E-Lumen-8: Part 2 Take 1
I recently participated in a holiday gift show, and created a collection of my “Artissima Lumens” (painted light switch covers) to show and sell.
In that spirit, I decided to document the process, and also create a sort of show and tell.
In posting, I decided to move “backwards” in time…starting with the finished creations, and then showing how they were made, start to finish, er, finish to start.
Both the fascination and the frustration, ah-challenge, of painting on such a small canvas is, just that. Light switch plates are such a small canvas, especially the “rocker” style light switch plate.
No, we are not talking Mick Jagger here…we are talking the type of frame-like light switch plate that has a rectangular opening designed to surround a rocker style light switch. The “canvas” area exists in just that small frame.
So why do it?
Why take on such a potentially frustratingly limited space for creativity?
Well…the challenge and allure of creating a miniature, for one thing. It is fascinating to see what can be done on a limited surface space…with the limitations imposed both by the form and the function of the object.
How does one “use’ the opening as part of the composition? Knowing, of course, that the light switch itself will change position continually as it is used for what it is designed to be used for: let there be light!
Do the “Lumens” then become tiny pieces of performance art? “E-Lumen-8-ed’ not only by the burst of light when the switch is flicked, but also by the intentional movement of the client/owner/user when they reach out, and press, push, flick or rock that light switch?
Does the user become an unwitting collaborator in the “performance’ when they complete the action necessary to get use from an essentially utilitarian object?
An object that is surrounded by the embellished work that remains stationary, and yet is enlivened by the action it surrounds, like a miniature theater?
Does the user then become the performer?
Does the “Artissima Lumen” function merely as a frame for the utilitarian light switch, or does it employ the switch itself as a moving part of the whole? Does it employ the user as performer by engaging him or her to complete a necessary action?
Such questions of form and function, concept and adornment, use and decor, object and action, creator and performer…may underlie some of our very motivation to create.
They won’t be answered in or by this post…but they are fascinating to contemplate!