LACMA in NoHo I

LACMA in NoHo I
Making Accordion Fold Books

On-Site: Neighborhood partnerships with the Los Angeles County Museum of Art!
LACMA (The Los Angeles County Museum of Art) began its partnership with North Hollywood in August 2016 with Summer Nights, free art workshops for the community at the NoHo Plaza in the Arts District.  This year in August 2017, we continue the tradition!

Setting up. Team member arrive at 4pm to make the “People Street” of NoHo Plaza ready for our accordion bookmaking workshop.

About 90 artmakers attend during the course of the evening, from 6 – 9 pm.

The range of the participants” creativity, and imaginative use of materials was breathtaking.

Whole families got into the act (of artmaking)

and fathers and sons worked together.

Some innovative artists took the materials at hand and created something entirely new, as
our wonderful DJ played accordion music, to work with the accordion-book-making event of the evening!

Friends shared…

Mothers and daughters spent hours…

Young artists played with stickers…

while others worked hard on collage.

Stories were told, and

the completed books exceeded the sum of their parts…

Which is what great art does, and always will do.
We need the art, and people need to make it. 

An ever unfolding cycle.

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“Building Your World”

“Building Your World”

In a recent program at the Westwood Branch Library, children created their own worlds inspired by architecture, repurposed materials, and their own imaginations!

Participants engaged concepts of architecture, design, engineering, construction and environment, finding new uses for cast-off items, and recycling what could have been trash into  fanciful constructions of joy, wit, whimsy…and always, creativity.

Creating and using color…pipe cleaners, a wooden clothes pin, plastic and paint samples and cardboard ribbon spools!

Arranging a wooden cutout (left over from a furniture-making class) and a pipe cleaner on a project board…ready to add other materials.

Another young maker using the same wooden cutout in a whole different way. Clothespins and empty spools become hooks and clips for jewelry.

Drawing combined with unique packing material and plastic tiles topped by small spools form the visual structure for this young boy’s world.

Here the project board is used as a flat base, and din=mension is added with a gift box top, straws, and yet another employment of empty spools.

Participants worked flat on tables in the library’s multipurpose/community room, and most came at the start of the program, and stayed for its 1.5 hour entirety, allowing them time to truly play, design, experiment and build.

Lawrence worked what looked to be upside down on his project,

perhaps turning his project board base around to see how it was developing from both vantage points.

This lovely world of color, flowers animals and doors/flaps which lift up was created by a young girl of preschool age, working quietly in a corner with her mother. She made beautiful use of the materials, arranging cardboard, tile and paint samples and pipe cleaners to beautiful effect.  I would love to visit this world for a bit!

It was exciting to see children visualize wolds in real time, then create them concretely. I have to believe it was wonderful and empowering for the children and their adults as well.

Books and Butterflies

Books and Butterflies
Fairytale Bookmaking

I recently had the opportunity to teach a classed entitled “Fairy Tales”, to a group of 5 and six-year-old extremely creative girls. What an amazing experience!

A favorite project was the “butterfly book”, a single signature book of folded bright tagboard bound together with plastic cord easily strung through punched holes.

When the structure is bound and the form is made, the fun begins…

Using a mix of humble materials such as binder hole reinforcements,

and “fancy” ones, including glitter glue, stickers

and metallic tape,  the young artists transformed their books into unique butterflies of beauty and whimsy.

They mastered tools that required a bit of manual dexterity and control, such as stamps.

and some added plenty of plenty of “gems”.
The above is an envelope accordion book, but the butterfly theme rules!

Creativity and Imagination.
Space, Time, Focus and Support.

Let’s Fly!

 

 

Le Papier V

Le Papier V

“Gossamer”

Side-bound book, repurposed paper, cloth, paint chips, vellum (?) and cord.

“Maggie’s Book”
“Folded fan” flag book, repurposed brochure, vellum (?), photo corners, brochures and postcards.

 

Le Papier IV

Le Papier IV

When a discarded placemat just screams “book”

Single signature binding

Side bound book made from packing material, twisty ties and jute.

Le Papier III

Le Papier III

“Prioritaire”

A Flag Book

Front

Opened, covers folded

Opened, covers unfolded

Back

Le Papier I

Le Papier I

Side stab binding…repurposed materials…emptying the mind…instinctual movement

Faber’s Book, repurposed cardboard, repurposed paper, hemp cord, tissue, pencils, matchbook

Fixing Broken Hearts, repurposed cardboard, repurposed paper, hemp cord, tag, print media

Full“, repurposed cardboard, repurposed paper, hemp cord

2014

 

“If You Remember, I’ll Remember” III

“If You Remember, I’ll Remember” III

If You Remember, I’ll Remember”  an innovative group exhibition about cultural/historical memory  is currently at The Block Museum of Art At Northwestern University .

“If You Remember, I’ll Remember is an invitation to reflect on the past while contemplating the present through works of art exploring themes of love, mourning, war, relocation, internment, resistance, and civil rights in 19th and 20th century North America. This exhibition includes works by artists Kristine Aono (b. 1960), Shan Goshorn (b. 1957), Samantha Hill (b. 1974), McCallum & Tarry (active 1998-2013), Dario Robleto (b. 1972), and Marie Watt (b. 1967). By engaging with historic documents, photographs, sound recordings, oral histories and objects of material culture drawn from institutional and informal archives, these artists highlight individuals’ stories or make connections to the their own histories. Some make explicit links to events across time periods, while in others these associations are implicit.”

The work of transdisciplinary artist Samantha Hill:

‘Since 2009, Chicago artist Samantha Hill has been developing the Kinship Project Archive, a repository comprised of oral histories and more than 3,000 objects, including vintage photographs and scrapbooks mostly from African-American families. The items are obtained primarily through Hill’s in-depth engagement with various U.S. communities, particularly in Anchorage, Alaska, Charlotte, North Carolina, and Chicago. Her installation “Herbarium”(2015 to 2017) was first presented at the Hyde Park Art Center in 2015 and has been revised and expanded for this exhibition. The work was inspired by a gift of artifacts from a Hyde Park family dating from 1839 to 1940 and includes newspaper clippings, letters and other documents related to family history and political events in the South. Hill’s work also features items related to the early of history of Birmingham’s 16th Street Baptist Church, which became a nationally charged site in 1963 when members of the Ku Klux Klan bombed the building, killing four little girls.” —https://news.northwestern.edu/stories/2017/01/if-you-remember-ill-remember-poses-timely-questions/

“If You Remember, I’ll Remember” II

“If You Remember, I’ll Remember”

If You Remember, I’ll Remember”  an innovative group exhibition about cultural/historical memory  is currently at The Block Museum of Art At Northwestern University .

“If You Remember, I’ll Remember is an invitation to reflect on the past while contemplating the present through works of art exploring themes of love, mourning, war, relocation, internment, resistance, and civil rights in 19th and 20th century North America. This exhibition includes works by artists Kristine Aono (b. 1960), Shan Goshorn (b. 1957), Samantha Hill (b. 1974), McCallum & Tarry (active 1998-2013), Dario Robleto (b. 1972), and Marie Watt (b. 1967). By engaging with historic documents, photographs, sound recordings, oral histories and objects of material culture drawn from institutional and informal archives, these artists highlight individuals’ stories or make connections to the their own histories. Some make explicit links to events across time periods, while in others these associations are implicit.”

Marie Watt, recently featured in American Craft magazine and an artist I am fascinated with for her use of used textiles and stitching,  is showing stitched blanket pieces, some of which are collaborative such as Companion Species: Ferocious Mother and Canis Familiaris, (2017) below.

 Witness, (2015) below, is “drawn from a 1913 photo …of a First Nations, Quamichan, Potlatch, off Vancouver Island.” — Marie Watt

PowerFUL.

Chromatic Interactions III

Chromatic Interactions III

CHAPTERS: Book Arts in Southern California” presented at the Craft and Folk Art Museum in LA.

I was commissioned to create an interactive book.

I created “Chromatic Interactions”

Chromatic Interactions is a flag book is comprised of an accordion spine, front and back covers, and flag pages which are pockets with windows cut out of them to reveal both front and back of the cards that visitor participants wrote and drew on, then inserted into the pockets.

 The front and back covers had windows cut out of them that correlated with the windows cut out of the flag pocket pages.

People’s responses, offerings, additions and interactions surprised me…they really did pause and participate.

This is one of my favorites.

May we all have…Joy…in the morning, in the night…all the time.

As Much As Possible.

JOY