Color: A Balancing Act 3

Color: A Balancing Act 3

 Between Unity and Complexity: Achieving Balance

GreenDoorjamb

As discussed in previous posts, color balance in our environments can have a profound effect on our health and well-being. The “emotional loading of a space” in architectural psychology terminology, is the emotion we feel when we perceive color in a space. Perception happens in the brain, and is a process. What we perceive, as regards to color, and thus the resulting emotion, may be influenced by many factors, such as the size and shape of the space we are in, the interplay of the colors that are there, our state of mind, and, of course, the light. I would go so far as to include pattern and texture, weather (affecting the natural light which may be entering  and thus informing the space), cultural associations with the colors used, and our own personal associations with them.

So complex! But also, so much fun. Evocative. Provocative.

archFBa

Unity and complexity are two opposite poles, unity related to parts fitting into a coherent whole, and complexity involving variation.  Both are important.  Too much unity, and we can experience monotony and sensory deprivation, in a word, under-stimulation. Symptoms can manifest such as irritation, restlessness, difficulty in concentrating, and interestingly, excessive emotional response.  Why? As I understand it, because  we do not have enough to capture our attention, indeed, perhaps to distract us from our emotions, or to direct them.  As color consultant Helen Gurura says, “People expect all their senses to be moderately stimulated at all times.”  What is the key here? The word “moderately”.  As the saying goes…“All things in moderation…even-  moderation!”

BLOG1

On the other end of the spectrum, we have complexity, which in the extreme, can lead to over-stimulation. and increase muscular tension, pulse rate and blood pressure. Hmmm…not good. Too much saturated color, brightness and pattern demand  attention both voluntary and involuntary. This can mess with our capacity to concentrate visually and thus interfere with tasks that require this, resulting in among other things, lowered productivity.

Blog1,jpg

Thus we see that both over and under-stimulation can impair our concentration..one by not giving us enough to focus on, the other by giving us too much.  In both cases we get distracted…by having not enough to see, or by being inundated by too much visual stimuli!

Our goal is balance, the balance between these two extremes, and apparently our minds, bodies, and perhaps our souls and spirits too, crave it.

dj_a

Let’s see how balance, or, “the securing of unity in the midst of variety”,  is achieved in the following spaces, visual environments, and color schemes.  We are all human, and require certain things to stay alive, and to thrive.  However our personal tastes, needs and requirements may differ, based on our genetic make-up, backgrounds, psychology, and cultural influences.  There is no one-size fits all for design. Most of us know this from experience. We may need to “play around’, to discover what fits, or “works for”  us best at any given moment, knowing that this may very well change over time!

1st_aThe inhabitant of this sleek urban space wanted a minimum of color. Warm wood, and neutrals punctuated by crisply framed black and white photographs gave her what she wanted, and saved her from the dangers of monotony, sensory deprivation, and under-stimulation. A favorite painting adds a tiny pop of color, and a variety of materials and light-reflective sheens add visual interest without bringing too much complexity into the space.

1st

bernalRed plays a starring role in this open plan kitchen/living room, adding strength to both spaces in the accent wall below the bar. The warmth of red, wood and rug is offset by the  white trim, and cool metal of the bar stools. Red is often used as an appetite-stimulating color in dining spaces. Here it is kept to an accent, so as not to overwhelm the space and our senses.

lomThis bedroom is in a condo that serves as an “urban getaway for its owners, who wanted a space both warm and restful for their city place, and  high on the “unity” end of the color balance spectrum.  Use of creams, ochres, and warm woods achieve this, while the painting brings in some drama and contrast (IE variety and thus complexity), while staying within the chosen color scheme.

soulAnother use of red as accent, doors are a popular surface for red hues. (Why? Check out this Houzz article on the subject!). The red door of Soulful Pilates Studio in San Francisco (painted red on both sides) ushers students and practitioners into a serene, yet energetic space. Like the bedroom above, warm, creamy ochres are used, but the palette is enlivened by colorful mats, and equipment sporting a variety of textures. The red, intense by contrast, adds complexity by creating a focal point expressing the idea of passing from the outside world to the internal realm, both mentally and physically. A multitude of windows add more visual interest, and plenty of light to the space during the day, as well as framing street “scenes”. Below, the purple mat provides pleasing and complimentary contrast to the golden walls.

soul_e

spear_eCream, red and strong pattern are used to great effect in this Parisian-inspired living/dining area,  another example of an urban “get-away” for the owners. Detail, but a minimum of artwork was added to the walls to break them up visually, and our eye is drawn down the “walkway” to the brilliantly colored and patterned curtains at the end of the corridor. The hue on the wall matches the cream in the curtains, reducing visual complexity through a limited color scheme, and the smooth, polished wooden floors warm and ground the animated, yet elegant space.  The heavy, dark painting is offset by playful patterns, streamlined ornamentation, and  an illusion, of retrained opulence. Comme que c’est tres-francais!

spear_f

There are many ways to visually balance an environment, and the approach may be different for each person.  You may try changing paint colors, adding or subtracting pattern and texture,  curating works of art, decorative items or textiles, rearranging furniture, or even changing your floor surface…with a rug, a coat of paint, or just a bit of “spit and polish”.

I hope this series of posts on Color: A Balancing Act has offered some insight into how to better live and thrive in your environment, and have more fun in it too.  Color, like most things worth investigating, is a life-time study.  Mysterious,energetic, scientific, emotional and physical…it truly seems to weave its own magic, and power.

May You use it well!

Color: A Balancing Act

Color: A Balancing Act

cc2

We have all had the experience of sensory overload..as well as sensory deprivation.  We may experience overload when entering an environment filled with loud sounds, bright colors, an array of patterns,  and a variety of textures…to say nothing of what we may be sniffing, tasting or touching there.

))A

We may experience sense of deprivation when a space is too quiet, neutral, bland, uninteresting, and feels just plain boring.  We know something is “wrong”, but we may not be able to put our finger on it, literally speaking, especially if there is a dearth of textures, colors, patterns, and other visual stimuli.

WEB 3

Although our tolerance for visual complexity and variety, as well as unity and coherency varies from person to person, we do expect, and maybe even need, our senses to be stimulated to some extent at all times. Perhaps we are experiencing this through dreams while we are sleeping!

WEB bo1

Not surprisingly, even our health and physical well-being can be affected by exposure to over or under-stimulation. Extreme unity, or monotony, can result in restlessness, irritation, a lowered ability to concentrate, wandering attention, and an overly strong emotional response.  Extreme complexity/variety can result in higher blood pressure, pulse rate, and muscle tension.  Not a good thing, as we can probably all agree.

WEBa

Knowing this, our job as color consultants/designers becomes charged with even greater purpose and meaning…how to create environments of balance (which doesn’t mean symmetry or the sum of equal parts, which might become monotonous), which support both our physical and our emotional well-being, as well as the function of the spaces themselves, and even our life’s purpose!

cc3

Before we get either too lofty, or too weighty about all this, lets look at some color designs and palettes that achieve balance in a variety of different ways. I hope to continue to investigate, explore and disseminate the subject of color balance in further posts. Have fun!

26a

A nearly monochrome palette relieved by creamy white trim can be stately and restful, especially when enlivened by a multitude of decorative detail.

dia_a

Even a deep, rich, dominating hue such as a  burgundy purple can be set off by accents of an even deeper value. The dramatic shift to white in the trim frames a building that the owner wanted to simplify and streamline, while still acknowledging  its details.

B4A slight amplification in field color from the original,

sc

 makes this building more satisfying to look at, as it is more “complex”(contains more color) . The addition of a dark accent color on the window sashes, and a more intense door color add variety, which also increases complexity, and protects against visual monotony.

clay_a

The temptation to “go color crazy” on this magnificent Queen Anne Victorian could have created so much complexity, that our attention may have been distracted from actually seeing and enjoying its beautiful period details, such as the shift in shingle pattern, decorative insets, and dentils.

clay_cInstead, by limiting the colors to a set of resonant neutrals (field color, field color 200% formula and off white trim color), and adding accents in earthy hues of complimentary sage green and brick-red with just a touch of gold leaf,

clay_b

we are not so overstimulated by too much variety, and can actually take in and enjoy the details, colors and shapes that integrate to create a unified whole.

gu_a

The complex but neutral beige body color, and white trim are punctuated by a rich red service door, a singular detail on this building, which has very little embellishment, or even trim.

gu

As the owner wanted to reduce the possibility of visual complexity, subtle interest is brought in by the use of a slightly darker and more intense foundation color, which grounds and visually supports the structure. Thus both over and under-stimulation are avoided, and we experience enough visual simulation to provide a pleasing experience physically and emotionally.

pierce

The size, style,, “stateliness” and foliage around a structure can influence color design choices, as well as how much its body is broken up  by its trim. Here the deep blue-green color of the house body is significantly relieved by the crisp white trim and garage door, as well as bright green foliage, which becomes a color accent or counterpoint to the dominating blue and white. As the building reads  tall and thin, our eye is drawn upward to the sky, which completes the picture. Not seen here is the warm brown accent color used on the planters in both the entry way and back patio, which provide  contrast to the blue and green, and complete the triad of blue, green and brown “nature’ colors.

dia_d

A unified palette can make a building stand out…even if it doesn’t contain an extreme shift in accent color. Our richly hued “old  burgundy” beauty commands the street view here.  All  the more regal for being contained and restrained in color variety, the palette is retrained yet fun, making a statement without overwhelming our senses. The building itself serves as an accent for a block dominated by pale, nondescript and rather unimaginative hues.  Maybe, stimulated, but not overstimulated by our royal example, the neighbors will be inspired to follow suite and add more local color!

If You are feeling either over, or under-stimulated in your environment, try experimenting with adding or subtracting color, pattern, texture,  changing the value (light to dark), or intensity/saturation (brightness) of the colors, changing your accent color to the compliment of the dominant color in the space, or if there is no dominant color, creating one.

You may just find yourself feeling better on all fronts!

Until next time…wishing you balance, variation, complexity, unity and coherence in your Life!