Color Me Eclectic
On a recent sunny and magnificent day, I took a ride South, then West, first to see a Client, then to return to my studio in the western part of the City.
Little did I know what house color adventures awaited me during this relatively short excursion. From the middle class, to the well-to-do, to the downright funky, the inhabitants of this variegated city never cease to amaze with their use of imaginative, and I must assume, highly personal combinations and placement of color on their dwellings.
Here is a bit of my colorful, and oddly poetic romp, from the edge of nicely heeled Monterey Heights, to the Pacific reaches of the Sunset District’s outer Avenues.
Pale green and pinky red: not exactly Christmas
Across the street and down the road from my Client, who has resided in the same earthy gold stucco home for at least three decades, in a neighborhood of many more stucco. earth-toned houses, I saw the above brightly hued structure, nearly vibrating in its complementary red and green intensity. I noticed it also, because I expected to see it clad in it’s former strong yet earthy orange, (still quite noticeable in the neighborhood), next to the house pictured below. It has since been painted, but managed to avoid a Christmas glow, because of the paleness of the green, and pinky quality of the red. Some might say that the placement of the paler color on the foundation’s garage door makes it feel ungrounded, but making such claims is not the purpose of this post. You may draw your own conclusions.
Orange sherbert and Chocolate plum...vaguely gastronomic?
This house is the red and green home’s direct neighbor on its left. No slouch in the bright color department itself, it no longer coordinates with its vibrant neighbor, and perhaps, fades into commonplace next to it. However, it still stands out and reads as bold amidst the browns, ochres, golds and ivories that dominate the street. Credit should be given where credit is due.
You could forget where you are....
Out of Monterey Heights, and away from the adjacent St. Francis Woods, one enters the world of the Outer Sunset Avenues, punctuated by alphabetically named streets which slope down to the blue Pacific. Concentrated Asian populations, among others, reside in this area, their cultures reflected deliciously in colors and architectural details, as well as restaurant cuisine. While gazing at the Church above, framed by some of the few trees that grow out here, one could forget where one is for just a moment, and imagine being in other lands across the water.
Yellow ochre against jewel blue sky
Artists, musicians, and other creative types also live beach-side, and it is not completely unusual to see self-styled architectural additions, mural applications, faux finishes, textural surfaces, and decorative painting treatments like the one above, brightening up the often grey Avenue climes with strong color and whimsy.
One side of the street...
Driving West, I noticed that both sides of the street in a particular block had stretches of colorful houses directly facing each other. Above, the shiny blue car adds a counterpoint to yellow, green and red brick building fronts.
And the other side of the street...
Brightly colored cars would have been a distraction on this side of the street, and taken away from the yellow, green, ivory, mauve and blue house hues. Happily, the homeowners complied with the concept of “variety within reason”, and maintained a balance of unity and complexity through their choice of dark gray automobile. Thus, viewers and passers by, such as myself, were saved from the potentially negative effects of overstimulation….
Backside View: weathered, poetic pastels...
Some might find the pale,weathered backsides of painted Avenue buildings understimulating, which could lead to restlessness and boredom in the viewer. However, to me, these pastel-colored patinas, slowly fading over time in the constantly shifting weather and light conditions of sun to fog, to rain, to sun again, contain a grave poetry . Perhaps they mirror the ultimately somber poetry of our lives: no matter how brightly we color the exterior, the facade will fade and crumple over time. All is eventually claimed by nature. But what color we can create in the meantime, as we paint the portrait of our lives, reflected in our buildings, neighborhoods, cities and art!
If you have the time and the inclination, tell me what you think! We are all in this thing called Life, together.
The adventure begins with prepping: sanding and priming the front surface of the nascent “Lumens”…making a tiny white canvass to frame the light switch aperture.
The “Lumen” prepared “canvasses” begin to stack up. Their tiny screws get the same treatment. Each is sanded, primed with a white-tinted primer, painted, and treated in the same manner as the rest of the piece. The entire surface is treated as one composition.
Pattern rules. Words can express dreams, hopes, even prayers.
The interplay of textures, (built up through the application of layer upon layer of stippled paint), and pattern, color and image, only become more fascinating to manipulate and explore.
Metallic paints provide glow and glimmer, sheen and shimmer, adding luster and elegance, or perhaps a celestial quality.
The addition of paint, texture and color add depth…while sanding between the layers with wet-dry sandpaper makes the pieces smooth and sleek, creating a tactile experience to match the visual. Layering imagery over texture, then softening, or slightly obscuring it, can suggest an air of mystery, softness, and complexity.
The elements are engaging to play with, mix, and and match.
Artissima - Blog of ArtiFactory Studio 