and closer together as they recede in the distance. This is how we see. Things aren’t actually smaller and closer together when they are farther away, they just look that way, and how our eyes perceive distance. This is called perspective.

Perspective is the illusion the further away things are, the smaller they appear. Perspective drawing is a system of representing the way that objects appear to get smaller and closer together, the further away they are.  To make something appear to be farther away from the viewer than the picture plane, draw it smaller than the object that is closer to the picture plane.

Perspective is the technique used to represent a three-dimensional world on a two-dimensional/flat surface, such as a piece of paper, in a way that looks realistic and accurate, as we would see it in real life. Perspective is used to make a flat image look as though it has space and depth.

The horizon (or skyline) is the line that we perceive as separating earth (which includes bodies of water on earth) from sky. The horizon line is also known as eye level. In real life, the horizon is where the land (or sea) and sky meet. In creating a flat/two-dimensional work of visual art, it is the level your eyes are at, an imaginary line to which things recede.

Horizon line…at the horizon

As things get further away, from us, they seem smaller and closer together. When they get far enough away, distances become ever tinier and so form a single point, called the vanishing point.

In perspective drawing, the vanishing point is the spot on the horizon line where receding parallel lines appear to come together, or converge. It is the point where buildings, rails, roads and anything in the background of a drawing or other flat work of art seem to converge into one single point on the horizon, where objects seem to disappear.

Foreshortening is a technique used in perspective to create the illusion of an object receding strongly into the distance or background. .Foreshortening is used in drawing to create a sense of depth and make objects look like they are going back in space. Of course they aren’t…they are drawn on a flat piece of paper or other two-dimensional surface.

An example of actual foreshortening is when you look down a long straight road lined with trees and the two edges of the road appear to move towards each other, while the trees look smaller the further away from you they are…until they seem to disappear altogether, at the vanishing point.

Proportion is a principle of visual art that refers the size of one picture element in relation to the size of another, such as the size of the head in relation to the rest of the body.

Proportion can give a sense of balance and harmony to a drawing, or other piece of visual art. It is similar to scale, which is how one object relates or compares to another one in size, such as how a dog relates to a cat, or a cat to a rabbit, as regards to size.

If you happen to be around the Los Angeles Area tomorrow, October 25th, and want to drop into the Fairview library between 12 and 3PM and join in the creative fun, please do! Until then, maybe this post can illuminate and inform your approach to drawing, and broaden your knowledge and even your skill!

  Practice makes, well, there is no perfection, but practice certainly does help, so, draw on! 

Crawling the Wall: The Making of a Mural

Crawling the Wall: The Making of a Mural

Lest you think that only smooth interior walls or whitewashed exterior ones can provide the surface for mural magic…let me set you straight.

What is a mural ?  Related to the French word “mur”, meaning “wall”, the term “mural” is derived from the Latin mūrālis, which means “of a wall”, derived from the Latin mūrus, or…WALL!  And…there are so many kinds of walls…

Some sport a trellis, such as the wall I was to paint for my client, Maureen.

This was her view through her kitchen window, in a neighborhood that is often permeated in dense fog.

Well, picturesque though it might be…the trellis had to go.

Underneath, the corrugated texture of the wooden siding posed another painting challenge.

Maureen’s contractor and landscaper, Greg Spry of  Spryscapes had designed a bench for the deck, so the mural needed to work with it.

The deck opened out directly from the living/dining area, which informed the mural’s color palette.

I also took inspiration from the colors, textures and patterns of pillows, textiles, artwork, and other details inside,

as well as from Maureen’s business card.

She loves flowers and plants, and with that fog,  they can be challenging to grow and maintain on the deck.

Taking a cue from the wall’s trellis “history”, I designed a composition of curving vines, punctuated by big splashes of brightly colored blossoms, and made it to-scale.

On a rare lovely, sunny day, I set up a little outdoor studio right on the deck , and set to work.

The essentials: mockup, palette, and rags.  Oh yes…the paints are out there too.

I began with a rough chalk outline on the wall, closely following the design depicted in the mockup.

I laid in the underpainting for the leaves , “vines”, and and stems, over which the other colors would go, in a cool green hue.  I had cut stencils (incredibly useful!) in varied sizes for the leaves, and adhered them to the side wall with blue painters tape in-between color applications.

Next came the underpainting of the flower blossoms in a brilliant yellow.

All the paints used are artist’s  acrylic designed for mural painting, which I bought at the Precita Eyes Muralists Community Art Store in San Francisco.

Next, I laid in the other colors, and added details, complexity and depth with layers of color that shifted in value from dark to light and back again.

I used sets of strongly contrasting complementary colors to add energy, intensity, “pop” and vigor to the design.

I disregarded the edges of the strips of siding, and its corrugated texture, and painted right over it and into its texture, applying layers of slightly watered down paint to the painted surface to fill each area, and give the sense of unbroken blossoms of color dancing across the wall.

Maureen’s painter had base painted the wall in a neutral color, which made the technicalities of my task easier, as his efforts helped to unify the surface.

The idea was to create a rhythm, and feeling of movement, color and pattern across the wall.

The colors would change with the light, but always add a

sense of whimsy, magic and joi de vivre to the deck and to the home,and to animate it,

all the way to the end.

(Of course the painting is varnished to protect it from those foggy elements.)

  Now Maureen has a magical, motion-filled garden to look at when she raises her eyes from the kitchen sink, and looks out the window to  the deck. These are flowers that don’t require watering!

Here’s to the bon vivant, Maureen, Cheers!

 

 

Sighting Santa Monica II: Pictogram

Siting Santa Monica II: Pictogram

Behold the visual poetry of a surprisingly mufti-faceted beach town…

First things first….bagels on Wilshire….

Mosaic mural juxtaposed with slatted building…packs the punch

Beach architecture…Santa Monica style…

Ahhh…do we have both the male and the female principal equally represented?

A different take on the design of the Hanukkah Menorah…

Curvilinear…indeed!

What sightings have YOU had lately?

If you feel so inclined, please share them with us here.

We love to hear from YOU.

Remember, we are all sighting this thing called Life, together.

HAPPY HOLIDAYS AND PEACE AND BLESSINGS TO YOU FOR THE NEW YEAR!

Brand New

Brand New

What is a “brand“?  I added a link to the term, because I think Wikipedia describes the concept better than I can, at least at this stage.  One of the salient words used in the definition is “identity”.  Specifically: “A brand is the identity of a specific product,  service,  or business.” My colleague  Elka Eastly Vera,  transformative coach and brand consultant, defines it such: “A brand is like soul DNA. It’s what people recognize you for. It’s where the “you of you” meets the world. It’s the essence of your business. “

If we look at the idea of a “brand” this way, then it could even be used to describe how we present ourselves in the world.  But that is a subject for another post….

The visual elements of color and design, pattern and image, texture, shape and composition can all be brought to bear upon  the process of developing and communicating a brand identity.  Graphic designers, like the talented Dianna Jacobsen, of Jacobsen Design, do this all the time.

As an artist, muralist, decorative painter, and colorist (not mutually exclusive terms by any means), I am always intrigued with how this works, and fascinated to participate.  We may tend to think of “brands” as purely commercial (cereal, dog food and shoes come to mind), but devoted non-profits and noble institutions also have theirs, and in my experience, a similar approach is taken to communicate them.

Let’s look at a number of  businesses and organizations who employed the painter’s brush as a tool for communicating their message, how color plays a starring role in their brand identity, and why.

When  Benihana Restaurant in Cupertino, Ca. underwent extensive remodeling,  a mural consisting of a branded graphical design was specified to be painted on the “corrugated” concrete surface approximately 10 to 80′ in the air.  Benjamin Moore Creative Paint in San Francisco matched the colors of the restaurant’s branded interior wall covering in  paint. Master color mixer and matcher Norman Chinn chose Ben Moore Aura exterior paint colors by eye. He was so precise that without knowing it, he chose the very strawberry red used as a stock color in the Benihana Restaurant brand, which is heavy on warm reds, punctuated by creams, darker reds, and red-blacks. Red tends to be associated with heat fire and blood…can we read, appetite?

Red is used in a different way in the new  Dress for Success San Francisco headquarters, designed by local architectural firm, Martinkovic Milford Architects.  Dress for Success provides business attire and training for women, and key to the design is the theme of butterflies, expressing the idea of transformation. Tone on tone reds provide warmth, accent, and a sense of womb-like support for the women getting ready to launch out into the business world.  Red’s association with life and love doesn’t hurt either.

  Blush Organic Frozen Yogurt venue in San Francisco’s South of Market District is painted is apple green and crisp white, communicating a sense of freshness appropriate to a dairy-orientated ‘snackery”.  However, this hue of green also provides other tasty associations:  the sharp and pungent flavors of limes and sour apples, as well as the sweetness of kiwis and honeydew melons.  All cool and refreshing, and fruity ingredients that could be used in their delicious yogurt!

Although also used to evoke connotations of the natural world, the greens in the  mural below, designed and executed for San Francisco’s Planning for Elders in the Central City organization serve quite a different function. “PECC”, which works to “improve the quality of life of seniors, adults with disabilities, and their caregivers in San Francisco and beyond….”  wanted to use the tree as a central image to express life, giving, renewal, community and support.  Associations with the Tree of Life, and the Giving Tree are amplified by using the color of leaves, which also represents life.  Green is also one of the colors associated with the heart chakra, standing for love, sympathy, and harmony.

Embarking on this post, I see how rich, expansive, and complex the subject of visual branding and the way artists can support it,  is.  A sister post may be in order to further elaborate on the subject. 

When we think about how everything we see, indeed everything we experience through any of our senses, communicates something, carries and provides associations, and potentially stirs our emotions, it boggles the mind, (no pun intended.)  We see, and experience first-hand just how powerful the element of color is, and how many different ways it can be used. 

We can perhaps understand in a new way, the expression, “…coloring perception…”

What experiences have You had with color branding?  Have you used color as part of a brand consultation? Color consulted with businesses, organizations, or even individuals on the how of hue  for their “soul DNA“, as Elka Eastly Vera, would say?

If so, please share it with us here.  We love to hear from You.

Remember, we are all bounding and branding through this thing called Life, together.

Featured Work: A Mid-Century Tale

Featured Work: A  Mid-Century Tale

Once upon a time,  in March of 2011, I had two wonderful and creative Clients who wanted a special decorative / design application on a perfectly blank wall in their master bedroom.

Here’s where we started…

And..here’s where we ended up.

So…what happened in-between?

Well, having done a custom application in their guest room,

I had familiarity with the Clients’  home, tastes, design style, and color preferences.  It was immediately apparent upon entering their space: these Clients have a passion for  Mid-Century/ retro style and design.

Their strong affinity for hues of orange fit right into their Mid-C sensibility.

The Clients’ unified approach to their home decor and design is expressed in just about every detail of their space, including

tray tables…

shower curtains….

coasters,

textiles,

a sunburst clock,

vases (and furniture and ornaments),

and more vases (and furniture and ornaments).

We began our collaboration with a small gem of an idea…a snippet of  inspirational pattern that caught my Clients’ sensitive eye.

We played with the scale, the sizing and the spacing,

 

and I created custom stencils.

We did the math (a few times…), and I marked out the pattern on the wall with chalk.

I did the first stencil application. The pattern emerged, and,  the wall came alive…  the pattern just animated that wall!

The secondary stencil animated the pattern, design, and wall surface yet further.

Little rings of fire did their job…added energy, snap, crackle and pop that was just, well, FUN.  (As my Clients are).

The result, though we had planned for it carefully, surprised us all in its whimsy, uniqueness, and aliveness.  (Also qualities of my Clients.)

Somehow the wall, and the design, the pattern  and the treatment became more than the sum of their parts…

one of the happiest outcomes of the Arts!

And here we have the happy ending of the tale…or, is it a beginning?

Have YOU ever had the experience of your collaborations and creations becoming more than the sum of their parts?

If you feel so inspired,  please share it with us here.  We love to hear from you.

Remember, we are all creating this story of our LIVES, together.

May You have JOY and Aliveness in your Life, as you Live it!