The Power of RED: Doors

The Power of RED: Doors

Why use red on a front door?

(Or a side, service or interior door, for that matter?!)

It seems that all can agree that RED is energizing.

Here we  explore why…and why red so often greets us as the port of entry into all sorts of spaces.

val_bAn earthy, pink-toned red works well on this door, which receives in strong sunlight, with the warm-toned earthy brown house body color.

soulA deep, strong red door offsets buttery yellow walls, and stands out in a large Pilates studio space without dominating it or taking away from its serenity.

gu_aNot a front door here, but strong bright red works just as well on this service door, providing contrast to the complex taupe field hue which dominates the exterior.

WEBaStrong red makes this door quite visible and shows us where to go,  even behind bars, albeit, decorative ones!

WEBbComplimentary greenery flanks this glistening red door, giving it even greater “pop”, and attracting us to the entrance, and the house.

WEBcThe red door leads our eye to the entry, and offsets the quite brown of the shingles, and potentially somber black shutters and trim.

WEBdA less brilliant red makes a quieter statement, but a strong one, nonetheless, the color offsetting the dark steps, and drawing our eye up to it..

WEBeNestled within the entrance alcove, this red door gives relieves the expanse of  ochre colored stucco surrounding it.

WEBfThe red of the door is picked up as an accent color in the trim, and Victorian detailing and ornamentation, adding a sense of fun and whimsy to the entry.

WEBiRed on the front door of a Santa Monica mortuary: life affirming, warming, comforting, path finding, getting us where we need to go…inside top face loss, establish ritual to move through it, and do what must be done.

WEBjRed side doors of the same mortuary…again, letting us know where we need to go. keeping us energized and focused, doing what we need to do.

WEBkAnother “cottage” beauty…this bright  red door fairly beams out its cheerful, inviting, life-affirming greeting, and seems to say…come in!

What do You think about Red Doors? Do you have a favorite? Please share about it with us in the comments, and your thoughts on why Red Doors persist as a theme in our architectural color culture!

Here’s to energizing entrances to all sorts of spaces!

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Color: A Balancing Act 2

Color: A Balancing Act 2

What is the “emotional loading of a space”?

Says Helen Gurura,  an internationally accredited colour design consultant,  and executive vice-president of the International Association of Color Consultants (IACC). “Feelings can be evoked through colour at even an unconscious level and this gives rise to the term “colour emotion”, defined as “an associated feeling or emotion induced in the brain during the colour perception process”. In architectural psychology terminology this is called “the emotional loading of a space”.  Achieving balance in colour design clearly remains a challenge though.”

spear_dFrench Cafe..anyone?

In last week’s post, we looked at a variety of exterior architectural color schemes through the lens of visual “unity” and “complexity”, exploring what creates both over and under-stimulation,  and ways of creating balance between these extremes.  The goal is to  avoid both extreme unity/monotony/sensory deprivation which results in under-stimulation, and extreme complexity/variety which can over-stimulate the senses.  As Ms. Gurura states, “The balance between unity and complexity is the first and most important rule in the design of user-supportive architectural environments.”

Essentially, we expect, and I extrapolate from  this want and need  our senses to be moderately stimulated at all times.  I must assume that  dreaming accomplishes this when sleeping…even when mediating, we are often instructed to concentrate on the breath, a sensory experience.

The built environment is a place where we may posit our dreams, our imaginations, even our breath.  When we have been “doing battle”, even if that means fighting the good fight, out there in the world, we may need our homes to return to, relax, recharge, regroup  and  catch our breath in.

Let’s relax now, take a deep breath, and enjoy looking at some interiors that were designed through placement of color, pattern, texture, and more, to not only meet the functional needs and wants of those who live and breath there, but also to express their innermost hopes, dreams, wishes and desires…and perhaps even fantasies about themselves and their lives.

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The owner of a charming home in  Berkeley, Ca, wanted to transform his son’s old bedroom into a guest room, that his fiance would claim as her own special space in the house. His love of strong color, bold artwork, rich, layered patterns and textures  is mitigated to accommodate  her taste for beige by the choice of a neutral wall color and creamy trim.

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The wall color is taken to the bookcases, which frame not only scores of colorful books, but also his son’s powerful painting. By keeping the bookcases “color neutral”, what is contained within and between them is kept front and center, and the multitude of colors and patterns do not overwhelm.

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Warmth, richness, depth,and elegance reign in this master bedroom, where the deep earthy golden-brown-with hints of persimmon wall color compliments the multi-hued wood floor, the heavy dark wood furniture, and fresh white trim.  The trim is needed to relieve the strength of the other colors, and because the room is spacious, filled with strong lines and architectural details, and  large pieces.

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Although this room doesn’t have the plethora of  color, pattern and texture in its details like the Berkeley guest room above, the complexity of its space, containing recesses, alcoves and a window seat, the variance in the texture and light reflectance of its surfaces, and the expanse of textiles on bed and chair, give it just as much visual variety and interest. The room is beautifully balanced and filled with light, comfort and calm, with enough accent to engage the senses.

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Here again pale “neutral” (read, “beige” ) walls and tile, and white ceiling contain,  frame and unify strong color and bursts of pattern,  just as the streamlined silver frames contain but do not restrain the beautiful, bright  watercolor paintings created by the owners’ children. The effect of the paintings and blue-patterned vase is amplified by their reflection in the mirror, which adds a sense of space to a smaller room. The varying colors and patterns are also on different planes: the paintings on the wall parallel to our line of sight, the counter top perpendicular to it,  the vase parallel, but below the paintings, creating a layered effect, adding complexity and variety to the space.

spear_bspear_cThe serenity of this bedroom is achieved not only with soothing neutrals on wall and ceiling, but carrying that over into large swathes of textiles such as the bedspread, pillows and throw. Layers of texture and intricacy are created  through the “distressed” mirror frame which adds a painted and reflected scene to the visual mix, and intricately detailed and tasseled window treatment which adds sheen, pattern, and a whole other level of visual interest, as well as framing the window.  Who couldn’t relax in this room?  R & R is exactly what it is for…and as unbroken as possible. As opposed to…

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the “boudoir”, in the same unit!  This room will keep you awake, though it does share the element of faux fur pillows with the bedroom. Needless to say, the owners are style Franophiles, at least with this space, which is a second dwelling for them, an urban “get-away” from their home in Napa County, CA. In this alcove, they had big  fun “papering’ the walls with a  fabulous, French-feeling fabric, placing a gold “sunburst” above the divan ( covered in the same pattern), and “peppering” it with black fur pillows.  Isn’t it wonderful to have a room where you can just go wild with the design and decor? Shouldn’t we all have that?  This room is just a little jewel box of color and pattern, and we found exactly the right paint color for the ceiling, to pull out the rich cream hue  in the fabric, and soften the pinky-red surrounding it.  Because the fabric is so all-encompassing, the walls, curtain, divan and pillows covered in it merge into one, and the complexity and visual variety is contained in that one pattern. The room is small, the room is warm, the room is happy, and the room sings…a totally different song then the bedroom,  and  another example of “securing unity in the midst of variety….”, and achieving balance, as Helen Gurura would say!

Color: A Balancing Act

Color: A Balancing Act

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We have all had the experience of sensory overload..as well as sensory deprivation.  We may experience overload when entering an environment filled with loud sounds, bright colors, an array of patterns,  and a variety of textures…to say nothing of what we may be sniffing, tasting or touching there.

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We may experience sense of deprivation when a space is too quiet, neutral, bland, uninteresting, and feels just plain boring.  We know something is “wrong”, but we may not be able to put our finger on it, literally speaking, especially if there is a dearth of textures, colors, patterns, and other visual stimuli.

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Although our tolerance for visual complexity and variety, as well as unity and coherency varies from person to person, we do expect, and maybe even need, our senses to be stimulated to some extent at all times. Perhaps we are experiencing this through dreams while we are sleeping!

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Not surprisingly, even our health and physical well-being can be affected by exposure to over or under-stimulation. Extreme unity, or monotony, can result in restlessness, irritation, a lowered ability to concentrate, wandering attention, and an overly strong emotional response.  Extreme complexity/variety can result in higher blood pressure, pulse rate, and muscle tension.  Not a good thing, as we can probably all agree.

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Knowing this, our job as color consultants/designers becomes charged with even greater purpose and meaning…how to create environments of balance (which doesn’t mean symmetry or the sum of equal parts, which might become monotonous), which support both our physical and our emotional well-being, as well as the function of the spaces themselves, and even our life’s purpose!

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Before we get either too lofty, or too weighty about all this, lets look at some color designs and palettes that achieve balance in a variety of different ways. I hope to continue to investigate, explore and disseminate the subject of color balance in further posts. Have fun!

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A nearly monochrome palette relieved by creamy white trim can be stately and restful, especially when enlivened by a multitude of decorative detail.

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Even a deep, rich, dominating hue such as a  burgundy purple can be set off by accents of an even deeper value. The dramatic shift to white in the trim frames a building that the owner wanted to simplify and streamline, while still acknowledging  its details.

B4A slight amplification in field color from the original,

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 makes this building more satisfying to look at, as it is more “complex”(contains more color) . The addition of a dark accent color on the window sashes, and a more intense door color add variety, which also increases complexity, and protects against visual monotony.

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The temptation to “go color crazy” on this magnificent Queen Anne Victorian could have created so much complexity, that our attention may have been distracted from actually seeing and enjoying its beautiful period details, such as the shift in shingle pattern, decorative insets, and dentils.

clay_cInstead, by limiting the colors to a set of resonant neutrals (field color, field color 200% formula and off white trim color), and adding accents in earthy hues of complimentary sage green and brick-red with just a touch of gold leaf,

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we are not so overstimulated by too much variety, and can actually take in and enjoy the details, colors and shapes that integrate to create a unified whole.

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The complex but neutral beige body color, and white trim are punctuated by a rich red service door, a singular detail on this building, which has very little embellishment, or even trim.

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As the owner wanted to reduce the possibility of visual complexity, subtle interest is brought in by the use of a slightly darker and more intense foundation color, which grounds and visually supports the structure. Thus both over and under-stimulation are avoided, and we experience enough visual simulation to provide a pleasing experience physically and emotionally.

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The size, style,, “stateliness” and foliage around a structure can influence color design choices, as well as how much its body is broken up  by its trim. Here the deep blue-green color of the house body is significantly relieved by the crisp white trim and garage door, as well as bright green foliage, which becomes a color accent or counterpoint to the dominating blue and white. As the building reads  tall and thin, our eye is drawn upward to the sky, which completes the picture. Not seen here is the warm brown accent color used on the planters in both the entry way and back patio, which provide  contrast to the blue and green, and complete the triad of blue, green and brown “nature’ colors.

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A unified palette can make a building stand out…even if it doesn’t contain an extreme shift in accent color. Our richly hued “old  burgundy” beauty commands the street view here.  All  the more regal for being contained and restrained in color variety, the palette is retrained yet fun, making a statement without overwhelming our senses. The building itself serves as an accent for a block dominated by pale, nondescript and rather unimaginative hues.  Maybe, stimulated, but not overstimulated by our royal example, the neighbors will be inspired to follow suite and add more local color!

If You are feeling either over, or under-stimulated in your environment, try experimenting with adding or subtracting color, pattern, texture,  changing the value (light to dark), or intensity/saturation (brightness) of the colors, changing your accent color to the compliment of the dominant color in the space, or if there is no dominant color, creating one.

You may just find yourself feeling better on all fronts!

Until next time…wishing you balance, variation, complexity, unity and coherence in your Life!

Standing our Color Ground I

Standing our Color Ground I

Having completed a rather large and multifaceted color consultation for a set of two buildings anchoring opposite corners of a block in the “The Valley”, I decided to disseminate the experience, and its results through a series of blog posts.

Decorative Painting and Color can be all about sumptuousness…but it can also be about streamlining, revealing the lines, and getting down to the bones.

Taking a cue from marketing guru Seth Godin, and his concise, pith, and enormously popular blog, (called, pithily enough, “Seth’s Blog“), I am going to make these posts short, succinct, and see if I can let the images do the talking. (Well, Seth doesn’t use many images, but he is a model of succinctness, and easy to read and take in.

As I explore, express and evaluate this consultation over the course of several posts…there will be the time to contrast the colors that were to the colors that became, look at details, and compare the two buildings, one on either end of a median-sized block in Canoga Park, a district in the San Fernando Valley, about 25 miles northwest of Downtown LA.

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The entry of  the building called “ARIA”…made smoother and sleeker with addition of glass, a dark, grounding foundation, and lights that ass a bit of character. Notice the integration of the brown color in the tree branches which reach out to “touch” the building, with the brown of the foundation color. not the same, but related.

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“ARIA” en totale….pops of color in the bump-outs, or balconies, both accent and tie together the sandy body or field color, and the chocolatey “grounding”  foundation color. The door is painted in a 200% formula of the balcony color,  (meaning that the amount of tint added to create the paint color is doubled, increasing the intensity of the resulting hue.)

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Streamlined greenery provides another accent hue…even more so in complementary contrast to the red in the balcony color.

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The foundation color on the balconies, and strong door color add livable accent and interest to ARIA’s inner courtyard.   If the red-toned color on the exterior balconies was carried to all of the inner balconies here, it would have been too much: over-stimulating, and underwhelming. Instead, the doors punctuate the long walls, and reflect light from their semi-gloss surfaces.  The concrete floor is deeper, with a grey cast, making it easier on the eyes then a brighter hue.

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The contrast in colors, and the textures of the smooth, semi-gloss surfaces of the doors, and the flat sheen, rough texture of the stucco walls create a pleasing visual tension.  The proper amount of tension, paradoxically creates balance…though not necessarily symmetry.

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The sun’s white light transforms how we perceive the painted color, making it appear warm and earthy,

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as opposed to cooler and grayer when not in direct sunlight.  The window profiles are painted in 200% formula of the field color, bumping it up just slightly, adding interest without visual clutter.  The metal color of the sconces is reflected in the railings and other ironwork.

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Each resident adds their personal touch…above we have a grouping of three black “sculls’…and they fit right in!

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“Windowscape”?  “Curated” grouping?  Just plain fun?  Halloween leftovers?

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Portrait of a side door….resplendent  in its Rosewood hue, framed by the Teabag– colored foundation, flanked by Weathered Brown-painted iron railings, and shining below a 100%  Hickory house body color.

Next up…a romp through the “perfect palette” of ARIA’s sister property, SONATA…a very different building situated at the other end of the block.  Their color schemes are interrelated, but not the same…because no two buildings are the same.  Even if they claim the same blueprint parents, the  way a building sits on the earth, the way its surface reflects the light, the effect of its surroundings, whether they be flat or foliage, profoundly affects the color we see.  It  is an endlessly fascinating subject, and study

Well Seth, I am not sure if I truly stayed simple…but I h  expressed my passion for color, architecture, design, and the human spirit’s quest for beauty, joy, and perfection.  That last one will always elude us, but at least we can have fun trying!

Until the next…Be Well…

On the Avenue

On the Avenue

In San Francisco’s Richmond District, the series of North-South streets called “The Avenues” start at 2nd Avenue, and run West, all the way to Ocean Beach…which may be 50th Avenue!

Many of the houses in this area are sheathed in stucco, and may be painted in stucco paint.  The paints may come in limited colors, and the homeowner may have to make a choice of color under pressure, such as my Client did, who owns the middle house below.

Once the paint was up on the surface however, my Client and her husband knew they had to make it work.  The house was already painted, and to repaint it would be expensive, and admittedly, a real hassle.  The only option was to choose trim and accent colors in hues that worked well with the stucco house body color, and achieved what the Client wanted: a dignified, and streamlined  look, that set off the ornamental details, but didn’t add fussiness to the scheme as a whole.

We had the window frames, sashes and boxes, the ornament, the front and garage doors, a bannister, and a cross piece over the garage door to contend with.

Hillsborough Beige” HC 1033 (from Benjamin Moore’s Historical Color palette)  was chosen as the accent color, and applied to  the doors, window boxes and bannister.  Possessing the same undertone as the stucco paint over the house body, it packs a slight punch, and brings out these details without adding muss or fuss.

The fresh, yet warm quality of Benjamin Moore’s “947 Navajo White” streamlines the trim and ornamental details, while adding an element of luxuriance to the scheme.  Using the same color on the window frames and sashes also simplifies the detail, and adds elegance to the facade.

The Navajo White and Hillsborough Beige work beautifully together, adding subtle interest to the scheme.  The satin sheen of the doors provides some contrast and depth  in an understated way.  The preferred sheen for stucco tends to be  flat, as it doesn’t reflect all the shifts of plane in the surface it covers.

Greater sheen offers greater resistance to scratching and dirt.  Helpful, as front doorways tend to be heavily trafficked, and the door often take a beating!

The bannister stands out slightly from the stucco background, making it easier to see, and thus grab onto.  The scheme also manages to work with the front steps, a large area of color and texture boasting a design and colorway of its own.

The detail gleams against the understated neutral of the facade, an indication that indeed, less may very well be more!

Have YOU had an experience of “less is more’ with color?

If you feel so inclined, please share about it with us here.

We love to hear from you.

Remember, we are all coloring outside the lines of this thing called Life, together.

Re-Creational Color

Re-Creational Color

Once upon a time there was a charming house in the Glen Park District of San Francisco, that looked like this:

Now, everyone’s taste is different, and some may love to live in a house with such a color scheme, but the lovely family that lives here  did not.  Upon deciding that they wanted to change their exterior house color scheme, the owners, a married couple with a young daughter, took action.

They hired not only a house painter, but a color consultant (associated with their painter),  who came up with this color combination:

This combination of colors, as I understand it, was closer to what the owners wanted (apparently they wanted to ‘get the red out”!), but still fell short of what they felt comfortable with, to say nothing of, loved.  In short, they were discomfited.  It just wasn’t right.

The neighborhood is eclectic, and creativity abounds. However, the owners wanted a more unified look to the structure, and when all was said and done, didn’t like having different colors on the house body (above) , and the foundation (below).  They decided they wanted to change out these  colors (which covered the main area of the house), and have the same color on both the body and foundation. There was already a lot going on with the trim and accent colors, which they decided to keep.

I had the good fortune of meeting  the owners while providing in-store color consulting for Benjamin Moore Creative Paint, located on Geary Boulevard, in San Francisco.  We discussed their dilemma, and they engaged me as color consultant (number two), so that we could really, as Brad Pitt might say, make it right. We knew that we were going to select just one color for both the foundation, and upper house body, and that the chosen hue probably needed to be deeper, richer and warmer then what the previous consultant had specified.

We sampled a number of options, but they all went too violet on the house surface.  San Francisco has a very particular kind of light, and the Glen Park neighborhood can get foggy. Although the violet tones worked with the burgundy trim, it was too much, and not what the Clients wanted.  Let’s face it, we had to get it right this time!

The second go-around, we sampled Benjamin Moore 1476, “Squirrel Tail”, “Taos Taupe”, 2111-40, and “Iron Gate” 1545.  The Clients knew, hands down, it had to be Squirrel Tail.  The hue contained the right amount of warmth, a bit of richness, and it worked with, rather than competed with, the “Bottle of Bordeaux” 1357  trim, and “Tarrytown Green” HC-134 accent.

We gave a nod to the house foundation by painting it in an intensified (150%)  version of the “Squirrel Tail”, to add a sense of weight and stability to the structure, without further complicating the color design.   Both foundation and upper house body were done in an eggshell sheen to add a bit of resilience, and wash-ability, but almost no shine.  The garage door, also painted in the 150% formula, was done in a satin sheen to set it off slightly, and deflect a certain amount of contact and dirt!

The result is a unified appearance, which lent the house solidity, warmth and that touch of richness and depth the Clients were seeking. By unifying the body and foundation colors, the multitude of trim and details became less prominent, also adding to the desired unity.

Finally, we “got the white out”!

It was a pleasure to work with these wonderful Clients, and see their home transform through the healing use of color.  My hope for them is that they live long and prosper, in their “new” home.

Three times a charm!

What color dilemmas have YOU had lately, and how have you solved them?

If you feel so inclined, please share with us here.  We love to hear from YOU.

Remember, we are all healing ourselves through this thing called Life, together.

Happy Color!

Color Story

Color Story

Once upon a time, in December of 2009, I was asked to assist in color selection for the exterior of a cool sort of industrial-looking  building on Corbett Street in San Francisco. Being a condominium building with three units, it had three sets of  inhabitants, which made up its HOA, (Home Owners Association). One of these was taking charge of the painting project, and thus, of course, the colors.  I was in luck…someone, I still don’t know who, referred my services, and I am so glad they did.  Little did any of us know that our task would not be completed until June of 2011.

My clients, technically the HOA, but, in my mind, George and Garret, who were handling the process,  live part-time in Texas.  We initially discussed the importance of the materials (those that would not be painted), primarily the hand-made wooden, slatted front gate, and the beautiful multi-colored tiles of the steps and planter. These would provide the direction for the house body (main), the garage door and trim, and the window sash and balcony rail (accent) color choices.

Because the building has an industrial, almost loft-like feel, there is an interesting tension between the architecture and surrounding  foliage.  We knew that the color scheme was to be cool, stream-lined and elegant, with enough contrast to the proliferation of nature in which it would dwell, yet it also needed to complement, and draw out the browns and greens of the nearby plants, trees and bushes. I felt that the colors should provide a nod to the structure’s industrial “downtown” sensibility.

The silvery metal house numbers also support the loft aesthetic, and would become part of the color story, providing a bit of reflective gleam.

We opted for Benjamin Moore “Iron Gate”, #1545, for the house body, and Sherwin Williams “Rustic Red” # 7593 for the window sashes, and balcony railings. Keeping the balcony railings, on the left side of the building, the same accent color as the sashes provides balance, as there is a lot more red sash action going on to the right, and we needed enough red on the left to counterbalance.

George and Garret turned me on to Sherwin Williams “Iron Gate” #2926, which  they had used on their Houston, Texas home, and was already on the garage of the building.  I loved the color, and wanted to use it.  Incredibly, it worked beautifully with Benjamin Moore’s version, the “other” Iron Gate, chosen for the house body.  Fascinating to see the different takes on what hues the term “Iron Gate” conjure up!

Over the course of  a year and a half, chatting on the phone and by email in-between meetings with George and Garret when they were in town, and their painter Tony, (local), we confirmed the scheme. Tony put up samples,  and George and Garret discussed them with the other owners and got the consensus. We were finally ready for the building to be primed! Yes, we were moving ahead! We were keeping the garage door color, and adding it to the trim above, and shifting the red on the sashes and railings to something a bit more toned-down,  in better keeping with the strong wood hue of the gate. We were transforming the body color from a paler blueish green, to the richly nuanced  and deeper grayish green hue of Iron Gate, Ben Moore style. It was happening!

And…voila!  Our attention to detail, and focus on bringing together subtle, and not so subtle shifts of color finally yielded its fruit…achieving a stream-lined, elegant, “industrial” harmony, which plays nice with its natural and architectural surroundings, and integrates seamlessly into the neighborhood.  I know George and Garret will feel great every time they enter their San Francisco home.  I hope all others who are sheltered here do as well.

What color sagas have YOU participated in lately?

If  you feel so moved, please share them with us here.

We love to hear from you.

Remember, we are all coloring our way through this thing called Life, together.

Cheers!

Featured Work: Berkeley Bungalow

Featured Work: Berkeley Bungalow

Berkeley, California is a place of bungalows. There are many, many bungalows in Berkeley.  You might even say that Berkeley is a bevy of bungalows.  These charming houses, home to many a professional, family, and couple, are clothed in a myriad of hues, which upon occasion, an owner will decide to change.  One such delightful owner (referred by the San Francisco-based painting company, Modamas Fine Painting) engaged me  last September to guide her through the initially overwhelming and confusing process of choosing new colors for her home’s exterior. Our our first step was  to not only look at her home’s exterior with a critical eye,

but also to walk through her neighborhood  and peruse the color schemes of other bungalows.  She had several color directions in mind, and needed to narrow down the choices.

We discussed cinnamons, greens, teals and grays for the house body,  though she really wanted purple.   Ultimately, a rich yet soft Benjamin Moore brown was chosen,”Chocolate Pudding-1014“.

The warm Benjamin Moore “Antique White-OC-83” made a perfect trim accompaniment, balanced by elegant black address numbers and bannister.  The black detailing created a graphical counterpoint to the generous areas of creamy white trim.

We were then on to the all-important front door. Despite her penchant for purple, my Client saw that it did not work.  Wanting warmth and degree of contrast, we went towards red instead. Red doors are a frequent accent in Bay Area architectural color schemes, but, which red was the question?  Benjamin Moore “Apache Red-1295” reflected too much pink.  “Sweet Rosy Brown-1302” added just the right degree of redness, without creating unwanted pinkish undertones.  The entry now radiated warmth and welcome.

Finally, the front steps were painted in Benjamin Moore “Fresh Brew-1232“, grounding them and the house in a deep earthy brown, and  completing the delicious ensemble.  The steps bring out a bit of the earthy red in the door as well.

Warm white trim frames the house, giving an upward feel to the roof. The white against the sky and  tree connects the earthy house colors to the blue and green of nature.

White trimmed windows look crisp against the house’s boxy side, which is also softened by the natural wooden fence, and greenery.

Greatly  improved by the new color scheme, this area now looks tidy, compact, and integrated with the rest of the house, a perfect set of bungalow qualities!

The detached garage also greatly benefited from a new suit of “color clothes”…

Amazing what a fresh coat of paint will do…with the proper prep. of course,

especially in the “right” colors.  In this case, Benjamin Moore “Classic Colors” collection was our go-to  color source. “Chocolate Pudding”, “Sweet Rosy Brown”, “Fresh Brew”,  what a visual feast!  My visionary Client took the time to have samples put up of each color we considered, and observe how the color played on the house surface during different times of day, light, and weather.  She had the patience and the perseverance to see her project through.  As she confessed to me, ” I can’t wait to finish this project. Several times I just wanted to let it be, but I want to be thoroughly happy.” And, I am happy to report, she IS!

Have you had a interesting color connection lately?  A visionary client, an innovative creation, a heartwarming transformation?

If you feel so inspired, please share it with us here.  We love to hear from you.  Remember, we are all coloring through this thing called Life, together.