Artist Books and Old Lace

Artist Books and Old Lace

There is a genre of artist books/bookmaking/handmade books that employs a sort of “shabby chic” look through the use of repurposed lace, ribbon and other fabrics…which emanate the feeling of rediscovered French textiles of a certain age, family heirlooms, and possibly, family secrets.

 

 

 

“The word lace is from Middle English, from Old French las, noose, string, from Vulgar Latin *laceum, from Latin laqueus, noose; probably akin to lacere, to entice or ensnare.”

 

 

 

I felt a longing to create something like this, inspired by what I’d seen, but with my own twist on it. I knew the feeling I was after, but not exactly how to create it.  So, I did what you have to do under such circumstances, I dove in. Having procured all manner of lace for a “Bookmaking with lace” program I was leading at a local library, I felt that I had the appropriate arsenal and old lace, and was ready to begin.

Inspired by the book-like form of a cardboard cheesecake box, I covered it with humble newsprint papers, from a little pad found at an incredible place in LA appropriately called Trash for Teaching.

 

 

 

 

 

 

 

 

I then used scraps of muslin, also found at T4T to further cover the surface, piecing some together, and overlapping others, using the frayed edge as part of the design and feel.

 

 

 

 

 

 

 

I added and embellished with strips and fragments of lace, and a zipper of similar hue, to  engage the handler and add a kinetic quality. I sewed four signatures, each composed solely of a single folded sheet of old paper passed to me by a fellow artist, directly into the spine with white linen thread.

 

 

 

 

 

 

 

I created a flap next to the zipper on the front cover,

and a pocket on the back cover…for secret notes, talismans, messages and dreams.

 

 

 

 

 

Drawn by tactility, I contemplate my next textured textile plunge into this genre…there is a lot of room to feel one’s way around. I, like many others, an touched by the totality of the tactile experience.

Tactile: From French tactile, from Latin tactilis (“that may be touched, tangible”), from tangere (“to touch”). — http://en.wiktionary.org/wiki/tactile#Etymology

Piecing Our Story

Piecing Our Story

Faith Ringgold

Inspired by the “Story Quilts” of Faith Ringgold…I incorporated fabric collages into some classes and programs I  had the privilege of  teaching and leading.

The idea was to piece together elements of fabric…cloth…to express or depict aspects  of the maker’s life story. To “fabricate’ one’s story…to “cloth” one’s story in visual details…the definition can be rather loose.  Above, my sample expresses something of house and home…a broad theme that could encompass almost anything.

This fun and evocative piece created by a 17 year old makes beautiful use of aqua-blue wool…at least I think it is wool. As I get many of supplies at a place called “Trash for Teaching” , where companies’ left-overs or overstock is donated to be resold to teachers and others at very low cost,  I am not always sure of their origin. This artist did use paper for the face…extrapolating from a previous lesson on how to draw the face in proper proportion. She is also interested in becoming a make-up professional, so this piece may have played into that ambition and interest as well.

Totally different, but just as evocative is this piece that functions almost like a banner, celebrating the maker’s daughter. Balanced through the elements of color, shape and composition,  the use of the symbols of heart and arrow are  arranged to create the strong center of a radial design which continues and expands the motif of the arrow.  Arrow pointing to directly the heart? Seems like a rather clear story there.

These brilliantly colored feathers almost appear to emit light against the dark background.  Arranged in a repeating color pattern, the artist is careful to begin and end with pink,  containing the composition within that color horizontally, while flanking it vertically with luminous green, and thus employing the tension of opposites. Pink is a permutation of red, “light” red, (red plus white) which is the compliment, or opposite of green. The color story expresses the human story as a whole.

Two uses of the heart motif, one created through stitching, and another through the cutting and gluing of material define these two pieces.  Both hearts are tilted to the left, which gives them a dynamic feel of being on movement, and which in turn adds movement to the composition. Above  the deceptively simple composition of white and red on black belies the powerful associations of those colors. Below, warm hues of the  cool color of blue are offset by the soft pinkish-purple (which contains blue) in the center of the color scheme.  The piece is further enlivened by sharp dashes of back in the corners which radiate outwards, and black letters in the center set off by white, another system of opposites.

The use of the heart shape / symbol, as a central motif, the combination of different kinds of cloth/textile/fabric media, and employment of framing as a compositional device characterize the works above. Bows, pom poms, a scattering of smaller hearts and butterflies, and imaginative color choices are all at play, adding a layer of magic and whimsey to the feelings of hope and longing expressed in these pieces.

A Mom of two created this piece, which depicts her two children who also attended. Although she came in towards the end of the project, she was able to put together vibrant colors, and strong shapes which speak volumes about her commitment to her family, and tell at least a piece of her story. One strip of patterned ribbon is added which reflects the flowers, and ties the composition together by adding complexity and interest right in the center of the piece. This artist was very specific about which  ribbon she was going to use to achieve this, and with good reason, as the results are stunning.